Sweet Sensation (The Embassy Album)
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Sweet Sensation (The Embassy Album)
''Sweet Sensation'' is the third album by Swedish band the Embassy. It was released February 26, 2013 on International. The album clearly showcases the groups influences of club music while still keeping their distinct sound. During their following tour, the band collaborated with the lighting artist Thomas Hämén. They had previously experimented with light by turning on the light over the audience and keeping the stage in the dark. Track listing #"Roundkick" #"Related Artist" #"International" #"Livin' Is Easy" #"Nightshift" #"I-D" #"It's Always a New Thing" #"U" #"Everything I Ever Wanted" References 2013 albums {{2010s-pop-album-stub ...
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The Embassy (band)
The Embassy is a Sweden, Swedish pop duo consisting of guitarist/vocalist Fredrik Lindson and keyboardist/programmer Torbjörn Håkansson. Their music can be described as a blend of disco, twee pop and Pub rock (United Kingdom), pub rock. Their music was first released by the independent label Service (record label), Service but is currently released via the bands own imprint, International. The group’s Post modernism, post-modernist attitude, anti-rock aesthetics and disrespectful live performances have made them both loved and loathed. History 1999: Formation The Embassy was formed in Gothenburg, Sweden in 1999. 2002: Futile Crimes The group’s debut album Futile Crimes (The Embassy album), Futile Crimes was released in 2002, preceded by the three singles “Sneaky Feelings EP”, “It Never Entered My Mind” and “The Pointer/Make me sad”. The album consists of 10 songs recorded by Union Carbide Productions, Björn Olsson in Sehr Schöön studios. The group sparked c ...
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Indie Pop
Indie pop (also typeset as indie-pop or indiepop) is a music genre and subculture that combines guitar pop with DIY ethic in opposition to the style and tone of mainstream pop music. It originated from British post-punk in the late 1970s and subsequently generated a thriving fanzine, Independent record label, label, and club and gig circuit. Compared to its counterpart, indie rock, the genre is more melodic, less abrasive, and relatively angst-free. In later years, the definition of ''indie pop'' has bifurcated to also mean bands from unrelated DIY scenes/movements with pop leanings. Subgenres include chamber pop and twee pop. Development and characteristics Origins and etymology Both ''indie'' and ''indie pop'' had originally referred to the same thing during the late 1970s. Inspired more by punk rock's DIY ethos than its style, guitar bands were formed on the then-novel premise that one could record and release their own music instead of having to procure a record contra ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Spin (magazine)
''Spin'' (stylized in all caps) is an American music magazine founded in 1985 by publisher Bob Guccione, Jr. Now owned by Next Management Partners, the magazine is an online publication since it stopped issuing a print edition in 2012. History Early history ''Spin'' was established in 1985 by Bob Guccione, Jr. In August 1987, the publisher announced it would stop publishing ''Spin'', but Guccione Jr. retained control of the magazine and partnered with former MTV president David H. Horowitz to quickly revive the magazine. During this time, it was published by Camouflage Publishing with Guccione Jr. serving as president and chief executive and Horowitz as investor and chairman. In its early years, ''Spin'' was known for its narrow music coverage with an emphasis on college rock, grunge, indie rock, and the ongoing emergence of hip-hop, while virtually ignoring other genres, such as country and metal. It pointedly provided a national alternative to ''Rolling Stone's'' more e ...
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Tacking (album)
''Tacking'' is the second album by Swedish band the Embassy. It was released in November 2005 on Service Service may refer to: Activities * Administrative service, a required part of the workload of university faculty * Civil service, the body of employees of a government * Community service, volunteer service for the benefit of a community or a pu .... :"''Tacking'' is inevitably going to be tagged as a summer record. I certainly appreciate how perfect this would sound as the soundtrack to a drunken barbeque or even beach party, but I'm in dreary old Sheffield and you know what? Tacking still sounds pretty great to me." :David Coleman, ''No Ripcord'' After the release of ''Tacking'', the group went silent for several years. They have later stated that this was because they lost faith in the traditional album format. Track listing #"Some Indulgence" #"Time's Tight" #"Stage Persona" #"It Pays to Belong" #"Lurking with a Distance" #"Information" #"Paint" #"Tell Me" #"Was That ...
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White Lake (album)
The Embassy is a Swedish pop duo consisting of guitarist/vocalist Fredrik Lindson and keyboardist/programmer Torbjörn Håkansson. Their music can be described as a blend of disco, twee pop and pub rock. Their music was first released by the independent label Service but is currently released via the bands own imprint, International. The group’s post-modernist attitude, anti-rock aesthetics and disrespectful live performances have made them both loved and loathed. History 1999: Formation The Embassy was formed in Gothenburg, Sweden in 1999. 2002: Futile Crimes The group’s debut album Futile Crimes was released in 2002, preceded by the three singles “Sneaky Feelings EP”, “It Never Entered My Mind” and “The Pointer/Make me sad”. The album consists of 10 songs recorded by Björn Olsson in Sehr Schöön studios. The group sparked controversy during this time for using instruments made of cardboard while performing live, along with utilizing playback. 2005: Tacki ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ...
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