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Symphony No. 1 (Dutilleux)
Henri Dutilleux's Symphony No. 1 was written in 1951. A composition from the composer's relatively early period, it is Dutilleux's first purely orchestral composition. It is written in a very classical form (four movements), but its language is rather free. It is orchestrated for 85 instrumentalists. The premiere took place at the Théâtre des Champs-Élysées on 7 June 1951, with Roger Désormière conducting the Orchestre National de France. Structure The symphony lasts approximately half an hour. It is written in four movements: # ''Passacaglia'' # ''Scherzo molto vivace'' # ''Intermezzo'' # ''Finale con variazioni'' Music This symphony demonstrates Dutilleux's attachment to the use of variation form, which is found in the outer two movements. The use of a passacaglia as a symphonic first movement is extremely rare. It consists of 35 repetitions of a four-bar bass motif, shown in the opening four bars by the double basses. The second movement was defined by Dutilleu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Dutilleux
Henri Paul Julien Dutilleux (; 22 January 1916 – 22 May 2013) was a French composer active mainly in the second half of the 20th century. His small body of published work, which garnered international acclaim, followed in the tradition of Maurice Ravel, Claude Debussy, Albert Roussel and Olivier Messiaen, but in an idiosyncratic, individual style. Some of his notable compositions include a piano sonata, two symphonies, the cello concerto '' Tout un monde lointain…'' (''A whole distant world''), the violin concerto ''L'arbre des songes'' (''The tree of dreams''), the string quartet '' Ainsi la nuit'' (''Thus the night'') and a sonatine for flute and piano. Some of these are regarded as masterpieces of 20th-century classical music. Works were commissioned from him by such major artists as Charles Munch, George Szell, Mstislav Rostropovich, the Juilliard String Quartet, Isaac Stern, Paul Sacher, Anne-Sophie Mutter, Simon Rattle, Renée Fleming, and Seiji Ozawa. French orga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Des Champs-Élysées
The Théâtre des Champs-Élysées () is an entertainment venue standing at 15 avenue Montaigne in Paris. It is situated near Avenue des Champs-Élysées, from which it takes its name. Its eponymous main hall may seat up to 1,905 people, while the smaller Comédie and Studio des Champs-Élysées above the latter may seat 601 and 230 people respectively. Commissioned by impresario Gabriel Astruc, the theatre was built from 1911 to 1913 upon the designs of brothers Auguste Perret and Gustave Perret following a scheme by Henry van de Velde, and became the first example of Art Deco architecture in the city. Less than two months after its inauguration, the Théâtre hosted the world premiere of the Ballets Russes' '' Rite of Spring'', which provoked one of the most famous classical music riots. At present, the theatre shows about three staged opera productions a year, mostly baroque or chamber works more suited to the modest size of its stage and orchestra pit. It also houses an imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Désormière
Roger Désormière () (13 September 1898 – 25 October 1963) was a French conductor. He was an enthusiastic champion of contemporary composers, but also conducted performances of early eighteenth century French music. Life and career Désormière was born in Vichy in 1898. He studied at the Paris Conservatoire, where his professors included Philippe Gaubert (flute), Xavier Leroux and Charles Koechlin (composition), and Vincent d'Indy (conducting). In 1922 he won the Prix Blumenthal and in 1923 became part of the Ecole d’Arcueil. Désormière's early conducting experience was largely with the Ballets suédois and Sergei Diaghilev's Ballets Russes. He was conductor of the Ballets suédois's premiere of '' Relâche'' (1924), a film and music presentation by Francis Picabia and Erik Satie, with the film segment, ''Entr'acte'', directed by René Clair. He then worked for the Diaghilev company from 1925 until the impresario's death, conducting the premieres of ''Barabau'' by Vittorio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestre National De France
The Orchestre national de France (ONF; literal translation, ''National Orchestra of France'') is a French symphony orchestra based in Paris, founded in 1934. Placed under the administration of the French national radio (named Radio France since 1975), the ONF performs mainly in the Théâtre des Champs-Élysées from where all its concerts are broadcast. Some concerts are also held in the ''Salle Olivier Messiaen'' in the Maison de Radio France (formerly known as Maison de la Radio). History The orchestra has had several names over its history: * 1934–1945: ''Orchestre national'' (National Orchestra) * 1945–1949: ''Orchestre national de la Radiodiffusion française'' (French Radio National Orchestra) * 1949–1964: ''Orchestre national de la Radio-télévision française'' or ''Orchestre national de la RTF'' (French Radio and Television National Orchestra) * 1964–1974: ''Orchestre national de l'Office de radiodiffusion-télévision française'' or ''Orchestre national ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation Form
In music, variation is a formal technique where material is repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation techniques Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), known in the English-speaking world as "Twinkle, Twinkle, Little Star" exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variation breaks up the steady pulse and creates syncopated off-beats: Harmonic variation The seventh variation introduces powerful new chords, which replace the simple harmonies originally implied by the theme with a prolongational series of descending fifths: Minor mode In the elaborate eighth variation, Mozart changes from the major to the parallel minor mode, while combining three techniques: count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Passacaglia
The passacaglia (; ) is a musical form that originated in early seventeenth-century Spain and is still used today by composers. It is usually of a serious character and is often based on a bass-ostinato and written in triple metre. Origin The term passacaglia ( es, pasacalle; french: passacaille; Italian: ''passacaglia'', ''passacaglio'', ''passagallo'', ''passacagli'', ''passacaglie'') derives from the Spanish ''pasar'' (to walk) and ''calle'' (street). It originated in early 17th-century Spain as a strummed interlude between instrumentally accompanied dances or songs. Despite the form's Spanish roots (confirmed by references in Spanish literature of the period), the first written examples of passacaglias are found in an Italian source dated 1606. These pieces, as well as others from Italian sources from the beginning of the century, are simple, brief sequences of chords outlining a cadential formula. The passacaglia was redefined in the late 1620s by Italian composer Girolamo F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Rostrum Of Composers
The International Rostrum of Composers (IRC) is an annual forum organized by the International Music Council that offers broadcasting representatives the opportunity to exchange and publicize pieces of contemporary classical music. It is funded by contributions from participating national radio networks. The first Rostrum took place in 1954 and involved delegates from the German, French, Belgian and Swiss national broadcasting companies. From then until 2002 the Rostrum's sessions were held at UNESCO's headquarters in Paris, with the exception of 2000 when they were hosted by Muziek Groep Nederland and the Gaudeamus Foundation in Amsterdam. Since 2003, a rotation system has been in place, where the Rostrum is hosted every other year by Radio France and in the intervening year visits a European venue. Starting from 2010 the Rostrum is travelling around Europe by invitation of National Radio Broadcasters. Rostrum in 2020 was postponed until 2021. Over thirty national radio networks n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Henri Dutilleux
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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