Sweet Child
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Sweet Child
''Sweet Child'' was a 1968 double album by the British folk-rock band Pentangle: Terry Cox, Bert Jansch, Jacqui McShee, John Renbourn and Danny Thompson. Background One disk of the double album was recorded at Pentangle's live concert in the Royal Festival Hall, which took place on 29 June 1968; the other was recorded in the studio. The material is the most wide-ranging of Pentangle's albums, including folk songs, jazz classics, blues, early music and Pentangle's own compositions. The album cover was designed by Peter Blake, better-known for his design of The Beatles' ''Sgt. Pepper's Lonely Hearts Club Band'' album. Reception In his retrospective review for Allmusic, Matthew Greenwald called the album, "probably the most representative of their work... In all, Sweet Child is an awesome and delightful collection, and probably their finest hour." Track listing Charts Personnel ;Pentangle *Jacqui McShee - vocals * Bert Jansch - acoustic guitar, vocals * John Renbourn ...
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Pentangle (band)
Pentangle are a British folk band, formed in London in 1967. The original band was active in the late 1960s and early 1970s, and a later version has been active since the early 1980s. The original line-up, which was unchanged throughout the band's first incarnation (1967–1973), was Jacqui McShee (vocals); John Renbourn (vocals and guitar); Bert Jansch (vocals and guitar); Danny Thompson (double bass); and Terry Cox (drums). The name ''Pentangle'' was chosen to represent the five members of the band, and is also the device on Sir Gawain's shield in the Middle English poem ''Sir Gawain and the Green Knight'', which held a fascination for Renbourn. In 2007, the original members of the band were reunited to receive a Lifetime Achievement award at the BBC Radio 2 Folk Awards and to record a short concert that was broadcast on BBC radio. The following June, all five original members embarked on a twelve-date UK tour. History Formation The original group formed in 1967. Renbourn an ...
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Peter Blake (artist)
Sir Peter Thomas Blake (born 25 June 1932) is an English pop artist. He co-created the sleeve design for the Beatles' album ''Sgt. Pepper's Lonely Hearts Club Band''. His other works include the covers for two of The Who's albums, the cover of the Band Aid (band), Band Aid single "Do They Know It's Christmas?", and the Live Aid concert poster. Blake also designed the 2012 Brit Award statuette. Blake is a prominent figure in the pop art movement. Central to his paintings are his interest in images from popular culture which have infused his collages. In 2002 he was Orders, decorations, and medals of the United Kingdom, knighted at Buckingham Palace for his services to art. Early life Peter Blake was born in Dartford, Kent, on 25 June 1932. He was educated at the Gravesend Technical College school of art, and the Royal College of Art. Career From the late 1950s, Blake's paintings included imagery from advertisements, music hall entertainment, and wrestling, wrestlers, oft ...
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Ewan MacColl
James Henry Miller (25 January 1915 – 22 October 1989), better known by his stage name Ewan MacColl, was a folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town". MacColl collected hundreds of traditional folk songs, including the version of " Scarborough Fair" later popularised by Simon & Garfunkel, and released dozens of albums with A.L. Lloyd, Peggy Seeger and others, mostly of traditional folk songs. He also wrote many left-wing political songs, remaining a steadfast communist throughout his life and engaging in political activism. Early life and early career MacColl was born as James Henry Miller at 4 Andrew Street, in Broughton, Salford, England, to Scottish parents, William Miller and Betsy (née Henry), both socialists. William Miller was an iron moulde ...
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The Trees They Grow So High
"The Trees They Grow So High" is a British folk song (Roud 31, Laws O35). The song is known by many titles, including "The Trees They Do Grow High", "Daily Growing", "Long A-Growing" and "Lady Mary Ann". A two-verse fragment of the song is found in the Scottish manuscript collection of the 1770s of David Herd. This was used by Robert Burns as the basis for his poem "Lady Mary Ann" (published 1792).Roud, Steve & Julia Bishop (2012). ''The New Penguin Book of Folk Songs''. Penguin. . p.424. The subject of the song is an arranged marriage of a young woman by her father to a boy who is much younger than she. There are numerous versions of both the tune and lyrics. In one set of lyrics the groom is twelve when he marries and a father at 13. According to Roud and Bishop: "Judging by the number of versions gathered in the major manuscript collections and later sound recordings, this song has been a firm favourite with singers in Britain, Ireland and North America for a long time, th ...
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Sovay
Sovay is a traditional English folk song () about a young woman who dresses and arms herself as a highwayman in order to test her suitor. In disguise she robs her suitor of nearly all his possessions, but even under threat of death he refuses to give up the gold ring given by Sovay, thus proving his devotion. Sovay subsequently confesses the ruse to her lover and returns his various possessions, admonishing him only that had he indeed given up the ring, she would have killed him. The name 'Sovay' is probably a corruption of 'Sophie' or 'Sylvie' – both of which appear instead in some versions of the song. History The Bodleian Library has a printed version called "Sylvia's Request and William's Denial" dated to 1877. Sabine Baring-Gould collected a song called "Lady Turned Highwayman" ("Saucy Sally on one day") in Devon in 1890. In 1903 Cecil Sharp collected a version which he published in "Folk Songs From Somerset" (1905). The wikipedia article "Highwayman" says that the la ...
