|
Swish Knocker
The swish cymbal and the pang cymbal are exotic ride cymbals originally developed and named as part of the collaboration between Gene Krupa and the Avedis Zildjian Company. The current Zildjian Swish Knocker is a redesign of their original swish, with more rivets, deeper bow and shallower bell, based on a cymbal made famous by Mel Lewis, who coined the name ''knocker''. Originally a Zildjian exclusive, both swish and pang cymbals disappeared from their catalog for a time but have reappeared. Other makers have also offered explicit ''swish'' and ''pang'' designs from time to time. Typical sizes are 16" to 22" for the swish, and 16" to 20" for the pang. Both swish and pang have the upturned and flanged edge of a china cymbal, with a very small bell, a thin profile overall with little taper, and a relatively thick rim for their size and weight. Although principally ride cymbals, they can also serve as exotic crash cymbals, particularly in the smaller sizes and at higher volumes. As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Zildjian
Robert Zildjian (July 14, 1923 – March 28, 2013) was the founder of Sabian Cymbals, the second-largest manufacturer of cymbals in the world. Career Zildjian was born in Boston, Massachusetts, and belonged to the Zildjian family, which brought the technology of cymbal production to the United States by Armenian Avedis Zildjian, and then passed it on to future generations of family members. The company was founded in 1981 in Meductic, New Brunswick, Canada, by Robert Zildjian, son of Avedis Zildjian III, the head of the Avedis Zildjian Company located in Quincy, Massachusetts. Family tradition had it that the head of the company would pass its secrets down only to the oldest son, but Avedis III gave the information to both his sons, Armand Zildjian and Robert Zildjian. A family feud resulted in Robert leaving Zildjian to form the rival Sabian Cymbals company. Robert Zildjian said, "It got to the point where they were taking away certain parts of my job. I was the export ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rivet
A rivet is a permanent mechanical fastener. Before being installed, a rivet consists of a smooth cylindrical shaft with a head on one end. The end opposite to the head is called the ''tail''. On installation, the rivet is placed in a punched or drilled hole, and the tail is ''upset'', or ''bucked'' (i.e., deformed), so that it expands to about 1.5 times the original shaft diameter, holding the rivet in place. In other words, the pounding or pulling creates a new "head" on the tail end by smashing the "tail" material flatter, resulting in a rivet that is roughly a dumbbell shape. To distinguish between the two ends of the rivet, the original head is called the ''factory head'' and the deformed end is called the ''shop head'' or buck-tail. Because there is effectively a head on each end of an installed rivet, it can support tension loads. However, it is much more capable of supporting shear loads (loads perpendicular to the axis of the shaft). Fastenings used in traditional w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit Components
The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years. Drums may be played individually, with the player using a single drum, and some drums such as the djembe are almost always played in this way. Others are normally played in a set of two or more, all played by the one player, such as bongo drums and timpani. A number of different drums together with cymbals form the basic modern drum kit. Uses Dr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Unpitched Percussion Instruments
An unpitched percussion instrument is a percussion instrument played in such a way as to produce sounds of indeterminate pitch, or an instrument normally played in this fashion. Unpitched percussion is typically used to maintain a rhythm or to provide accents, and its sounds are unrelated to the melody and harmony of the music. Within the orchestra unpitched percussion is termed auxiliary percussion, and this subsection of the percussion section includes all unpitched instruments of the orchestra however they are played, for example the pea whistle and siren. A common and typical example of an unpitched instrument is the snare drum, which is perceived as unpitched for three reasons: * The snares produce sounds similar to white noise, masking definite frequencies. * The drum heads produce inharmonic sounds. * The strongest frequencies that are present are unrelated to pitched sounds produced by other instruments in the ensemble. Although the drum is ''tuned'' by the player, thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Vessels
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cymbal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cymbals
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sizzle Cymbal
