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Swatow Ware
Swatow ware or Zhangzhou ware is a loose grouping of mainly late Ming dynasty Chinese export porcelain wares initially intended for the Southeast Asian market. The traditional name in the West arose because Swatow, or present-day Shantou, was the South Chinese port in Guangdong province from which the wares were thought to have been shipped. The many kilns were probably located all over the coastal region, but mostly near Zhangzhou, Pinghe County, Fujian, where several were excavated in the mid-1990s, which has clarified matters considerably. Many authorities now prefer to call the wares Zhangzhou ware, as it seems that Swatow did not become an important export port until the 19th century, and the wares were actually probably exported from Yuegang, now Haicheng in Longhai City, Zhangzhou. The precise dates for the beginning and ending of production remain uncertain, but the evidence from archaeology suggests production between about 1575–1650, though an earlier start has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swatow Porcelain Wanli Period 1573 1620
Shantou, Chinese postal romanization, alternately romanization of Chinese, romanized as Swatow and sometimes known as Santow, is a prefecture-level city on the eastern coast of Guangdong, China, with a total population of 5,502,031 as of the 2020 census (5,391,028 in 2010) and an administrative area of . However, its built-up (or metro) area is much bigger with 12,543,024 inhabitants including Rongcheng and Jiedong districts, Jiexi county and Puning city in Jieyang plus all of Chaozhou city largely conurbated. This is de facto the 5th built-up area in mainland China between Hangzhou-Shaoxing (13,035,026 inhabitants), Xian-Xianyang (12,283,922 inhabitants) and Tianjin (11,165,706 inhabitants). Shantou, a city significant in 19th-century Chinese history as one of the treaty ports established for Western trade and contact, was one of the original special economic zones of China established in the 1980s, but did not blossom in the manner that cities such as Shenzhen, Xiamen and Zhu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overglaze Enamel
Overglaze decoration, overglaze enamelling or on-glaze decoration is a method of decorating pottery, most often porcelain, where the coloured decoration is applied on top of the already fired and glazed surface, and then fixed in a second firing at a relatively low temperature, often in a muffle kiln. It is often described as producing "enamelled" decoration. The colours fuse on to the glaze, so the decoration becomes durable. This decorative firing is usually done at a lower temperature which allows for a more varied and vivid palette of colours, using pigments which will not colour correctly at the high temperature necessary to fire the porcelain body. Historically, a relatively narrow range of colours could be achieved with underglaze decoration, where the coloured pattern is applied before glazing, notably the cobalt blue of blue and white porcelain. Many historical styles, for example mina'i ware, Imari ware, Chinese doucai and wucai, combine the two types of decoration. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Mythology
Chinese mythology () is mythology that has been passed down in oral form or recorded in literature in the geographic area now known as Greater China. Chinese mythology includes many varied myths from regional and cultural traditions. Much of the mythology involves exciting stories full of fantastic people and beings, the use of magical powers, often taking place in an exotic mythological place or time. Like many mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion. Many stories regarding characters and events of the distant past have a double tradition: ones which present a more historicized or euhemerized version and ones which present a more mythological version. Many myths involve the creation and cosmology of the universe and its deities and inhabitants. Some mythology involves creation myths, the origin of things, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islands Of The Immortals
Penglai () is a legendary land of Chinese mythology. It is known in Japanese mythology as Hōrai.McCullough, Helen. ''Classical Japanese Prose'', p. 570. Stanford Univ. Press, 1990. . Location According to the ''Classic of Mountains and Seas'', the mountain is located at the eastern end of Bohai Sea. According to the pre-Qin mythology which retells the legend of Xu Fu presenting a memorial to the Qin Emperor in order to seek for the elixir of life, there are three godly mountains which are found in the Bohai sea where immortals reside; these mountains are Penglai, Fāngzhàng (), and Yíngzhōu (/). Other islands where immortals reside are called Dàiyú () and Yuánjiāo (). In the ''Illustrated Account of the Embassy to Goryeo in the Xuanhe Era'' (; ''Xuanhe fengshi Gaoli tujing''), written in 1124 by Xu Jing (徐兢), Mount Penglai is located on an inhabited island which is found within the boundaries of Changguo prefecture and can be reached "after crossing thirty thousa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as "Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North Africa. Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percival David Foundation
The Percival David Foundation of Chinese Art (abbreviated as the PDF) holds a collection of Chinese ceramics and related items assembled by Percival David that are on permanent display in a dedicated gallery in Room 95 at the British Museum. The Foundation's main purpose is to promote the study and teaching of Chinese art and culture. The collection consists of some 1,700 pieces, mostly of Song, Yuan, Ming and Qing dynasty porcelain from the 10th century to the 18th. It includes a painting, ''Scroll of Antiquities'' ( , 1728, Yongzheng's reign). The collection concentrates on pieces in the "Chinese taste" rather than export wares, and on Imperial porcelain, much of it Jingdezhen ware. It includes examples of the rare Ru and Guan wares and two important Yuan dynasty blue and white porcelain temple vases (the " David Vases"), the oldest dated blue and white porcelain pieces, from 1351. The Foundation also has a large library of Western and East Asian books related to Chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pagoda
