Swing, Waltz, Swing
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Swing, Waltz, Swing
''Swing, Waltz, Swing'' is an album by Carl Drevo and the Kenny Clarke/Francy Boland Big Band featuring performances recorded in Germany in 1966 for the German Philips label.Bigband Paradise album entry
accessed September 20, 2016 The album features big band interpretations of classical waltzes interspersed with jazz standards and original compositions.


Track listing

# "" Opus 410 () - 3:00 # "
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Kenny Clarke/Francy Boland Big Band
The Kenny Clarke/Francy Boland Big Band was a jazz big band co-led by American drummer Kenny Clarke and Belgian pianist Francy Boland, François "Francy" Boland. They were one of the most noteworthy jazz big bands formed outside the United States, featuring top European musicians alongside expatriate and touring Americans. History American drummer Kenny Clarke and Belgian pianist Francy Boland started the band in Paris in 1960. A sextet became an octet before expanding into a big band that combined European musicians with American jazz expatriates. The debut album, ''Jazz Is Universal'', was released in 1962. The band collaborated with Stan Getz, Zoot Sims, Derek Watkins (trumpeter), Derek Watkins, and Phil Woods. Personnel * Benny Bailey * Francy Boland * Kenny Clare * Kenny Clarke * Tony Coe * Eddie "Lockjaw" Davis * Jimmy Deuchar * Carl Drevo * Muvaffak "Maffy" Falay * Art Farmer * Tony Fisher * Herb Geller * Dusko Goykovich * Johnny Griffin * Tootie Heath * Derek Humble * Ton ...
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Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by pre ...
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Ã…ke Persson
Åke Persson (February 25, 1932 – February 5, 1975) was a Swedish bebop jazz trombonist. Biography Persson was born in Hässleholm, southern Sweden and started his music career by playing valve trumper in school. Persson, known as "the Comet" (or "Kometen"), moved to Stockholm in 1951, where he played in Simon Brehm's quintet (1951–1954). Following this Persson worked with Arne Domnérus, Hacke Björksten, Harry Arnold's Radio Band (1956–1961), Quincy Jones, Lars Gullin, the RIAS Berlin band (1961–1975), and the Kenny Clarke-Francy Boland Big Band (1963–1971). Persson played with many American musicians, including George Wallington, Roy Haynes, Benny Bailey, Count Basie, Duke Ellington, and Dizzy Gillespie. He led several sessions for labels such as Metronome, Philips, and EmArcy in the 1950s. Persson drowned in the Djurgården canal in central Stockholm in February 1975; he had driven his car into the canal either accidentally or deliberately. There is a book ''trom ...
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Nat Peck
Nathan Peck (January 13, 1925 – October 24, 2015) was an American jazz trombonist. Early life Peck was born in New York City on January 13, 1925. His father was a cinema projectionist. Peck began playing the trombone as a teenager. Later life and career After leaving high school Peck was drafted into the army and became part of Glenn Miller's band. He remained with the band until after World War II ended. He played with Don Redman in 1947. He studied classical music at the Paris Conservatory from 1949 to 1951, while playing and recording with leading jazz musicians such as Coleman Hawkins (1949), James Moody (1949–50), and Roy Eldridge (1950). In the 1950s Peck played on television in New York, and in 1953 he recorded with Dizzy Gillespie. Peck shuttled between Paris and New York until 1957, when he married dancer Vera Tietz and settled in France. In France, Peck played with Michel Legrand, André Hodeir and Duke Ellington. Peck spent some time in England and Germany, workin ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Shake Keane
Ellsworth McGranahan "Shake" Keane (30 May 1927 – 11 November 1997) was a Vincentian jazz musician and poet. He is best known today for his role as a jazz trumpeter, principally his work as a member of the ground-breaking Joe Harriott Quintet (1959–65). Early life in St Vincent Born on the Caribbean island of St Vincent into "a humble family that loved books and music", Keane attended Kingstown Methodist School and St Vincent Grammar School. He was taught to play the trumpet by his father, Charles (who died when Keane was 13), and gave his first public recital at the age of six. When he was 14 years old, Keane led a musical band made up of his brothers. In the 1940s, with his mother Dorcas working to raise six children, the teenager joined one of the island's leading bands, Ted Lawrence and His Silvertone Orchestra. During his early adulthood in St Vincent, his principal interest was literature, rather than the music for which he would become better known. He had been dub ...
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Jimmy Deuchar
James Deuchar (26 June 1930 – 9 September 1993) was a Scottish jazz trumpeter and big band arranger, born in Dundee, Scotland. He found fame as a performer and arranger in the 1950s and 1960s. Deuchar was taught trumpet by John Lynch, who learned bugle playing as a boy soldier in the First World War, and who later was Director of Brass Music for Dundee. Career After National Service at Padgate, Warrington, England, Deuchar worked with the British modern jazz unit the Johnny Dankworth Seven. In the 1950s, he worked with a number of commercial bands, such as the Oscar Rabin Band, and also intermittently with Ronnie Scott. In the late 1950s, he worked with Kurt Edelhagen's orchestra in Germany. He returned to the UK and worked again with Scott (1960–62) and with Tubby Hayes (1962–66). As a highly gifted player and a leading exponent of the "modern" style, he was in some demand and achieved success as a touring player in Europe and the United States. He also "sat in" with lead ...
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Benny Bailey
Ernest Harold "Benny" Bailey (August 13, 1925 – April 14, 2005) was an American jazz trumpeter. Biography A native of Cleveland, Ohio, Bailey briefly studied flute and piano before turning to trumpet. He attended the Cleveland Institute of Music, Cleveland Conservatory of Music. He was influenced by Cleveland native Tadd Dameron and had a significant influence on other Cleveland musicians, such as Albert Ayler, Bob Cunningham (musician), Bob Cunningham, Bobby Few, Bill Hardman, and Frank Wright (jazz musician), Frank Wright. Bailey played with Tony Lovano, father of Joe Lovano. In the early 1940s he worked with Bull Moose Jackson and Scatman Crothers. He later worked with Dizzy Gillespie and toured with Lionel Hampton. During a European tour with Hampton he remained in Europe and spent time in Sweden, where he worked with Harry Arnold (musician), Harry Arnold's big band. He preferred big bands over small groups, and he became associated with several big bands in Europe, ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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