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Symphoniae Sacrae I
(literally: Sacred Symphonies, Book One) is a collection of different pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz, published in 1629. He set mostly psalms and excerpts from the Song of Solomon for one to three voices, with various instruments and continuo. Its twenty pieces were assigned 257 to 276 in the ' (SWV), the catalogue of his works. Two later volumes came, but with German texts: Symphoniae sacrae II in 1647 and Symphoniae sacrae III in 1650. History Schütz composed the first collection during his second study trip to Venice. During his first visit he studied the Venetian polychoral style with Giovanni Gabrieli. Returning in 1628 after Gabrieli's death, he studied with his successor at St Mark's Basilica, Claudio Monteverdi. Schütz was in the service of the Protestant Elector of Saxony Johann Georg I, and dedicated the collection to the Elector's son, crown prince Johann Georg II, then 16 years old. The texts are mostly taken from t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Music
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques. Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Religious music across cultures depicts its use of similar instruments, used in accordance to create these melodies. drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantiones Sacrae (Schütz)
' (Vocal sacred music, literally: Sacred chants), Op. 4, is a collection of forty different pieces of vocal sacred music on Latin texts, composed by Heinrich Schütz and first published in 1625. The pieces have individual numbers 53 to 93 in the ' (SWV), the catalogue of his works. The general title ' was common at the time and was used by many composers, including Palestrina, Byrd and Tallis (1589 and 1591) and Hans Leo Hassler (1591). Schütz composed the motets and madrigals, based on texts from a 1553 prayerbook ' by Andreas Musculus, for four voices (SATB) and basso continuo. Some of the settings form groups of up to five pieces, including the expressive Passion motets, ', SWV 56 to 60. ', SWV 81, is a joyful setting of Psalm 149. The Protestant composer dedicated his work to the Catholic politician Hans Ulrich von Eggenberg. He published it as his ''.'' The counterpoint of the ''Cantiones'' has been regarded as unmatched in the sacred vocal works of the 17th century. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hochschule Für Musik Dresden
' (, plural: ') is the generic term in German for institutions of higher education, corresponding to ''universities'' and ''colleges'' in English. The term ''Universität'' (plural: ''Universitäten'') is reserved for institutions with the right to confer doctorates. In contrast, ''Hochschule'' encompasses ''Universitäten'' as well as institutions that are not authorized to confer doctorates. Roughly equivalent terms to ''Hochschule'' are used in some other European countries, such as ''högskola'' in Sweden and Finland, ''hogeschool'' in the Netherlands and Flanders, and ' (literally "main school") in Hungary, as well as in post-Soviet countries (deriving from высшее учебное заведение) in Central Europe, in Bulgaria ( висше училище) and Romania. Generic term The German education system knows two different types of universities, which do not have the same legal status. The term ''Hochschule'' can be used to refer to all institutions of higher e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carus-Verlag
Carus-Verlag is a German music publisher founded in 1972 and based in Stuttgart. Carus was founded by choral conductor Günter Graulich and his wife Waltraud with an emphasis on choral repertoire. The catalogue currently includes more than 26,000 works (January 2016). The company produces the standard editions of the complete works of Josef Rheinberger and Max Reger.''Harald Wanger, Rheinberger-Archivar, Organist, Pädagoge'' Harald Wanger, Franz-Georg Rössler, Robert Allgäuer - 2003 p. 48 Carus-Verlag, Musikalische Schätze abseits bekannter Pfade - Harald Wanger und der Carus-Verlag "Für den Carus-Verlag ist die Verbindung zu Harald Wanger und dem Josef Rheinberger-Archiv ein Glücksfall." Record label The company also produces CDs to accompany some of its printed editions. Currently the publishers are working on recordings accompanying the complete editions of Wilhelm Friedemann Bach. Opera rarities include Schubert's ''Sakuntala'' and Johann Rudolf Zumsteeg Johann Rudo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bärenreiter
Bärenreiter (Bärenreiter-Verlag) is a German classical music publishing house based in Kassel. The firm was founded by Karl Vötterle (1903–1975) in Augsburg in 1923, and moved to Kassel in 1927, where it still has its headquarters; it also has offices in Basel, London, New York and Prague. The company is currently managed by Barbara Scheuch-Vötterle and Leonhard Scheuch. Since 1951, the company's focus has been on the New Complete Editions series for various composers. These are urtext editions, and cover the entire work of the selected composer. Series include: J. S. Bach (the ''Neue Bach-Ausgabe'', a joint project with the Deutscher Verlag für Musik), Berlioz, Fauré, Gluck, Handel, Janáček, Mozart (Neue Mozart-Ausgabe), Rossini, Saint-Saëns, Schubert (New Schubert Edition), Telemann Georg Philipp Telemann (; – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Spitta
