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Symphony No. 1 (Enescu)
Symphony No. 1, Op. 13, in E♠by the Romanian composer George Enescu reflects the composer's training in both Vienna and Paris. In the former location he studied the Brahmsian tradition with Robert Fuchs, and in the latter the French tradition with Jules Massenet and Gabriel Fauré. History Enescu completed the symphony in 1905, and it was premiered on Sunday, 21 January 1906 at the Théâtre du Châtelet in Paris, on the fourteenth concert of the 1905–06 series of the Concerts Colonne, conducted by Édouard Colonne. It was published by Enoch et co., Paris, in 1906. The score is dedicated to Alfredo Casella, Enescu's former classmate at the Paris Conservatoire and lifelong friend. In turn, Casella would dedicate his Second Symphony to Enescu in 1908. Instrumentation The symphony is scored for 3 flutes (third doubling piccolo), 2 oboes, cor anglais, E clarinet, 2 clarinets, bass clarinet, 3 bassoons, contrabassoon, 4 horns, 2 trumpets, 2 cornets, 3 trombones, tuba, timpani, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Enescu
George Enescu (; – 4 May 1955), known in France as Georges Enesco, was a Romanian composer, violinist, conductor and teacher. Regarded as one of the greatest musicians in Romanian history, Enescu is featured on the Romanian five lei. Biography Enescu was born in Romania, in the village of Liveni (later renamed "George Enescu" in his honor), then in Dorohoi County, today Botoșani County. His father was Costache Enescu, a landholder, and his mother was Maria Enescu (née Cosmovici), the daughter of an Orthodox priest. Their eighth child, he was born after all the previous siblings had died in infancy. His father later separated from Maria Enescu and had another son with Maria Ferdinand-Suschi: the painter Dumitru Bâșcu. A child prodigy, Enescu began experimenting with composing at an early age. Several, mostly very short, pieces survive, all for violin and piano. The earliest work of significant length bears the title ''Pămînt românesc'' ("Romanian Land"), and is i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata Form
Sonata form (also ''sonata-allegro form'' or ''first movement form'') is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical music era, Classical period). While it is typically used in the first Movement (music), movement of multi-movement pieces, it is sometimes used in subsequent movements as well—particularly the final movement. The teaching of sonata form in music theory rests on a standard definition and a series of hypotheses about the underlying reasons for the durability and variety of the form—a definition that arose in the second quarter of the 19th century. There is little disagreement that on the largest level, the form consists of three main sections: an exposition, a development, and a recapitulation; however, beneath this general structure, sonata form is difficult to pin down to a single model. The st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By George Enescu
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noel Malcolm
Sir Noel Robert Malcolm, (born 26 December 1956) is an English political journalist, historian and academic. A King's Scholar at Eton College, Malcolm read history at Peterhouse, Cambridge, and received his doctorate in history from Trinity College, Cambridge. He was a Fellow and College Lecturer of Gonville and Caius College, Cambridge, before becoming a political and foreign affairs journalist for ''The Spectator'' and the ''Daily Telegraph''. He stepped away from journalism in 1995 to become a writer and academic, being appointed as a Visiting Fellow of St Antony's College, Oxford, for two years. He became a Fellow of the Royal Society of Literature (FRSL) in 1997 and a Fellow of the British Academy (FBA) in 2001. Since 2002 he has been a senior research fellow of All Souls College, Oxford. He was knighted in the 2014 New Year Honours for services to scholarship, journalism, and European history. Early life and education Malcolm was born on 26 December 1956. He was educated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Gavoty
Bernard Georges-Marie Gavoty (2 April 1908 – 24 October 1981) was a 20th-century French organist, musicologist, music critic, and talk show host. Biography Bernard Gavoty was born in 1908 to Raymond Gavoty (a deputy of the Var department; 11 March 1866 - 20 January 1937 in Paris) and Geneviève Magimel (9 October 1875 in Paris - 17 October 1946 ibid.) the 8th arrondissement of Paris; the capital city of France. After being a pupil of Louis Vierne, Bernard Gavoty entered the Conservatoire de Paris where he had Denise Launay, Michel Boulnois, Antoine Reboulot, Félicien Wolff and Jean-Jacques Grunenwald, among others as classmates in the organ class. He held a very special place among the students of Marcel Dupré at the Conservatoire. He was renowned as a brilliant speaker, endowed with being a refined writer. A great orator, he made numerous lectures, especially for the Jeunesses musicales de France, and was a famous French music critic for ''Le Figaro'' under the pseudon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Bentoiu
