|
Sylvia (opera)
''Sylvia'' is a 1730 ballad opera by the British writer George Lillo, written as part of a boom in ballad operas in the wake of John Gay's 1728 hit '' The Beggar's Opera''. The original cast included Thomas Walker as Sir John Freeman, Charles Hulett as Welford, John Hippisley as Jonathon and Jane Egleton Jane Egleton (died 1734) was a British stage actress of the eighteenth century associated with John Rich's company at the Lincoln's Inn Fields Theatre. He origins are not entirely clear, but she acted under the name Jane Giffard or Mrs Giffard ... as Betty. References Bibliography * Burling, William J. ''A Checklist of New Plays and Entertainments on the London Stage, 1700-1737''. Fairleigh Dickinson Univ Press, 1992. * Nicoll, Allardyce. ''A History of Early Eighteenth Century Drama: 1700-1750''. CUP Archive, 1927. 1730 operas Ballad operas English-language operas Plays by George Lillo {{play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Lillo
George Lillo (3 February 1691 – 4 September 1739) was an English playwright and tragedian. He was also a jeweller in London. He produced his first stage work, ''Silvia, or The Country Burial'', in 1730, and a year later his most famous play, ''The London Merchant''. He wrote at least six more plays before his death in 1739, including '' The Christian Hero'' (1735), '' Fatal Curiosity'' (1737) and ''Marina'' (1738). Life George Lillo was born in Moorfields, or Moorgate, in the City of London.Steffensen, James L."Lillo, George (1691/1693–1739)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004; online edition, May 2008, retrieved 9 December 2011 ("You do not currently have access to this article"Archived site He became a partner in his father's goldsmith's and jewellery business. Early stage works Lillo wrote at least eight plays between 1730 and his death in 1739. His first work in the theatre was the ballad opera '' Sylvia, or The Country Burial'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln's Inn Fields Theatre
Lisle's Tennis Court was a building off Portugal Street in Lincoln's Inn Fields in London. Originally built as a real tennis court, it was used as a playhouse during two periods, 1661–1674 and 1695–1705. During the early period, the theatre was called Lincoln's Inn Fields Playhouse, also known as The Duke's Playhouse, The New Theatre or The Opera. The building was demolished and replaced by a purpose-built theatre for a third period, 1714–1728. The tennis court theatre was the first public playhouse in London to feature the moveable scenery that would become a standard feature of Restoration theatres. Historical background The period beginning in England in 1642 and lasting until 1660 is known as the Interregnum, meaning "between kings." At this time, there was no monarch on the throne, and theatre was against the law. Spanning from 1642 to 1649, the English Civil War occurred. This war was an uprising against the current King of England, King Charles ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad Opera
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later ''Singspiel'', its distinguishing characteristic is the use of tunes in a popular style (either pre-existing or newly composed) with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported ''opera seria''. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song." Earliest ballad operas Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene."M. Lubbock, ''The Complete Book of Light Opera'' (New York: Appleton-Century-Crofts, 1962), pp. 467–68 It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberately ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad Operas
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier '' comédie en vaudeville'' and the later '' Singspiel'', its distinguishing characteristic is the use of tunes in a popular style (either pre-existing or newly composed) with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported '' opera seria''. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song." Earliest ballad operas Ballad opera has been called an "eighteenth-century protest against the Italian conquest of the London operatic scene."M. Lubbock, ''The Complete Book of Light Opera'' (New York: Appleton-Century-Crofts, 1962), pp. 467–68 It consists of racy and often satirical spoken (English) dialogue, interspersed with songs that are deliberate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Gay
John Gay (30 June 1685 – 4 December 1732) was an English poet and dramatist and member of the Scriblerus Club. He is best remembered for ''The Beggar's Opera'' (1728), a ballad opera. The characters, including Captain Macheath and Polly Peachum, became household names.. Early life Gay was born in Barnstaple, England, last of five children of William Gay (died 1695) and Katherine (died 1694), daughter of Jonathan Hanmer, "the leading Nonconformist divine of the town" as founder of the Independent Dissenting congregation in Barnstaple. The Gay family- "fairly comfortable... though far from rich"- lived in "a large house, called the Red Cross, on the corner of Joy Street". The Gay family was "of respectable antiquity" in North Devon, associated with the manor of Goldsworthy at Parkham and with the parish of Frithelstock (where the senior line remained, resident at the priory Cloister Hall with its lands, until 1823) and became "powerful and numerous" in the town, "established a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beggar's Opera
