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Symphony No. 6 (Dvořák)
Antonín Dvořák composed his Symphony No. 6 in D major, Op. 60, B. 112, in 1880. It was premiered on 25 March 1881. It was originally published as Symphony No. 1 and is dedicated to Hans Richter, who was the conductor of the Vienna Philharmonic Orchestra. With a performance time of approximately 40 minutes, the four-movement piece was one of the first of Dvořák’s large symphonic works to draw international attention. In it, he manages to capture some of the Czech national style within a standard Germanic classical-romantic form. Background Dvořák’s Symphony No. 6 was composed for the Vienna Philharmonic. In order to understand the context in which he composed this symphony, the climate and reception of Dvořák’s earlier works in Vienna should be taken into consideration. In late 1879, Hans Richter conducted the Vienna Philharmonic in a subscription concert that included the ''Third Slavonic Rhapsody''. According to Dvořák, in a letter dated 23 November 18 ...
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Antonín Dvořák
Antonín Leopold Dvořák ( ; ; 8September 18411May 1904) was a Czech composer. He frequently employed rhythms and other aspects of the folk music of Moravia and his native Bohemia, following the Romantic-era nationalist example of his predecessor Bedřich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them," and Dvořák has been described as "arguably the most versatile... composer of his time". Dvořák displayed his musical gifts at an early age, being a talented violin student. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted scores of symphonies and other works to German and Austrian competitions. He did not win a prize until 1874, with Johannes Brahms on the jury of the Austrian State Competit ...
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Fritz Simrock
Friedrich August Simrock, better known as Fritz Simrock (January 2, 1837 in Bonn – August 20, 1901 in Ouchy) was a German music publisher who inherited a publishing firm from his grandfather Nikolaus Simrock. Simrock is most noted for publishing most of the music of Johannes Brahms and Antonín Dvořák. Simrock published almost all of Brahms's pieces from Opus 16 to Opus 120Sadie, Stanley; Tyrell, John eds. (2001). ''The New Grove Dictionary of Music and Musicians'' (2nd edition). New York: Oxford University Press. and was very good friends with Brahms, even going on holidays to Italy with him. Simrock generally paid Brahms well for his music, but with Dvořák he was often unwilling to publish orchestral pieces, for example, his Eighth Symphony. Simrock was so involved in the lives of prominent musicians that Joseph Joachim came to believe that his wife Amalie was cheating on him with Simrock, and Brahms wrote a famous "lengthy letter" in support of Amalie's innocence, wh ...
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D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of D minor are: * Tonic – D minor * Supertonic – E diminished * Mediant – F major * Subdominant – G minor * Dominant – A minor * Submediant – B-flat major * Subtonic – C major Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. '' The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D mino ...
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Furiant
A furiant is a rapid and fiery Bohemian dance in alternating 2/4 and 3/4 time, with frequently shifting accents; or, in "art music", in 3/4 time "with strong accents forming pairs of beats". The stylised form of the dance was often used by Czech composers such as Antonín Dvořák in the first and eighth dances from his '' Slavonic Dances'', Piano Quintet Op. 81 and 6th Symphony; in his '' Czech Suite'', fifth movement; in his Terzetto for Two Violins and Viola, third movement; and by Bedřich Smetana in ''The Bartered Bride ''The Bartered Bride'' (, ''The Sold Bride'') is a comic opera in three acts by the Czech composer Bedřich Smetana, to a libretto by Karel Sabina. The work is generally regarded as a major contribution towards the development of Czech music. It ...'' and in his second volume for piano of Czech Dances (''České tance 2''), published in 1879 (Op. 21). It was also used by Brahms in the middle section of the second movement of his Sextet No. 2 in G Major. ...
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Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means " joke" or "jest." More rarely, the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, "jesting") has been used. Sometimes the word ''scherzando'' ("joking") is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claud ...
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B-flat Major
B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor. The B-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B-flat harmonic major and melodic major scales are: Many transposing instruments are pitched in B-flat major, including the clarinet, trumpet, tenor saxophone, and soprano saxophone. As a result, B-flat major is one of the most popular keys for concert band compositions. Scale degree chords The scale degree chords of B-flat major are: * Tonic – B-flat major * Supertonic – C minor * Mediant – D minor * Subdominant – E-flat major * Dominant – F major * Submediant – G minor * Leading-tone – A diminished History Joseph Haydn's Symphony No. 98 is often credited as the first symphony written in that key, includ ...
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Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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Rafael Kubelík
Rafael Jeroným Kubelík, KBE (29 June 1914 – 11 August 1996) was a Czech conductor and composer. The son of a distinguished violinist, Jan Kubelík, he was trained in Prague and made his debut with the Czech Philharmonic Orchestra at the age of 19. Having managed to maintain a career in Czechoslovakia under the Nazi occupation, he refused to work under what he considered a "second tyranny" after the Communist Czechoslovak coup d'état of 1948, and took refuge in Britain. He became a Swiss citizen in 1967. Kubelík was music director of the Chicago Symphony Orchestra (1950–53), musical director of The Royal Opera, Covent Garden (1955–58). In 1957, he conducted and recorded the World premiere Berlioz's ''Les Troyens.'' From 1961 to 1979, he was music director of the Bavarian Radio Symphony Orchestra, and was a frequent guest conductor for leading orchestras in Europe and America. As a composer, Kubelík wrote in a neo-romantic idiom. His works include five operas, three ...
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Berlin Philharmonic
The Berlin Philharmonic () is a German orchestra based in Berlin. It is one of the most popular, acclaimed and well-respected orchestras in the world. Throughout the 20th century, the orchestra was led by conductors Wilhelm Furtwängler (1922–45; 1952–54), Herbert von Karajan (1955–89), and Claudio Abbado (1989–2002). The orchestra’s early years, particularly during the later Nazi era, saw a heavy focus on the Austro-Germanic repertoire, featuring composers such as Beethoven, Brahms, Bruckner, Strauss, and Wagner. Under Furtwängler and Karajan, it became renowned for its distinctive sound and high-quality musicianship and toured widely. In the latter half of the 20th century, the orchestra broadened its repertoire to include more Classical, Romantic, and 20th-century works, as well as lesser-known compositions and music from outside the Austro-German tradition. Since Furtwängler's tenure, the orchestra has made numerous recordings, with the number of recording ...
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Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony, or Mahler's Second Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning ...
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Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ...
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