A sizzle cymbal is a cymbal to which rivets, chains or other rattles have been added to modify the sound, attached either by means of holes bored in the cymbal or by means of an attachment known as a sizzler. These rattles have two main effects on the tone of the cymbal: *Most obviously, the sound of the 'wash' of the cymbal is made louder and more penetrating, and is dominated by the sound of the rattles themselves. *Also important but less obvious, the cymbal loses some of its sustain and dynamic range, because whenever there is insufficient energy left in the cymbal to lift the rattles, the sound cuts out sharply. Both effects have musical uses, and can also be used to mask unwanted overtones in cymbals of lesser quality. However the best results are still generally obtained with high quality cymbals. Uses and patterns The most common form of sizzle cymbal used in a drum kit is a large ride cymbal with a number of rivets loosely fitted but captive in holes spaced evenly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crash Cymbal
A crash cymbal is a type of cymbal that produces a loud, sharp "crash" and is used mainly for occasional accents, as opposed to a ride cymbal. It can be mounted on a stand and played with a drum stick, or by hand in pairs. One or two crash cymbals are a standard part of a drum kit. Suspended crash cymbals are also used in bands and orchestras, either played with a drumstick or rolled with a pair of mallets to produce a slower, swelling crash. Sometimes a drummer may hit two different crash cymbals in a kit at the same time to produce a very loud accent, usually in rock music. Although crash cymbals range in thickness from paper-thin to very heavy, all crash cymbals have a fairly thin edge. They are typically in diameter, but sizes down to and up to are manufactured. Custom crash cymbals up to in diameter have been used by big bands. Different thicknesses are used for different kinds of music, and the alloy for each manufacturer's models varies. A thick cymbal is likely to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene Krupa
Eugene Bertram Krupa (January 15, 1909 – October 16, 1973), known as Gene Krupa, was an American jazz drummer, bandleader and composer who performed with energy and showmanship. His drum solo on Benny Goodman's 1937 recording of "Sing, Sing, Sing" elevated the role of the drummer from an accompanist to an important solo voice in the band. In collaboration with the Slingerland drum and Zildjian cymbal manufacturers, he was a major force in defining the standard band drummer's kit. Krupa is considered "the founding father of the modern drumset" by ''Modern Drummer'' magazine. Early life The youngest of Anna (née Oslowski) and Bartłomiej Krupa's nine children, Gene Krupa was born in Chicago, Illinois, United States. Bartłomiej was an immigrant from Poland born in the village of Łęki Górne, southeastern Poland. Anna was born in Shamokin, Pennsylvania, and was also of Polish descent. His parents were Roman Catholics who groomed him for the priesthood. He spent his grammar s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taper (cymbal)
In cymbal making, taper refers to the gradual change in thickness from the bell to the rim of the cymbal. It is one of the key features that determines the tone of the cymbal. This change is typically not uniform, and it is extremely difficult to generalise on the effects of taper, just to say that they are profound. Crash cymbals tend to have the most pronounced taper, with the faster crashes and the richer tones the most pronounced of all. The bell of a paperthin crash or a fast crash can be thicker than that of many ride cymbals. On the other hand, china cymbals tend to have little or no taper, as do the heavy to medium weights of splash cymbal In a drum kit, splash cymbals are the smallest accent cymbals. Splash cymbals and china cymbals are the main types of effects cymbals. The most common sized splash has a diameter of 10", followed by 8". Most splash cymbals are in the size range ...s. Cymbals {{Cymbal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
China Cymbal
China type cymbals from three continents In western music, a China cymbal (or Chinese cymbal) is a distinct type of crash cymbals designed to produce a bright, crisp, and explosive tone. It is for this reason that they have been nicknamed "''trash cymbals''". The name "China cymbal" comes from their shape, which is similar to the Chinese Bo. They are most frequently mounted upside down on cymbal stands, allowing for them to be more easily struck and for a better sound. China-type cymbals are mostly commonplace in various interpretations of rock music, particularly heavy metal and thrash metal. It is also frequently used for jazz fusion, Latin, and Brazilian music especially those with elaborate drum solos. In Latin and several world music, China cymbals are usually played in conjunction with other percussion instruments instead of a drum kit, such as timbales, octobans or surdo. China cymbals may also be used for conventional jazz, often played with mallets or brushes to achiev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