''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadsheet ballads, opera arias, church hymns and folk tunes of the time. ''The Beggar's Opera'' premiered at the Lisle's Tennis Court, Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's ''Pomone (opera), Pomone'' in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, ''The Beggar's Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Walker (actor)
Thomas Walker (1698–1744) was an English actor and dramatist. Early life He was the son of Francis Walker of Soho, London. At around the year 1714, he joined the Shepherd's company (perhaps the Shepherd who was at William Pinkethman's theatre in Greenwich in 1710). Barton Booth saw Walker in a droll, ''The Siege of Troy'', and recommended him to the management of the Drury Lane Theatre. Actor In November 1715 Walker seems to have played Tyrrel in Colley Cibber's ''Richard III''; on 12 December 1715 he was Young Fashion in a revival of ''The Relapse'' (John Vanburgh). On 23 September 1721 he appeared at Lincoln's Inn Fields as Edmund in ''King Lear'', and he remained there until 1733. On 29 January 1728 Walker took on his major original part, Captain Macheath in the ''Beggar's Opera'', and his reputation was established. On 10 February 1733, at the new Covent Garden Theatre, Walker was the first Periphas in John Gay's ''Achilles''.At this house he played Lothario, Banquo, Hec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Hulett
Charles Hulett (c.1700-1735) was a British stage actor. His name is sometimes written as Charles Hulet. Hulett was the son of John Hulett, a Yeomen of the Guard and Steward to the Earl of Northampton. Born in Bloomsbury, he acted as an apprentice to the bookseller Edmund Curll for two years before turning to acting. It is possible he may have first acted in Dublin, but his first known role was as Lennox in '' Macbeth'' at the Lincoln's Inn Fields Theatre on 26 October 1721. Possibly under the guidance of James Quin, he became an established member of the Lincoln's Inn Fields company. His long standing association ended in 1732 just as John Rich took the company to the new Covent Garden Theatre. Hulett then joined Henry Giffard at the Goodman's Fields Theatre in Whitechapel where he acted until his death, with occasional appearances at other theatres.Highfill, Burnim & Langhans p.30-31 Selected roles * Tudor in ''Edwin'' by George Jeffreys (1724) * Carus in ''The Roman Maid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Hippisley (actor)
John Hippisley (14 January 1696 – 12 February 1748) was an English comic actor and playwright. He appeared at Lincoln's Inn Fields and Covent Garden in London, and was the original Peachum in ''The Beggar's Opera''. He opened a theatre in Bristol, the Jacobs Well Theatre, where he and his daughter Elizabeth Hippisley appeared. Life Hippisley was born near Wookey Hole in Somerset. Hippisley's first recorded appearance took place at Lincoln's Inn Fields in November 1722, as Fondlewife in William Congreve's '' The Old Bachelor''; he is announced in the bills as never having appeared on that stage before. This was followed in the same season by Sir Hugh Evans in Shakespeare's '' The Merry Wives of Windsor'', Gomez in John Dryden's ''The Spanish Friar'', Polonius in ''Hamlet'', Pandarus in ''Troilus and Cressida'', and other comic parts. He remained at Lincoln's Inn Fields until the season of 1732–3, playing among many other characters Sir Francis Gripe in Susanna Centlivre's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Egleton
Jane Egleton (died 1734) was a British stage actress of the eighteenth century associated with John Rich's company at the Lincoln's Inn Fields Theatre. He origins are not entirely clear, but she acted under the name Jane Giffard or Mrs Giffard until 1721 when she married John Egleton. She may either have been previously married to one of the members of the Giffard acting clan or been born into the family herself.Highfill, Burnim & Langhans p.199 In 1728 she was the original Lucy Lockit in John Gay's ''The Beggar's Opera''. She continued to act with Rich's company at Lincoln's Inn until 1732 and then remained for the first year after the switch to the new Covent Garden Theatre before retiring. Selected roles * Bettrice in ''The Lady's Triumph'' (1718) * Le Jupe in ''The Coquet'' (1718) * Lucy in '''Tis Well if it Takes'' (1719) * Lady Raleigh in '' Sir Walter Raleigh'' (1720) * Iris in '' Love and Duty'' (1722) * Mother Stubble in '' Hanging and Marriage'' (1722) * Salome in ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1730 Operas
Year 173 ( CLXXIII) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Severus and Pompeianus (or, less frequently, year 926 ''Ab urbe condita''). The denomination 173 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Gnaeus Claudius Severus and Tiberius Claudius Pompeianus become Roman Consuls. * Given control of the Eastern Empire, Avidius Cassius, the governor of Syria, crushes an insurrection of shepherds known as the Boukoloi. Births * Maximinus Thrax ("the Thracian"), Roman emperor (d. 238) * Mi Heng, Chinese writer and musician (d. 198) Deaths * Donatus of Muenstereifel, Roman soldier and martyr (b. AD 140 Year 140 ( CXL) was a leap year starting on Thursday (link will display the full calendar) of the Julian calen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> John Hippisley (actor)")