A pagoda is an Asian tiered tower with multiple eaves common to Nepal, India, China, Japan, Korea, Myanmar, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most often Buddhist but sometimes Taoist, and were often located in or near viharas. The pagoda traces its origins to the stupa of ancient India. Chinese pagodas () are a traditional part of Chinese architecture. In addition to religious use, since ancient times Chinese pagodas have been praised for the spectacular views they offer, and many classical poems attest to the joy of scaling pagodas. Chinese sources credit the Nepalese architect Araniko with introducing the pagoda to China. The oldest and tallest pagodas were built of wood, but most that survived were built of brick or stone. Some pagodas are solid with no interior. Hollow pagodas have no higher floors or rooms, but the interior often contains an altar or a smaller pagoda, as well as a series of staircases for the vis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iconography
Iconography, as a branch of art history, studies the identification, description and interpretation of the content of images: the subjects depicted, the particular compositions and details used to do so, and other elements that are distinct from artistic style. The word ''iconography'' comes from the Greek ("image") and ("to write" or ''to draw''). A secondary meaning (based on a non-standard translation of the Greek and Russian equivalent terms) is the production or study of the religious images, called "icons", in the Byzantine and Orthodox Christian tradition (see Icon). This usage is mostly found in works translated from languages such as Greek or Russian, with the correct term being "icon painting". In art history, "an iconography" may also mean a particular depiction of a subject in terms of the content of the image, such as the number of figures used, their placing and gestures. The term is also used in many academic fields other than art history, for example semiotics ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dragon Kiln
A dragon kiln () or "climbing kiln", is a traditional Chinese form of kiln, used for Chinese ceramics, especially in southern China. It is long and thin, and relies on having a fairly steep slope, typically between 10° and 16°, up which the kiln runs. The kiln could achieve the very high temperatures, sometimes as high as 1400°C, necessary for high-fired wares including stoneware and porcelain, which long challenged European potters, and some examples were very large, up to 60 metres long, allowing up to 25,000 pieces to be fired at a time. By the early 12th century CE they might be over 135 metres long, allowing still larger quantities to be fired; more than 100,000 have been claimed. History According to recent excavations in Shangyu District in the northeast of Zhejiang province and elsewhere, the origins of the dragon kiln may go back as far as the Shang dynasty (c. 1600 to 1046 BCE), and is linked to the introduction of stoneware, fired at 1200°C or more. These kilns we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slip (ceramics)
A slip is a clay slurry used to produce pottery and other ceramic wares. Liquified clay, in which there is no fixed ratio of water and clay, is called slip or clay slurry which is used either for joining leather-hard (semi-hardened) clay body (pieces of pottery) together by slipcasting with mould, glazing or decorating the pottery by painting or dipping the pottery with slip.What is slip in pottery thepotterywheel.com, accessed 10 July 2021. Pottery on which slip has been applied either for glazing or decoration is called the . Engobe, from the French word for slip, is an |
Staffage
In painting, staffage () are the human and animal figures depicted in a scene, especially a landscape, that are not the primary subject matter of the work. Typically they are small, and there to add an indication of scale and add interest. Before the adoption of the word into the visual arts in the late eighteenth and early nineteenth centuries, ''Staffage'' in German could mean "accessories" or "decoration". The word can be used in two senses: as a general term for any figures in a work, even when they are, at least ostensibly, the main subject, and as a descriptive term for figures to whom no specific identity or story is attached, included merely for compositional or decorative reasons. In the latter sense, staffage are accessories to the scene, yet add life to the work; they provide depth to the painting and reinforce the main subject, as well as giving a clear scale to the rest of the composition. During the Baroque, painters such as Nicolas Poussin and Claude Lorrain commo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dish With The Path To The Island Of Immortals
Dish, dishes or DISH may refer to: Culinary * Dish (food), something prepared to be eaten * Dishware, plates and bowls for eating, cutting boards, silverware Communications * Dish antenna a type of antenna * Dish Network, a satellite television provider in North America * Dish TV, a satellite television provider in India * Satellite dish, an antenna for receiving satellite signals * Stanford Dish The Stanford Dish, known locally as the Dish, is a radio antenna in the Stanford foothills. The dish was built in 1961 by the Stanford Research Institute (now SRI International). The cost to construct the antenna was $4.5 million, and was fund ..., a U.S. Government-owned radio-telescope at Stanford University Arts, entertainment, and media * The Dish (TV series), ''The Dish'' (TV series), an American television show * ''The Dish'', an Australian film * DISH (band), a Japanese band * Dish (American band), an American alternative rock band * "Dish", a 2016 single by Chancellor (mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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