|
Symphony No. 1 (Glazunov)
Alexander Glazunov wrote his Symphony No. 1 in E major, Op. 5, in 1881, when he was 16 years old. It was premiered the following year in St. Petersburg. It is known as his Slavonian Symphony. Structure The symphony is written in four movements: # Allegro # Scherzo: Allegro # Adagio # Finale: Allegro The symphony bears a strong stylistic semblance to works by Balakirev, Rimsky-Korsakov, and especially Borodin. It was also influenced by Schumann's ''Rhenish'' Symphony, a work which was highly regarded in the Balakirev circle. Overview While the symphony itself was a resounding success, the audience was even more astonished to see a teenage boy come to the stage to take his bows in his school uniform. This was not the first time Alexander Glazunov had astounded people. He displayed his musical talent early, was discovered by Mily Balakirev (former leader of The Mighty Handful) and further encouraged by his teacher Nikolai Rimsky-Korsakov, who gave him a thorough grounding in coun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Glazunov
Alexander Konstantinovich Glazunov; ger, Glasunow (, 10 August 1865 – 21 March 1936) was a Russian composer, music teacher, and conductor of the late Russian Romantic period. He was director of the Saint Petersburg Conservatory between 1905 and 1928 and was instrumental in the reorganization of the institute into the Petrograd Conservatory, then the Leningrad Conservatory, following the Bolshevik Revolution. He continued as head of the Conservatory until 1930, though he had left the Soviet Union in 1928 and did not return. The best-known student under his tenure during the early Soviet years was Dmitri Shostakovich. Glazunov successfully reconciled nationalism and cosmopolitanism in Russian music. While he was the direct successor to Balakirev's nationalism, he tended more towards Borodin's epic grandeur while absorbing a number of other influences. These included Rimsky-Korsakov's orchestral virtuosity, Tchaikovsky's lyricism and Taneyev's contrapuntal skill. Younger comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony ( melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphonies By Alexander Glazunov
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valeri Polyansky
Valery Kuzmich Polyansky (Russian: ''Валерий Кузьмич Полянский''; born April 19, 1949 in Moscow) is a Russian orchestral and choral conductor. He is a professor of the Moscow Conservatory, People's Artist of Russia (1996), artistic director, chief conductor and founder of the State Symphony Capella of Russia. Awards and honors *State Prize of the Russian Federation The State Prize of the Russian Federation, officially translated in Russia as Russian Federation National Award, is a state honorary prize established in 1992 following the breakup of the Soviet Union. In 2004 the rules for selection of laureates ... in the field of literature and the arts in 1995 * References External linksBiography 1949 births Living people State Prize of the Russian Federation laureates People's Artists of Russia 21st-century Russian conductors (music) Russian male conductors (music) 21st-century Russian male musicians {{Russia-musician-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
State Symphony Capella Of Russia
The State Symphony Capella of Russia (Государственная академическая симфоническая капелла России) comprises an orchestra and a choir, both based in Moscow, Russia. Its principal conductor is Valery Polyansky. It was formed in 1991 by merging the former USSR Ministry of Culture Symphony Orchestra (Симфонический оркестр Министерства культуры СССР) with the USSR State Chamber Choir (Государственный камерный хор СССР). It is sometimes known as the Russian State Symphony Orchestra. Principal Conductors *Valeri Polyansky (1992–present) *Gennady Rozhdestvensky (1981–1992) *Maxim Shostakovich (1971–1981) *Yuri Ahronovich (1964–1971) *Samuil Samosud Samuil Abramovich Samosud (russian: Самуи́л Абра́мович Самосу́д) (Tbilisi, Georgia, — Moscow, 6 November 1964), PAU, was a Soviet and Russian conductor. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadaaki Otaka
is a Japanese conductor. Biography Otaka studied composition, theory, and French horn, at the Toho Gakuen School of Music. He was subsequently a conducting student of Hideo Saito. Otaka has served as conductor of the Tokyo Philharmonic Orchestra and became conductor laureate since 1991. From 1981 to 1986, he was chief conductor of the Sapporo Symphony Orchestra, and since May 1998 held the titles of music adviser and principal conductor. From 1992 to 1998, he was principal conductor of the Yomiuri Nippon Symphony Orchestra. He founded the Kioi Sinfonietta Tokyo in 1995, and has served as its music adviser, principal conductor, and honorary conductor laureate. In the UK, Otaka was principal conductor of the BBC National Orchestra of Wales (BBC NOW) from 1987 to 1995. Otaka now has the title of conductor laureate with the BBC NOW. From 1998 to 2001, he directed the Britten-Pears Orchestra. In 2012, Otaka was named international president of the Welsh Sinfonia. In Septem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BBC National Orchestra Of Wales
The BBC National Orchestra of Wales (BBC NOW) ( cy, Cerddorfa Genedlaethol Gymreig y BBC) is a Welsh symphony orchestra and one of the BBC's five professional radio orchestras. The BBC NOW is the only professional symphony orchestra organisation in Wales, occupying a dual role as both a broadcasting orchestra and national orchestra. The BBC NOW has its administrative base in Cardiff, at the BBC Hoddinott Hall on the site of the Wales Millennium Centre, since January 2009. The BBC NOW is the orchestra-in-residence at St David's Hall, Cardiff, and also performs regularly throughout Wales and beyond, including international tours and annual appearances at the Royal Albert Hall in London at the BBC Proms. Broadcasting work includes studio sessions for BBC Radio and television, although the orchestra's concerts form the bulk of its broadcasts, transmitted primarily on BBC Radio 3 but also on BBC Radio Wales, BBC Radio Cymru and BBC television. The orchestra records many soundtracks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Taneyev
Sergey Ivanovich Taneyev (russian: Серге́й Ива́нович Тане́ев, ; – ) was a Russian composer, pianist, teacher of composition, music theorist and author. Life Taneyev was born in Vladimir, Vladimir Governorate, Russian Empire, to a cultured and literary family of Russian nobility. A distant cousin, Alexander Taneyev, was also a composer, whose daughter, Anna Vyrubova, was highly influential at court. Alexander was drawn closely to the nationalist school of music exemplified by The Five, while Sergei would gravitate toward a more cosmopolitan outlook, as did Tchaikovsky.Brown, ''New Grove'', 18:558. He began taking piano lessons at the age of five with a private teacher. His family moved to Moscow in 1865. The following year, the nine-year-old Taneyev entered the Moscow Conservatory. His first piano teacher at the Conservatory was Edward Langer. After a year's interruption in his studies, Taneyev studied again with Langer. He also joined the theory c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. However, in musical theatre, film music and other commercial media, it is customary to use orchestrators and arrangers to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music, counterpoint is the relationship between two or more musical lines (or voices) which are harmonically interdependent yet independent in rhythm and melodic contour. It has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and chords, chromaticism and dissonance. General principles The term "counterpoint" has been us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has eight flats, including the double-flat B, which makes it impractical to use. The E major scale is: Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in the first movement. Only two of Joseph Haydn's 106 symphonies are in E major: No. 12 and No. 29. Ludwig van Beethoven used E major for two of his piano sonatas, Op. 14/1 and Op. 109. Starting with B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Pyotr Ilyich Tchaikovsky")
