Symphony No. 1 (Ives)
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Symphony No. 1 (Ives)
Charles Ives's Symphony No. 1 in D minor, written between 1898 and 1902, is an example of how Ives synthesized ideas from composers who came before him. Many of his later symphonies relied on Protestant hymns as the main theme. However, this symphony is composed in the late- Romantic European tradition, and is believed to contain many paraphrases from famous European pieces such as Tchaikovsky's '' Pathétique'' and Schubert's ''Unfinished'' symphonies and especially Dvořák's ''New World Symphony''. The piece is scored for 2 flutes, 2 oboes, cor anglais, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani and strings. There is also an optional part for a third flute. The new critical edition adds side drum percussion in the coda of the finale.(Recent recordings by Andrew Litton and Gustavo Dudamel include these percussion parts). There are four movements: A typical performance lasts 35–37 minutes. In popular culture This symphony is regularly alluded ...
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Charles Ives
Charles Edward Ives (; October 20, 1874May 19, 1954) was an American modernist composer, one of the first American composers of international renown. His music was largely ignored during his early career, and many of his works went unperformed for many years. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. Hence, he is often regarded as the leading American composer of art music of the 20th century. Sources of Ives's tonal imagery included hymn tunes and traditional songs; he also incorporated melodies of the tow ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Andrew Litton
Andrew Litton (born May 16, 1959, New York City) is an American orchestral conductor. Litton is a graduate of The Fieldston School. He studied piano with Nadia Reisenberg and conducting with Sixten Ehrling at the Juilliard School of Music in New York, receiving his Bachelor of Music degree and his Master of Music degree from in piano and conducting. He also received lessons in conducting from Walter Weller at the Salzburg Mozarteum and Edoardo Müller in Milan. His early teachers included John DeMaio. The youngest-ever winner of the BBC International Conductors Competition in 1982, he served as Assistant Conductor at Teatro alla Scala and Exxon/Arts Endowment Assistant Conductor for the National Symphony Orchestra in Washington D.C. under Mstislav Rostropovich (1982-1985), where subsequently he was Associate Conductor (1985-1986). Litton was a participant in the Affiliate Artists Exxon-Arts Endowment Conductors Program. In 2003, he was awarded Yale University's Sanford Medal. ...
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Dallas Symphony Orchestra
The Dallas Symphony Orchestra (DSO) is an American orchestra based in Dallas, Texas. Its principal performing venue is the Morton H. Meyerson Symphony Center in the Arts District of downtown Dallas. History The orchestra traces its origins to a concert given by a group of forty musicians in 1900 with conductor Hans Kreissig. It continued to perform and grow in numbers and stature, so that in 1945 it was in a position to appoint Antal Doráti as music director. Under Doráti, the orchestra became fully professional. Several times during the history of the orchestra it has suspended operations, including periods during the First and Second World Wars from 1914 to 1918 and from 1942 to 1945, and more recently in 1974 due to fiscal restraints. Subsequent music directors have included Georg Solti, Anshel Brusilow, and Eduardo Mata. Andrew Litton was music director from 1994 to 2006. During Litton's tenure, the orchestra recorded the four Rachmaninoff piano concerti and the ''Rhapso ...
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Hyperion Records
Hyperion Records is an independent British classical record label. History Hyperion is an independent British classical label that was established in 1980 with the goal of showcasing recordings of music in all genres and from all time periods, from the twelfth century to the twenty-first. The company was named after Hyperion, one of the Titans of Greek mythology. It was founded by George Edward Perry, widely known as "Ted". Early LP releases included rarely recorded 20th century British music by composers such as Robin Milford, Alan Bush and Michael Berkeley. The success of the venture was sealed with a critically acclaimed and popular disc of music by Hildegard of Bingen, ''A Feather on the Breath of God'' (1985), directed by the medievalist Christopher Page and his group Gothic Voices. The current director of Hyperion Records is Simon Perry, son of Ted Perry. Recognition Hyperion became renowned for recording lesser-known works, particularly reviving Romantic piano con ...
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A Cure For Cancer
''A Cure for Cancer'' is a novel by British fantasy and science fiction writer Michael Moorcock, first published in London 1971 by Allison and Busby. The book is part of Moorcock's long-running Jerry Cornelius Jerry Cornelius is a fictional character created by English author Michael Moorcock. The character is an urban adventurer and an incarnation of the author's Eternal Champion concept. Cornelius is a hipster of ambiguous and occasionally polymorphous ... series. The second novel of the sequence is essentially a collage of absurdist vignettes, many of which first appeared in an eclectic range of British and American magazines. Plot Jerry inhabits a world at war with itself and, armed only with an occasional "vibragun" appears to fight "against history" for the freedom of "randomness" against the straitlaced conventions exemplified by his brother Frank. In the end Jerry's quest, oblique as it is, is perhaps more artistic than political. References Further reading * * * ...
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Michael Moorcock
Michael John Moorcock (born 18 December 1939) is an English writer, best-known for science fiction and fantasy, who has published a number of well-received literary novels as well as comic thrillers, graphic novels and non-fiction. He has worked as an editor and is also a successful musician. He is best known for his novels about the character Elric of Melniboné, a seminal influence on the field of fantasy since the 1960s and '70s. As editor of the British science fiction magazine ''New Worlds'', from May 1964 until March 1971 and then again from 1976 to 1996, Moorcock fostered the development of the science fiction "New Wave" in the UK and indirectly in the United States, leading to the advent of cyberpunk. His publication of ''Bug Jack Barron'' (1969) by Norman Spinrad as a serial novel was notorious; in Parliament, some British MPs condemned the Arts Council of Great Britain for funding the magazine. He is also a recording musician, contributing to the bands Hawkwind, Blu ...
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Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ...
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Sostenuto
Piano pedals are foot-operated levers at the base of a piano that change the instrument's sound in various ways. Modern pianos usually have three pedals, from left to right, the soft pedal (or una corda), the #Sostenuto pedal, sostenuto pedal, and the sustaining pedal (or damper pedal). Some pianos omit the sostenuto pedal, or have a middle pedal with a different purpose such as a muting function also known as silent piano. The development of the piano's pedals is an evolution that began from the very earliest days of the piano, and continued through the late 19th century. Throughout the years, the piano had as few as one modifying stop, and as many as six or more, before finally arriving at its current configuration of three. Individual pedals Soft pedal The ''soft pedal'', or ''una corda'' pedal, was invented by Bartolomeo Cristofori. It was the first mechanism invented to modify the piano's sound. This function is typically operated by the left pedal on modern pianos. Ne ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ...
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String Instrument
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baro ...
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