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Symphony No. 82
The Symphony No. 82 in C major, Hoboken 1/82, is the first of the six Paris Symphonies (numbers 82-87) written by Joseph Haydn. It is popularly known as the Bear Symphony. Background The symphony was one of a series of six symphonies commissioned in 1786 by the Concert de la Loge Olympique, a popular concert subscription in Paris (hence the name for the series as a whole). Like the other Paris symphonies, "the Bear" was written for the largest orchestral ensemble that Haydn had written for up until that time, including reinforced woodwind parts and a large string section. Despite its number, the symphony was actually the last of the six Paris symphonies to be composed. It was completed in 1786. It was first performed in 1787 in Paris by the ''Concert de la Loge Olympique'', directed by the celebrated musician, Joseph Bologne, Chevalier de Saint-Georges. Movements The work is in standard four movement form and scored for flute, two oboes, two bassoons, horns and/or trumpets, ti ...
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C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Symphonies By Joseph Haydn
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ...
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List Of Symphonies By Name
While most symphonies have a ''number'', many symphonies are known by their ''(nick)name''. This article lists symphonies that are numbered and have an additional nickname, and symphonies that are primarily known by their name and/or key. Also various compositions that contain "symphony" or "sinfonia" in their name are included, whether or not strictly speaking they adhere to the format of a classical symphony. Sinfonia concertante is a different genre, and works of that genre are not included here, unless for those named works that are usually known as a symphony. See also * List of classical music sub-titles, nicknames and non-numeric titles References ;Notes External links *Many more named symphonies in thiChronological list of symphonies {{DEFAULTSORT:List Of Symphonies By Name List, names Symphony A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in ...
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Emanuel Winternitz
Emanuel Winternitz (Vienna, Austria, 4 August 1898 – New York City, 20 August 1983) was an Austrian-born museum professional who became the first curator of the Department of Musical Instruments at the Metropolitan Museum of Art in New York City. Career Born in Vienna, then capital of the Austro-Hungarian empire, Austria, Winternitz served in World War I. He then practiced law in Vienna in the 1920s and 1930s. Winternitz emigrated to the United States in 1938, after the Anschluss. In 1941, He started work at the Metropolitan as a lecturer. He became "Keeper" of the instruments the following year, and was named Curator in 1949 when Musical Instruments was made a curatorial department. At the Department of Musical Instruments, Winternitz was responsible for saving the musical instruments collection from a plan to turn them over to a Music Library proposed by Juilliard. He was also a musical instruments researcher, credited as the "father of the field of musical iconography". ...
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Dancing Bear
A tame bear, often called a dancing bear, is a wild bear captured when young, or born and bred in captivity, and used to entertain people in streets or taverns. Dancing bears were commonplace throughout Europe and Asia from the Middle Ages to the 19th century, and can still be found in the 21st century in some countries. Dancing bears History In Ancient Rome, bears and monkeys were led to dance and perform tricks for the public. Dancing bears were commonplace in the Indian subcontinent for centuries. The last of them were freed in 2009. In Russia and Siberia, cubs were for centuries captured for being used as dancing bears accompanying tavern musicians (''skomorokhi''), as depicted in the ''Travels'' of Adam Olearius. Dancing bears were widespread throughout Europe from the Middle Ages to the 19th century. They were still present on the streets of Spain in 2007, and in Eastern Europe. Recently, organizations and animal rights activists have worked to outlaw or eliminate tame be ...
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Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be place ...
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Types Of Bagpipes
Northern Europe Ireland *Uilleann pipes: Also known as Union pipes and Irish pipes, depending on era. Bellows-blown bagpipe with keyed or un-keyed 2-octave chanter, 3 drones and 3 regulators. The most common type of bagpipes in Irish traditional music. *Great Irish Warpipes: First reference to the Irish bagpipes was in 1206 Carried by most Irish regiments of the British Army or mercenaries for centuries including in Henry VIII of Englands army, up until the 1960s (except the Royal Inniskilling Fusiliers) when the Great Highland Bagpipe became standard. The War pipe differed from the latter only in having a single tenor drone. Great Irish war pipes fell out of use for centuries due to the British outlawing them, the Scottish bagpipes took the place of the Irish bagpipes role in the British army, which is when the bagpipes became wrongly associated with Scotland. *Brian Boru bagpipes: Carried by the Royal Inniskilling Fusiliers and had three drones, one of which was a baritone, pitch ...
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Bagpipes
Bagpipes are a woodwind instrument using enclosed reeds fed from a constant reservoir of air in the form of a bag. The Great Highland bagpipes are well known, but people have played bagpipes for centuries throughout large parts of Europe, Northern Africa, Western Asia, around the Persian Gulf and northern parts of South Asia. The term ''bagpipe'' is equally correct in the singular or the plural, though pipers usually refer to the bagpipes as "the pipes", "a set of pipes" or "a stand of pipes". Construction A set of bagpipes minimally consists of an air supply, a bag, a chanter, and usually at least one drone. Many bagpipes have more than one drone (and, sometimes, more than one chanter) in various combinations, held in place in stocks—sockets that fasten the various pipes to the bag. Air supply The most common method of supplying air to the bag is through blowing into a blowpipe or blowstick. In some pipes the player must cover the tip of the blowpipe with their t ...
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Symphony
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movement (music), movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), Brass instrument, brass, Woodwind instrument, woodwind, and Percussion instrument, percussion Musical instrument, instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a Full score, musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Ludwig van Beethoven, Beethoven's Symphony No. 9 (Bee ...
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Trio (music)
In music, a trio (from the Italian language, Italian) is any of the following: * a composition for three performers or three Part (music), musical parts * in larger works, the middle section of a ternary form (so named because of the 17th-century practice of scoring the contrasting second or middle dance appearing between two statements of a principal dance for three instruments) * an ensemble of three instruments or voices performing trio compositions. Composition A trio is a composition for three performers or musical parts. Works include Baroque trio sonatas, choral works for three parts, and works for three instruments such as string trios. In the 17th and early 18th century, musical genre trio sonata two melodic instruments are accompanied by a basso continuo, making three Part (music), parts in all. Because the basso continuo is usually played by two instruments (typically a cello or bass viol and a keyboard instrument such as the harpsichord), performances of trio sonata ...
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