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Symphony No. 3 (Ustvolskaya)
The Symphony No. 3 (subtitled "Jesus Messiah, Save Us!") by Russian composer Galina Ustvolskaya was composed in 1983, and published in 1990. The premiere was given by the Leningrad Philharmonic Orchestra in Leningrad conducted by Vladimir Altschuler with Oleg Popkov as reciter on 1 October 1987. It is scored for: groups of five oboes, trumpets and double basses; a trombone; three tubas; two bass drums and tenor drum; piano; and a solo voice (reciter), which appeals in speech in Russian for salvation. The work lasts approximately 13-15 minutes. The symphony is based on the texts of the 11th-century German monk and musician Hermanus Contractus: the reciter repeating the invocation "Almighty, True God, Father of Eternal Life, Creator of the World, save us". Ustvolskaya noted that there is an error in the published score - an incorrect piano glissando in bar 88 - which persisted despite her request for it to be corrected. Recordings Megadisc Classics - Oleg Malov Oleg Malov is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galina Ustvolskaya
Galina Ivanovna Ustvolskaya (russian: Гали́на Ива́новна Уство́льская , 17 June 1919 – 22 December 2006), was a Russian composer of classical music. Early years Born in Petrograd, Ustvolskaya studied from 1937 to 1939 at the college attached to the Leningrad Conservatory (later renamed the Rimsky-Korsakov Conservatory). From 1947 till 1977 she taught composition at this college. In 1939 she entered Dmitri Shostakovich's composition class at the Conservatory as the only female student in his class. Her composition teacher said of her: Shostakovich sent some of his own as yet unfinished works to Ustvolskaya, attaching great value to her comments. Some of these pieces contain quotations from his pupil's compositions; for example, he employed the second theme of the Finale of her clarinet trio throughout the Fifth String Quartet and in the Michelangelo Suite (no. 9). Ustvolskaya was a pupil of Shostakovich from 1939 to 1941 and from 1947 to 1948, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Galina Ustvolskaya
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space * Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones * Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitry Liss
Dmitry Liss (born 1960) is a Russian Conductor (music), conductor. He is also the artistic director and chief conductor of the Ural Philharmonic Orchestra. Biography Born in 1960, Dmitry Liss is a graduate of the Moscow Conservatory. Upon graduation from the conservatory in 1984 he became a conductor of the Kuzbass Autonomous Industrial Colony, Kuzbass Symphony Orchestra. In 1991 he was appointed to the position of Chief Conductor of this orchestra and at this time became the youngest chief conductor in Russia. Since 1995, Dmitry Liss has served as Artistic Director/Chief Conductor of the Ural Philharmonic Orchestra. Most recently, Liss was appointed Associate Conductor of the Russian National Orchestra (1999). In 1997–1999 he was Principal Russian Conductor of the American Russian Youth Orchestra. Activities He has taken part in numerous international festivals and has recorded CDs for a variety of American, Russian, Japanese, Taiwanese, Belgian and Swiss companies. Awards * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ural Philharmonic Orchestra
Ural Philharmonic Orchestra (in Russian 'Уральский академический филармонический оркестр, УАФО') is a professional symphony orchestra based in Yekaterinburg, Russia. The Ural Philharmonic Orchestra was founded in 1936 by the Russian conductor Mark Paverman as the Orchestra of the Sverdlovsk Radio. The most prominent musicians of the Soviet Union – conductors, soloists and composers – worked with the Orchestra. However, due to the special status of the 'closed city' of Sverdlovsk it was 'hidden' from the rest of the world until 1991 when the city was 'opened', and the Orchestra's professional level quickly became known abroad. Overview Based in Yekaterinburg, a 1,5 million city on the border between Europe and Asia, the Ural Philharmonic Orchestra performs over 100 concerts and more than 70 programs per year, both at its domicile, the Sverdlovsk Philharmonic Hall, and on its extensive international tours. Thanks to the Philharmon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oleg Malov
Oleg Malov is a Russian pianist. A professor at the Saint Petersburg Conservatory, he has centered on Russian contemporary music throughout his career. He is best known for his extensive work on Galina Ustvolskaya Galina Ivanovna Ustvolskaya (russian: Гали́на Ива́новна Уство́льская , 17 June 1919 – 22 December 2006), was a Russian composer of classical music. Early years Born in Petrograd, Ustvolskaya studied from 1937 to 1 ...'s music. Oleg Malov performed at the 'Rest is Noise: the music of Alexander Knaifel' in Ireland on 1 May 2009. Oleg Malov's son, Sergey, is a notable violinist and violist. References Russian classical pianists Male classical pianists Living people 21st-century classical pianists Year of birth missing (living people) 21st-century Russian male musicians {{Russia-classical-pianist-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of time corresponding to a specific number of beats in which each beat is represented by a particular note value and the boundaries of the bar are indicated by vertical bar lines. Dividing music into bars provides regular reference points to pinpoint locations within a musical composition. It also makes written music easier to follow, since each bar of staff symbols can be read and played as a batch. Typically, a piece consists of several bars of the same length, and in modern musical notation the number of beats in each bar is specified at the beginning of the score by the time signature. In simple time, (such as ), the top figure indicates the number of beats per bar, while the bottom number indicates the note value of the beat (the beat has a quarter note value in the example). The word ''bar'' is more common in British English, and the word ''measure'' is more common in American English, although musicians generally u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glissando
