Sydney Burney
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Sydney Burney
Sydney Bernard Burney (20 March 1878''1939 England and Wales Register'' – 3 January 1951)''England & Wales, National Probate Calendar (Index of Wills and Administrations), 1858-1966, 1973-1995'' was a British art and antiquities dealer and collector based in London. He was responsible for organizing an exhibition of African art in 1933 in which African art was depicted as equal to the art of other cultures. He donated a limestone Etruscan urn to the British Museum. Questionable Artefacts Burney owned the crystal skull, later known as the Mitchell-Hedges skull, which was later sold by his son at auction at Sotheby's. He sold an artefact known as the Burney Relief The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old- Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by ..., later called "Queen of the Night," when it was acquired by th ...
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Antiquities
Antiquities are objects from antiquity, especially the civilizations of the Mediterranean: the Classical antiquity of Greece and Rome, Ancient Egypt and the other Ancient Near Eastern cultures. Artifacts from earlier periods such as the Mesolithic, and other civilizations from Asia and elsewhere may also be covered by the term. The phenomenon of giving a high value to ancient artifacts is found in other cultures, notably China, where Chinese ritual bronzes, three to two thousand years old, have been avidly collected and imitated for centuries, and the Pre-Columbian cultures of Mesoamerica, where in particular the artifacts of the earliest Olmec civilization are found reburied in significant sites of later cultures up to the Spanish Conquest. A person who studies antiquities, as opposed to just collecting them, is often called an antiquarian. Definition The definition of the term is not always precise, and institutional definitions such as museum "Departments of Antiquities ...
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Art Dealer
An art dealer is a person or company that buys and sells works of art, or acts as the intermediary between the buyers and sellers of art. An art dealer in contemporary art typically seeks out various artists to represent, and builds relationships with collectors and museums whose interests are likely to match the work of the represented artists. Some dealers are able to anticipate market trends, while some prominent dealers may be able to influence the taste of the market. Many dealers specialize in a particular style, period, or region. They often travel internationally, frequenting exhibitions, auctions, and artists' studios looking for good buys, little-known treasures, and exciting new works. When dealers buy works of art, they resell them either in their galleries or directly to collectors. Those who deal in contemporary art in particular usually exhibit artists' works in their own galleries. They will often take part in preparing the works of art to be revealed or processe ...
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London
London is the capital and largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Romans as '' Londinium'' and retains its medieval boundaries.See also: Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national government and parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London, governed by the Greater London Authority.The Greater London Authority consists of the Mayor of London and the London Assembly. The London Mayor is distinguished fr ...
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African Art
African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the African diasporas, such as: African American, Caribbean or art in South American societies inspired by African traditions. Despite this diversity, there are unifying artistic themes present when considering the totality of the visual culture from the continent of Africa. Pottery, metalwork, sculpture, architecture, textile art and fibre art are important visual art forms across Africa and may be included in the study of African art. The term "African art" does not usually include the art of the North African areas along the Mediterranean coast, as such areas had long been part of different traditions. For more than a millennium, the art of such areas had formed part of Berber or Islamic art, although with many particular local characteristics. The Art of E ...
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Journal Of The Royal African Society
''African Affairs'' is a peer-reviewed academic journal published quarterly by Oxford University Press on behalf of the London-based Royal African Society. The journal covers any Africa-related topic: political, social, economic, environmental and historical. Each issue also includes a section of book reviews. It is the No 1. ranked journal in African Studies and the No 1. ranked journal in Area Studies. The journal is also ranked within political science. It was established as the ''Journal of the African Society'' in 1901, and was published as the ''Journal of the Royal African Society'' from 1936 until it obtained its current name in 1944. History The journal was established in 1901 as the ''Journal of the African Society'' and was published as the ''Journal of the Royal African Society'' () from 1936 to 1944. In 1944, the journal obtained its current name. The journal offers an African Author prize, which is awarded for the best article published in the journal by an author ...
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Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophagi an ...
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Crystal Skull
Crystal skulls are human skull hardstone carvings made of clear or milky white quartz (also called "rock crystal"), claimed to be pre-Columbian Mesoamerican artifacts by their alleged finders; however, these claims have been refuted for all of the specimens made available for scientific studies. The results of these studies demonstrated that those examined were manufactured in the mid-19th century or later, almost certainly in Europe, during a time when interest in ancient culture abounded. The skulls appear to have been crafted in Germany, quite likely at workshops in the town of Idar-Oberstein, which was renowned for crafting objects made from imported Brazilian quartz in the late 19th century.Craddock (2009, p. 415). Despite some claims presented in an assortment of popularizing literature, legends of crystal skulls with mystical powers do not figure in genuine Mesoamerican or other Native American mythologies and spiritual accounts. The skulls are often claimed to exhibit pa ...
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Man (journal)
The ''Journal of the Royal Anthropological Institute'' (JRAI) is the principal journal of the oldest anthropological organization in the world, the Royal Anthropological Institute of Great Britain and Ireland. Articles, at the forefront of the discipline, range across the full spectrum of anthropology, embracing all fields and areas of inquiry – from sociocultural, biological, and archaeological, to medical, material and visual. The JRAI is also acclaimed for its extensive book review section, and it publishes a bibliography of books received. History The journal was established in 1901 as ''Man'' and obtained its current title in 1995, with volume numbering restarting at 1. For its first sixty-three volumes from its inception in 1901 up to 1963 it was issued on a monthly basis, moving to bimonthly issues for the years 1964–1965. From March 1966 until its last issue in December 1994, it was published quarterly as a "new series", with a new sequence of volume numbers (1–29). ...
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Royal Anthropological Institute Of Great Britain And Ireland
The Royal Anthropological Institute of Great Britain and Ireland (RAI) is a long-established anthropological organisation, and Learned Society, with a global membership. Its remit includes all the component fields of anthropology, such as biological anthropology, evolutionary anthropology, social anthropology, cultural anthropology, visual anthropology and medical anthropology, as well as sub-specialisms within these, and interests shared with neighbouring disciplines such as human genetics, archaeology and linguistics. It seeks to combine a tradition of scholarship with services to anthropologists, including students. The RAI promotes the public understanding of anthropology, as well as the contribution anthropology can make to public affairs and social issues. It includes within its constituency not only academic anthropologists, but also those with a general interest in the subject, and those trained in anthropology who work in other fields. History The institute's fellows a ...
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Burney Relief
The Burney Relief (also known as the Queen of the Night relief) is a Mesopotamian terracotta plaque in high relief of the Isin-Larsa period or Old- Babylonian period, depicting a winged, nude, goddess-like figure with bird's talons, flanked by owls, and perched upon two lions. The relief is displayed in the British Museum in London, which has dated it between 1800 and 1750 BCE. It originates from southern Mesopotamia, but the exact find-site is unknown. Apart from its distinctive iconography, the piece is noted for its high relief and relatively large size making it a very rare survival from the period. The authenticity of the object has been questioned from its first appearance in the 1930s, but opinion has generally moved in its favour over the subsequent decades. Provenance Initially in the possession of a Syrian dealer, who may have acquired the plaque in southern Iraq in 1924, the relief was deposited at the British Museum in London and analysed by Dr. H.J. Ple ...
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Journal Of The American Oriental Society
The ''Journal of the American Oriental Society'' is a quarterly academic journal published by the American Oriental Society The American Oriental Society was chartered under the laws of Massachusetts on September 7, 1842. It is one of the oldest learned societies in America, and is the oldest devoted to a particular field of scholarship. The Society encourages basi ... since 1843.''Journal of the American Oriental Society''
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* List of theological journals


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Art Dealers From London
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, su ...
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