Heinrich Arnold Theodor Spitta (19 March 1902 – 23 June 1972) was a German music educator, composer and musicologist. Life Born in Strasbourg, Spitta came from a family of musicians and theologians. His father was the theologian Friedrich Spitta and his uncle the musicologist and Bach biographer Philipp Spitta. Spitta studied with Arnold Mendelssohn and Hermann Grabner and was awarded a doctorate in 1927 at the Georg-August-Universität Göttingen with a dissertation about Heinrich Schütz. In 1933, Spitta taught as a teacher at the Academy for Church and School Music in Berlin and was at the same time appointed to the cultural office of the Reichsjugendführer. He mainly composed choral works which were used in the celebrations of the Hitler Youth (e.g. ''Heilig Vaterland,'' 1934; ''Jahr überm Pflug,'' 1936). Due to this activity, he was partly included in the and Gottbegnadeten list during the war. From 1950 Spitta taught at the Leuphana University of Lüneburg, from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schering
Arnold Schering (2 April 1877 in Breslau, German Empire – 7 March 1941 in Berlin) was a German musicologist. He grew up in Dresden as the son of an art publisher. He learned violin at the from which he graduated in 1896. Thereafter he studied violin at the Berlin School of Music under Joseph Joachim. From 1898 until 1902 he studied music in Berlin and Leipzig and wrote his dissertation on the instrumental concertos of Antonio Vivaldi (in German, ''Geschichte des Instrumentalkonzertes bei Antonio Vivaldi'') and this work was influential in resurrecting the music of this composer. Fred K. Prieberg: ''Handbuch Deutsche Musiker 1933–1945'', CD-Rom-Lexikon, Kiel 2004, pages 6.084–6.086. In 1907 he made his habilitation and was made a professor of music in 1915. In 1920 Schering gathered evidence that composer Johann Sebastian Bach usually used 12 singers in his cantatas and other vocal works. This insight eventually became influential in the early music movement. From 1928 onward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philipp Spitta
Julius August Philipp Spitta (27 December 1841 – 13 April 1894) was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach. Life He was born in , near Hoya, and his father, also called Philipp Spitta, was a theologian and wrote the Protestant collection of hymns entitled ''Psalter und Harfe''. As a child, the younger Spitta learnt the piano, pipe organ, and musical composition. He studied theology and classical philology at the University of Göttingen from 1860, graduating in 1864 with a Ph.D. for a dissertation on Tacitus (''Der Satzbau bei Tacitus'', 1866). While at university, he composed, wrote a biography of Robert Schumann, and became friends with Johannes Brahms. He became a teacher of Ancient Greek and Latin language in, successively, Reval, Sondershausen, and Leipzig, while pursuing his interest in and lecturing on music history in general and Johann Sebastian Bach in particular. His Bach study began to be publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach-Gesells ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seconda Pratica
Seconda pratica, Italian for "second practice", is the counterpart to prima pratica and is sometimes referred to as Stile moderno. The term "Seconda pratica" first appeared in 1603 in Giovanni Artusi's book ''Seconda Parte dell'Artusi, overo Delle imperfettioni della moderna musica'' (''The Second Part of The Artusi, or, Imperfections of Modern Music''), where it is attributed to a certain L'Ottuso Accademico. In the first part of ''The Artusi'' (1600), Artusi had severely criticized several unpublished madrigals of Claudio Monteverdi. In the second part of this work, L'Ottuso Accademico, whose identity is unknown, defends Monteverdi and others "who have embraced this new second practice". Monteverdi adopted the term to distance some of his music from that of e.g. Giovanni Pierluigi da Palestrina and Gioseffo Zarlino and to describe early music of the Baroque period which encouraged more freedom from the rigorous limitations of dissonances and counterpoint characteristic of the prima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absalom
Absalom ( he, ''ʾAḇšālōm'', "father of peace") was the third son of David, King of Israel with Maacah, daughter of Talmai, King of Geshur. 2 Samuel 14:25 describes him as the handsomest man in the kingdom. Absalom eventually rebelled against his father and was killed during the Battle of Ephraim's Wood. Biblical account Background Absalom, David's third son, by Maacah, was born in Hebron. At an early age, he moved, along with the transfer of the capital, to Jerusalem, where he spent most of his life. He was a great favorite of his father and of the people. His charming manners, personal beauty, insinuating ways, love of pomp, and royal pretensions captivated the hearts of the people from the beginning. He lived in great style, drove in a magnificent chariot, and had fifty men run before him. Little is known of Absalom's family life, but the biblical narrative states that he had three sons and one daughter, Tamar, who is described as a beautiful woman. From the language ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Schütz-Ausgabe
''Neue Schütz-Ausgabe'' (new Schütz edition) is a new critical edition of the complete works by composer Heinrich Schütz (full title in German: ''Heinrich Schütz: Neue Ausgabe sämtlicher Werke''). It is published by Bärenreiter-Verlag on a commission by the international Heinrich-Schütz-Gesellschaft. Content When completed, the edition will comprise the following volumes: * ''Historien und Passionen'' (3 vol) * '' Musikalische Exequien'' * '' Geistliche Chormusik'' (2 vol) * ''Becker Psalter The ''Becker Psalter'' is a German metrical psalter authored by the Leipzig theologian Cornelius Becker and first published by Jakob Apel in Leipzig in 1602 under the title ''Der Psalter Davids Gesangweis''. Several composers set the psalms cont ...'' (2 vol) * ''Zwölf Geistliche Gesänge'' 1657 * Cantiones sacrae (2 vol) * ''Kleine geistliche Konzerte'' (3 vol) * Symphoniae sacrae I–III (9 vol) * ''Italienische Madrigale'' * ''Psalmen Davids'' (4 vol) * Single psalms ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
