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Symphony No. 6 (Myaskovsky)
The Symphony No. 6 in E-flat minor, Op. 23 by Nikolai Myaskovsky was composed between 1921 and 1923. It is the largest and most ambitious of his 27 symphonies, and uses a chorus in the finale. It has been described as "probably the most significant Russian symphony between Tchaikovsky's ''Pathétique'' and the Fourth Symphony of Shostakovich".Malcolm MacDonald, notes to Warner 2564 63431-2. The premiere took place at the Bolshoi Theatre, Moscow on 4 May 1924, conducted by Nikolai Golovanov and was a notable success. The descending chordal theme with which the symphony came to Myaskovsky while he attended a mass rally in which he heard the Soviet Procurator Nikolai Krylenko conclude his speech with the call "Death, death to the enemies of the revolution!" The composer was also affected by the deaths of his father, his close friend Alexander Revidzev, and his aunt Yelikonida Konstantinovna Myaskovskaya; he was especially shaken by seeing his aunt's body in an empty Petrograd flat d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Myaskovsky
Nikolai Yakovlevich Myaskovsky or Miaskovsky or Miaskowsky (russian: Никола́й Я́ковлевич Мяско́вский; pl, Mikołaj Miąskowski, syn Jakóbowy; 20 April 18818 August 1950), was a Russian and Soviet composer. He is sometimes referred to as the "Father of the Soviet Symphony". Myaskovsky was awarded the Stalin Prize five times. Early years Myaskovsky was born in Nowogieorgiewsk, near Warsaw, Congress Poland, Russian Empire, the son of an engineer officer in the Russian army. After the death of his mother the family was brought up by his father's sister, Yelikonida Konstantinovna Myaskovskaya, who had been a singer at the Saint Petersburg Opera. The family moved to Saint Petersburg in his teens. Though he learned piano and violin, he was discouraged from pursuing a musical career, and entered the military. However, a performance of Tchaikovsky's ''Pathétique'' Symphony conducted by Arthur Nikisch in 1896 inspired him to become a composer. In 1902 he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ah! ça Ira
This is AH wikipédia. AH wikipédia is very very cool but I'm very very cool :D This is funny description: https://www.google.com/search?q=funny&rlz=1C1GCEA_enHU983HU985&sxsrf=APq-WBumF4a0GcwAqKN6s0iYOgPUBiyt6w:1648737749922&source=lnms&tbm=isch&sa=X&ved=2ahUKEwiKsKXfyvD2AhWQjKQKHaV6Ao8Q_AUoAXoECAEQAw&biw=1920&bih=937&dpr=1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Symphonies
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'chorus' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonies By Nikolai Myaskovsky
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Stankovsky
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veronika Dudarova
Veronika Borisovna Dudarova (; os, Дудараты Барисы чызг Вероникæ; January 15, 2009) was a Soviet and Russian conductor, the first woman to succeed as conductor of symphony orchestras in the 20th century. She became a conductor of the Moscow State Symphony Orchestra in 1947, and led this and other orchestras for sixty years. In 1991, she founded the Symphony Orchestra of Russia. Dudarova was born in Baku to an ethnic Ossetian, formerly aristocratic, family. She attended the school of music in Baku (class of Stephan Strasser), the piano department of the Leningrad Conservatory (1933–1937), and the conductors' department of the Moscow Conservatory (1939–1947). For thirteen years, from 1947 until 1960, Dudarova was a junior conductor at the Moscow State Symphony Orchestra; in 1960, she took over as the principal conductor and led the orchestra until 1989. She led the Symphony Orchestra of Russia from 1991 to 2003 and retained the role of artistic manag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neeme Järvi
Neeme Järvi (; born 7 June 1937) is an Estonian American conductor. Early life Järvi was born in Tallinn. He initially studied music there, and later in Leningrad at the Leningrad Conservatory under Yevgeny Mravinsky, and Nikolai Rabinovich, among others. Early in his career, he held posts with the Estonian Radio and Television Symphony Orchestra, the Estonian National Symphony Orchestra and the Estonian National Opera in Tallinn. In 1971 he won first prize in the International Conductors Competition at the Accademia Nazionale di Santa Cecilia in Rome. Järvi emigrated to the United States in 1980 with his family. He became an American citizen in 1985. Career In 1982, he became the principal conductor of the Gothenburg Symphony Orchestra, and held the post for 22 years, the longest-serving principal conductor in the orchestra's history. During his Gothenburg tenure, the recording profile and reputation of the orchestra greatly increased. He also helped to secure corporate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitry Liss