In music, a glissando (; plural: ''glissandi'', abbreviated ''gliss.'') is a glide from one pitch to another (). It is an Italianized musical term derived from the French ''glisser'', "to glide". In some contexts, it is distinguished from the continuous portamento. Some colloquial equivalents are slide, sweep (referring to the "discrete glissando" effects on guitar and harp, respectively), bend, smear, rip (for a loud, violent gliss to the beginning of a note), lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument), plop, or falling hail (a glissando on a harp using the back of the fingernails). On wind instruments, a scoop is a glissando ascending to the onset of a note achieved entirely with the embouchure. Portamento Prescriptive attempts to distinguish the glissando from the portamento by limiting the former to the filling in of discrete intermediate pitches on instruments like the piano, harp, and fretted stringed instruments have run u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Of Reichenau
Blessed Hermann of Reichenau (18 July 1013– 24 September 1054), also known by other names, was an 11th-century Benedictine monk and scholar. He composed works on history, music theory, mathematics, and astronomy, as well as many hymns. He has traditionally been credited with the composition of "Salve Regina", "Veni Sancte Spiritus",. and "Alma Redemptoris Mater", although these attributions are sometimes questioned. His cultus and beatification were confirmed by the Roman Catholic Church in 1863. Names Hermann's name is sometimes anglicized as Herman or Latinized as Hermannus; it sometimes also appears in the older form Heriman. He is sometimes distinguished as Hermann of Vöhringen ( la, Hermannus de Voringen; german: Hermann von Vöhringen) from his birthplace. He is better known as Hermann of Reichenau ( la, Hermannus Augiensis; german: Hermann von Reichenau) from the location of his monastery on Reichenau Island ( la, Augia) in Lake Constance. He was traditionally d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Drum
A tenor drum is a membranophone without a snare. There are several types of tenor drums. Early music Early music tenor drums, or long drums, are cylindrical membranophone without snare used in Medieval, Renaissance and Baroque music. They consist in of a cylinder of wood, covered with skin heads on both ends, that are tensioned by ropes. Played with two sticks, this type of drum varies in pitch, according to its size. Orchestral music In a symphony orchestra's percussion section, a tenor drum is a low-pitched drum, similar in size to a field snare, but without snares and played with soft mallets or hard sticks. It is larger in diameter than depth, and tonally is midway between the bass drum and unsnared side drum. Berlioz scored for 2 tenor drums in the "Grande messe des morts". His "Te Deum" requires 6 tenor drums. Wagner wrote for this drum in "Rienzi", "Lohengrin", "Die Walküre", “Götterdämmerung”, and "Parsifal". Strauss used it in "Ein Heldenleben", and Elgar in his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Petersburg Philharmonic Orchestra
The Saint Petersburg Philharmonic Orchestra (russian: Симфонический оркестр Санкт-Петербургской филармонии, ''Symphonic Orchestra of the Saint Petersburg Philharmonia'') is a Russian orchestra based in Saint Petersburg, at the Saint Petersburg Philharmonia. History The roots of the orchestra date back to 1802, with the founding of the Saint Petersburg Philharmonic Society that year. The orchestra was initially known as the Imperial Music Choir, and performed for the Court of Alexander III of Russia. By the 1900s, the Orchestra started to give public performances at the Philharmonia and elsewhere in Russia. After the Russian Revolution, the Orchestra was taken over by the members and the name was changed to the State Philharmonic Orchestra of Petrograd. In the 1920s, the orchestra began receiving support from the State, and began to be known internationally. Its guest conductors included Bruno Walter, Ernest Ansermet, and Hans Kn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Drum
The bass drum is a large drum that produces a note of low definite or indefinite pitch. The instrument is typically cylindrical, with the drum's diameter much greater than the drum's depth, with a struck head at both ends of the cylinder. The heads may be made of calfskin or plastic and there is normally a means of adjusting the tension either by threaded taps or by strings. Bass drums are built in a variety of sizes, but size does not dictate the volume produced by the drum. The pitch and the sound can vary much with different sizes, Del Mar, Norman (1981). ''Anatomy of the Orchestra''. . but the size is also chosen based on convenience and aesthetics. Bass drums are percussion instruments and vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. * The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum (in Italian: gran cassa, gran tamburo). It is the largest dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