Pascal Bentoiu (22 April 1927 – 21 February 2016) was a Romanian modernist composer. Life and career Bentoiu studied harmony, counterpoint and composition with Mihail Jora and piano with Theophil Demetriescu. He spent three years researching the rhythm and harmony of Romanian folk music at the Bucharest Folklore Institute and then began composing for the stage. His operas are written with dramatic flair and make use of a variety of elements, including folksong, tape, serialism and diatonic qualities. His instrumental and orchestral works also contain a variety of contemporary techniques, and Bentoiu's work is characterized by its color and lyricism. He has edited the sketches of the Fourth (1934) and Fifth (1941) Symphonies of Georges Enescu into shape for performance. (There is a recording of both realizations from a 1998 festival.) In 1949, he married Annie Deculescu. Bentoiu died in Bucharest on 21 February 2016 at the age of 88. Compositions Orchestral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lied
In Western classical music tradition, (, plural ; , plural , ) is a term for setting poetry to classical music to create a piece of polyphonic music. The term is used for any kind of song in contemporary German, but among English and French speakers, is often used interchangeably with " art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest lied date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History For Ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recapitulation (music)
In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition. This material is most often recapitulated in the tonic key of the movement, in such a way that it reaffirms that key as the movement's home key. In some sonata form movements, the recapitulation presents a straightforward image of the movement's exposition. However, many sonata form movements, even early examples, depart from this simple procedure. Devices used by composers include incorporating a secondary development section, or varying the character of the original material, or rearranging its order, or adding new material, or omitting material altogether, or overlaying material that was kept separate in the exposition. The composer of a sonata form movement may disguise the start of the recapitulation as an extension of the de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section Section, Sectioning or Sectioned may refer to: Arts, entertainment and media * Section (music), a complete, but not independent, musical idea * Section (typography), a subdivision, especially of a chapter, in books and documents ** Section sig ..., "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources Formal sections in music analysis {{music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E-flat Major
E-flat major (or the key of E-flat) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: : Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. But even before Beethoven, Francesco Galeazzi identified E-flat major as "a heroic key, extremely majestic, grave and serious: in all these features it is superior to that of C." Three of Mozart's completed Horn Concertos and Joseph Haydn's Trumpet Concerto are in E-flat major, and so is Anton Bruckner's Fourth Symphony with its prominent horn theme in the first movement. Another notable heroic piece in the key of E-flat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Colonne
Édouard Juda Colonne (23 July 1838 – 28 March 1910) was a French conductor and violinist, who was a champion of the music of Berlioz and other eminent 19th-century composers. Life and career Colonne was born in Bordeaux, the son and grandson of musicians of Italian-Jewish descent. From the age of eight, he played flageolet and accordion, and then began violin studies with Baudoin.''Cinquante Ans de Musique Française de 1874 à 1925.'' Les Éditions Musicales de la Librairie de France, Paris, 1925. Starting in 1855, Colonne studied at the Conservatoire in Paris, where he won first prizes in both harmony and violin. For almost a decade (1858–67) he was first violinist at the Opéra in Paris, as well as playing second violin in the Lamoureux Quartet. In 1871 he directed concerts at the Grand-Hôtel and Massenet's music for the staging of ''Les Érinnyes'' in 1873. Also in 1873, Colonne, along with the music publisher Georges Hartmann, founded the "Concert National" at th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