Dmitry Liss (born 1960) is a Russian Conductor (music), conductor. He is also the artistic director and chief conductor of the Ural Philharmonic Orchestra. Biography Born in 1960, Dmitry Liss is a graduate of the Moscow Conservatory. Upon graduation from the conservatory in 1984 he became a conductor of the Kuzbass Autonomous Industrial Colony, Kuzbass Symphony Orchestra. In 1991 he was appointed to the position of Chief Conductor of this orchestra and at this time became the youngest chief conductor in Russia. Since 1995, Dmitry Liss has served as Artistic Director/Chief Conductor of the Ural Philharmonic Orchestra. Most recently, Liss was appointed Associate Conductor of the Russian National Orchestra (1999). In 1997–1999 he was Principal Russian Conductor of the American Russian Youth Orchestra. Activities He has taken part in numerous international festivals and has recorded CDs for a variety of American, Russian, Japanese, Taiwanese, Belgian and Swiss companies. Awards * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Evgeny Svetlanov
Yevgeny Fyodorovich Svetlanov (russian: Евгéний Фёдорович Светлáнов; 6 September 1928 – 3 May 2002) was a Russian conductor, composer and a pianist. Life and work Svetlanov was born in Moscow and studied conducting with Aleksandr Gauk at the Moscow Conservatory. From 1955 he conducted at the Bolshoi Theatre, being appointed principal conductor there in 1962. From 1965 he was principal conductor of the USSR State Symphony Orchestra (now the Russian State Symphony Orchestra). In 1979 he was appointed principal guest conductor of the London Symphony Orchestra. Svetlanov was also music director of the Residentie Orchestra (The Hague) from 1992 to 2000 and the Swedish Radio Symphony Orchestra from 1997 to 1999. In 2000 Svetlanov was fired from his post with the Russian State Symphony Orchestra by the minister of culture of Russia, Mikhail Shvydkoi. The reason given was that Svetlanov was spending too much time conducting abroad and not enough time in Mosco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirill Kondrashin
Kirill Petrovich Kondrashin (, ''Kirill Petrovič Kondrašin''; – 7 March 1981) was a Soviet Union, Soviet and Russian Conducting, conductor. People's Artist of the USSR (1972). Early life Kondrashin was born in Moscow to a family of orchestral musicians. Having spent many hours at rehearsals, he made a firm decision at the age of 14 to become a conductor. He studied at the Moscow Conservatory from 1931 to 1936 under the conductor Boris Khaikin. Kondrashin began conducting in the Young People's Theatre in Moscow in 1931, continuing in the Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre three years later. He conducted at the Mikhailovsky Theatre, Maly Opera Theatre in Saint Petersburg, Leningrad from 1938 to 1942 and the Bolshoi Theatre in Moscow from 1943. His performance of Dmitri Shostakovich, Shostakovich's Symphony No. 1 (Shostakovich), Symphony No.1 attracted the composer's attention and led to the formation of a firm friendship. In 1947, he was awarded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmagnole
"La Carmagnole" is the title of a French song created and made popular during the French Revolution, accompanied by a wild dance of the same name that may have also been brought into France by the Piedmontese. It was first sung in August 1792 and was successively added to during the revolutionary events of 1830, 1848, 1863–64, and 1882-83. The authors are not known. The title refers to the short jacket worn by working-class militant ''sans-culottes,'' adopted from the Piedmontese peasant costume named for the town of Carmagnola. It sarcastically sings of the triumphs over the Queen of France, Marie Antoinette (Madame Veto), King Louis XVI (Monsieur Veto), and the French monarchists in general. History There are varied accounts of the song and where it was sung. It was mainly a rallying cry or entertainment for revolutionaries. It was also used to insult opponents of the French Revolution. A popular punishment was to make anti-revolutionaries "sing and dance the Carmagnole", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
