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Symphony No. 11 (Mozart)
Symphony No. 11 in D major, K. 84/73q, was at one time considered unquestionably to be the work of Wolfgang Amadeus Mozart. Its status has, however, been challenged, and (as of 2008) remains uncertain. It is believed to date from 1770, and may have been written in Milan or Bologna, if it is a genuine Mozart work. An early manuscript from Vienna attributes the work to Wolfgang, but nineteenth-century copies of the score attribute it respectively to Leopold Mozart and to Carl Dittersdorf. Neal Zaslaw writes: "A comparison of the results of two stylistic analyses of the work's first movement with analyses of unquestionably genuine first movements of the period by the three composers suggests that Wolfgang is the most likely of the three to have been the composer of K73q".Zaslaw, pp. 175–77 The symphony is in three movements, lacking a minuet and trio. Kenyon opines that there is "little special" about the work,Kenyon, p. 155 while Zaslaw finds a " Gluckish ambience", and some affi ...
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Franz Beyer (musicologist)
Franz Beyer (26 February 1922, in Weingarten – 29 June 2018, in Munich) was a German musicologist who is best known for his revising and restoration of Wolfgang Amadeus Mozart's music, in particular his unfinished Requiem, KV 626, which he restored in the early 1970s. In 1962 he became professor for viola and chamber music at the Hochschule für Musik und Theater München. His revision of the Requiem was in keeping with Mozart's actual musical style, not his own interpretation of the work. He has also revised and/or edited works of other composers. He has also played in the Collegium Aureum as a violist, and collaborated with the Melos Quartet as additional violist when performing Mozart's string quintets. Awards * 6 August 2002 Medal of the City of Munich, ''Munich lights - the friends of Munich'' in silver. * 2003 ''Order of Merit, First Class'' awarded. References External links* ttp://dispatch.opac.d-nb.de/DB=2.1/REL?PPN=124883915 "Beyer, Franz; 1922-", Music, ''Deut ...
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1770 Compositions
Year 177 ( CLXXVII) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Commodus and Plautius (or, less frequently, year 930 ''Ab urbe condita''). The denomination 177 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Commodus Caesar (age 15) and Marcus Peducaeus Plautius Quintillus become Roman Consuls. * Commodus is given the title ''Augustus'', and is made co-emperor, with the same status as his father, Marcus Aurelius. * A systematic persecution of Christians begins in Rome; the followers take refuge in the catacombs. * The churches in southern Gaul are destroyed after a crowd accuses the local Christians of practicing cannibalism. * Forty-seven Christians are martyred in Lyon ( Saint Blandina and Pothinus, bishop ...
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Symphonies By Wolfgang Amadeus Mozart
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert ...
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Tempo
In musical terminology, tempo ( Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute The minute is a unit of time usually equal to (the first sexagesimal fraction) of an hour, or 60 seconds. In the UTC time standard, a minute on rare occasions has 61 seconds, a consequence of leap seconds (there is a provision to insert a nega ... (or bpm). In modern classical compositions, a " metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter (music), meter, or these aspects may be indicated along with tempo, all contributing to the overall texture (music), texture. W ...
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Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and '' hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch "wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by up t ...
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Oboe
The oboe ( ) is a type of double reed woodwind instrument. Oboes are usually made of wood, but may also be made of synthetic materials, such as plastic, resin, or hybrid composites. The most common oboe plays in the treble or soprano range. A soprano oboe measures roughly long, with metal keys, a conical bore and a flared bell. Sound is produced by blowing into the reed at a sufficient air pressure, causing it to vibrate with the air column. The distinctive tone is versatile and has been described as "bright". When the word ''oboe'' is used alone, it is generally taken to mean the treble instrument rather than other instruments of the family, such as the bass oboe, the cor anglais (English horn), or oboe d'amore. Today, the oboe is commonly used as orchestral or solo instrument in symphony orchestras, concert bands and chamber ensembles. The oboe is especially used in classical music, film music, some genres of folk music, and is occasionally heard in jazz, rock, ...
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The Complete Mozart Edition
''The Complete Mozart Edition '' is a 180-CD collection released in 1990–91 featuring all works by Wolfgang Amadeus Mozart (known at the set's publication) assembled by Philips Classics Records to commemorate the bicentenary of the death of Mozart (December 5, 1791). It has been re-released in 2000 in a modified version as the ''Complete Compact Mozart Edition''. Overview ''The Complete Mozart Edition '' comprises 180 compact discs arranged into 45 themed volumes. Each volume in the series is accompanied by a deluxe booklet with detailed information about the works, with many illustrations. Indicating the significance of this particular series, the words of the accompanying Compactotheque state, "...after the complete Shakespeare, the complete Goethe, or the complete Molière in book form, here is the Complete Mozart on discs." A modified version of ''The Complete Mozart Edition'', the ''Complete Compact Mozart Edition'', was released in 2000. It consists of 17 individual boxe ...
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Academy Of St
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary education, secondary or tertiary education, tertiary higher education, higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and Skills, skill, north of Ancient Athens, Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the Gymnasium (ancient Greece), gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive Grove (nature), grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 3 ...
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Neville Marriner
Sir Neville Marriner, (15 April 1924 – 2 October 2016) was an English violinist and "one of the world's greatest conductors". Gramophone lists Marriner as one of the 50 greatest conductors and another compilation ranks Marriner #14 of the 18 "Greatest and Most Famous Conductors of All Time". He founded the Academy of St Martin in the Fields, and his partnership with them is the most recorded of any orchestra and conductor. Early life Marriner was born in Lincoln, England, the son of Herbert Marriner, a carpenter, and his wife Ethel (née Roberts). He was educated at Lincoln School (then a grammar school), where he played in a jazz band with the composer Steve Race. He initially learned the violin as well as the piano from his father, and later studied the violin with Frederick Mountney. In 1939, he went to the Royal College of Music in London, getting the opportunity to play among the second violins of the London Symphony Orchestra, then conducted by Henry Wood, because ...
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Finale (music)
A finale is the last movement of a sonata, symphony, or concerto; the ending of a piece of non-vocal classical music which has several movements; or, a prolonged final sequence at the end of an act of an opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libre ... or work of musical theatre. Michael Talbot wrote of the finales typical in sonatas: "The rondo is the form par excellence used for final movements, and ... its typical character and structural properties accord perfectly with those thought desirable in a sonata finale of the early nineteenth century." Carl Czerny (1791–1857) observed "that first movements and finales ought to—and in practice actually do—proclaim their contrasted characters already in their opening themes." In theatrical music, Christoph Willib ...
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