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The Sprig Of Thyme
"The Sprig of Thyme", "The Seeds of Love", "Maiden’s Lament", "Garners Gay", "Let No Man Steal Your Thyme" or "Rue" () is a traditional British and Irish folk ballad that uses botanical and other symbolism to warn young people of the dangers in taking false lovers. The song was first documented in 1689 and the many variants go by a large number of titles. History In Thomas Dunham Whitaker's ''History of the Parish of Whalley'', it is claimed that around the year 1689, a woman named Mrs. Fleetwood Habergam “undone by the extravagance, and disgraced by the vices of her husband,” wrote of her woes in the symbolism of flowers; however, the folklorist Cecil Sharp doubted this claim. The versions allegedly written by Habergram would have been the "Seeds of Love" variant; The "Sprig of Thyme" / "Let No Man Steal Your Thyme" variant is probably older than the "Seeds of Love" variant; it has a more modal, sad melody with abstract and reflective lyrics. ''The Seeds of Love'', sung ...
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The Bramble Briar
"The Bramble Briar", "The Merchant's Daughter" or "In Bruton Town" (Roud 18; Laws M32) is a traditional English folk murder ballad that tells the story of how two brothers murder a servant who is courting their sister. There are many versions of the song going by a number of different titles. Synopsis A girl of noble birth falls in love with a servant and the two agree to get married. However, her two brothers discover the tryst and, because they consider him too low-born for her, decide to murder him. They go out hunting in the woods early in the morning and take the servant along with them. One of the brothers kills the man and hides the body in a bramble thicket. Once back home, their sister asks them why they are whispering to each other and what has become of the servant. One of the brothers tells her that they have lost him somewhere that he will never be found. That night the girl dreams of her lover. He is dead and covered in blood. The following day, she goes out to the w ...
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Anne Briggs
Anne Patricia Briggs (born 29 September 1944) is an English folk singer. Although she travelled widely in the 1960s and early 1970s, appearing at folk clubs and venues in England and Ireland, she never aspired to commercial success or to achieve widespread public acknowledgment of her music. However, she was an influential figure in the British folk revival, being a source of songs and musical inspiration for others such as A. L. Lloyd, Bert Jansch, Jimmy Page, The Watersons, June Tabor, Sandy Denny, Richard Thompson, and Maddy Prior. Early life Briggs was born in Toton, Beeston, Nottinghamshire, England. Her mother died of tuberculosis when she was young. Her father, Albert, was severely injured in World War II and she was raised in Toton by her aunt Hilda and uncle Bill, who also brought up Hilda's youngest sister Beryl, and their own daughter Betty. In 1959, she hitch-hiked with a friend to Edinburgh. They stayed overnight with Archie Fisher, who was at that time prominent ...
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William Byrd
William Byrd (; 4 July 1623) was an English composer of late Renaissance music. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native England and those on the continent. He is often coupled with John Dunstaple and Henry Purcell as England's most important early music composers. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. Although he produced sacred music for Anglican services, sometime during the 1570s he became a Roman Catholic and wrote Catholic sacred music later in his life. Life Early life Birth and background Richard Byrd of Ingatestone, Essex was the grandfather of Thomas Byrd, who probably moved to London in the 15th century. Thereafter succeeding generations of the Byrd family are described as gentlemen. William Byrd was probably born in London, the third s ...
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Claude Gervaise
Claude Gervaise (1525–1583) ; these dates are contradicted by other sources was a French composer, editor and arranger of the Renaissance, who is remembered mainly for his association with renowned printer Pierre Attaingnant, and for his instrumental music. Life Little research has been done on Gervaise's life, and details are known only of the period in which he was active in Paris as an assistant to Attaingnant. He first appears around 1540, mentioned as an editor on the title pages for several of Attaingnant's books of instrumental dances. After Attaingnant died in late 1551 or 1552, Gervaise continued to assist Attaingnant's widow, Marie Lescallopier-Attaingnant, in carrying on their publishing business. Where Gervaise went after the last publication under the Attaingnant name in 1558 is not known. Music Gervaise's extant output consists of chansons, mostly for three or four voices, and instrumental music, mostly dances. He appears to have written no sacred music at al ...
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Goodbye Pork Pie Hat
"Goodbye Pork Pie Hat" is a jazz instrumental composed by Charles Mingus, originally recorded by his sextet in 1959 and released on his album ''Mingus Ah Um''. It was subsequently released on his 1963 album, ''Mingus Mingus Mingus Mingus Mingus'' as "Theme for Lester Young" and 1977's ''Three or Four Shades of Blues''. Composed in E-flat minor, Mingus wrote it as an elegy for saxophonist Lester Young, who had died two months prior to the recording session and who was known for wearing unusually broad-brimmed pork pie hats. These were "busted down" by Young himself, from hats that might better be described as Homburgs, but which he only purchased in "Negro districts". This was since, according to an interview with Young in the November 1949 edition of Our World, "You can't get the right type in a 'gray' neighborhood". Other versions One of Mingus's best-known compositions, "Goodbye Pork Pie Hat" became a jazz standard, recorded by other jazz and jazz fusion artists. An early ...
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Charles Mingus
Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history,See the 1998 documentary ''Triumph of the Underdog'' with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus' compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus' collected papers—including scores, sound recordings, correspondence and photos—in what they described as "the most important acquisition of a manuscript collection relating to jaz ...
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