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Svegliatevi Nel Core
"Svegliatevi nel core" ("Awaken in my heart") is an aria taken from act 1, scene 4 of the Italian language opera seria, ''Giulio Cesare'', by George Frideric Handel. The aria is written for the role of Sesto, a soprano in trouser role, including during the premiere, who sings it to assure his mother that he will avenge the death of his father, Pompey, who was assassinated by the Egyptians, instructed by Tolomeo (Ptolemy XIII Theos Philopator) to demonstrate the Egyptians' loyalty to Julius Caesar. The words were written by Nicola Francesco Haym. Aria database site. Retrieved 25 July 2018 Today, the role is also often sung by . Libretto [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Cesare
''Giulio Cesare in Egitto'' (; , HWV 17), commonly known as ''Giulio Cesare'', is a dramma per musica ('' opera seria'') in three acts composed by George Frideric Handel for the Royal Academy of Music in 1724. The libretto was written by Nicola Francesco Haym who used an earlier libretto by Giacomo Francesco Bussani, which had been set to music by Antonio Sartorio (1676). The opera was a success at its first performances, was frequently revived by Handel in his subsequent opera seasons and is now one of the most often performed Baroque operas. The opera's plot is loosely based on historic events during the Roman Civil War of 49–45 BC. Composition history ''Giulio Cesare in Egitto'' was first performed at the King's Theatre in the Haymarket, London on 20 February 1724. The opera was an immediate success. A contemporary wrote in a letter on 10 March 1724: ...the opera is in full swing also, since Hendell's new one, called Jules César – in which Cenesino and Cozzun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Breeches Role
A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term ''travesti'' covers both this sort of cross-dressing and also that of male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. Budden J., "Breeches part" in: ''The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters (e.g., Leonore in ''Fidelio'' or Gilda in Act III ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pompey
Gnaeus Pompeius Magnus (; 29 September 106 BC – 28 September 48 BC), known in English as Pompey or Pompey the Great, was a leading Roman general and statesman. He played a significant role in the transformation of Rome from republic to empire. He was (for a time) a student of Roman general Sulla as well as the political ally, and later enemy, of Julius Caesar. A member of the senatorial nobility, Pompey entered into a military career while still young. He rose to prominence serving the dictator Sulla as a commander in the civil war of 83–82 BC. Pompey's success as a general while young enabled him to advance directly to his first Roman consulship without following the traditional '' cursus honorum'' (the required steps to advance in a political career). He was elected as Roman consul on three occasions. He celebrated three Roman triumphs, served as a commander in the Sertorian War, the Third Servile War, the Third Mithridatic War, and in va ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ptolemy XIII Theos Philopator
Ptolemy XIII Theos Philopator ( grc-gre, Πτολεμαῖος Θεός Φιλοπάτωρ, ''Ptolemaĩos''; c. 62 BC – 13 January 47 BC) was Pharaoh of Egypt from 51 to 47 BC, and one of the last members of the Ptolemaic dynasty (305–30 BC). He was the son of Ptolemy XII and the brother of and co-ruler with Cleopatra VII. Cleopatra's exit from Egypt caused a civil war to break out between the pharaohs. Ptolemy later ruled jointly with his other sister, Arsinoe IV. Biography Co-ruler of Egypt, inner turmoil Son of the Egyptian Pharaoh Ptolemy XII (r. 80–58 BC and 55–51 BC), Ptolemy XIII succeeded his father as pharaoh of the Ptolemaic Kingdom in the spring of 51 BC at the age of 11. His father had stipulated that Ptolemy XIII would be married to his older sister Cleopatra (r. 51–30 BC), with the couple ruling as co-rulers. In October 50 BC, Ptolemy XIII was promoted to senior ruler along with her, although the eunuch Pothinus acted as regent for him. In the sprin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julius Caesar
Gaius Julius Caesar (; ; 12 July 100 BC – 15 March 44 BC), was a Roman general and statesman. A member of the First Triumvirate, Caesar led the Roman armies in the Gallic Wars before defeating his political rival Pompey in a civil war, and subsequently became dictator from 49 BC until his assassination in 44 BC. He played a critical role in the events that led to the demise of the Roman Republic and the rise of the Roman Empire. In 60 BC, Caesar, Crassus and Pompey formed the First Triumvirate, an informal political alliance that dominated Roman politics for several years. Their attempts to amass power as were opposed by the within the Roman Senate, among them Cato the Younger with the frequent support of Cicero. Caesar rose to become one of the most powerful politicians in the Roman Republic through a string of military victories in the Gallic Wars, completed by 51 BC, which greatly extended Roman territory. During this time he both invaded Britain and built a b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicola Francesco Haym
Nicola Francesco Haym (6 July 1678 – 31 July 1729) was an Italian opera librettist, composer, theatre manager and performer, literary editor and numismatist. He is best remembered for adapting texts into libretti for the London operas of George Frideric Handel and Giovanni Bononcini. Libretti that he provided for Handel included those for ''Giulio Cesare'', ''Ottone'', ''Flavio'', ''Tamerlano'', '' Rodelinda'', and several others; for Bononcini, he produced two, ''Calfurnia'' and ''Astianatte''. Compositions Haym was born in Rome. His career began as a cellist in Italy, and he arrived in London in 1701: he swiftly became master of the 2nd Duke of Bedford's chamber music. He wrote the libretto for Bononcini's '' Camilla'', a seminal work of enormous success that did much to establish Italian opera in London. Later, when operas in London came to be performed entirely in Italian, rather than in a bilingual blend of English and Italian, Haym spent much time adapting both librett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Countertenor
A countertenor (also contra tenor) is a type of classical male singing voice whose vocal range is equivalent to that of the female contralto or mezzo-soprano voice types, generally extending from around G3 to D5 or E5, although a sopranist (a specific kind of countertenor) may match the soprano's range of around C4 to C6.A sopranist is a term used to describe a countertenor whose vocal range is so high it is equivalent to that of a soprano; however, this term is widely used falsely. Countertenors often are baritones or tenors at core, but only on rare occasions do they use their lower vocal range, instead preferring their falsetto or high head voice. The nature of the countertenor voice has radically changed throughout musical history, from a modal voice, to a modal and falsetto voice, to the primarily falsetto voice which is denoted by the term today. This is partly because of changes in human physiology and partly because of fluctuations in pitch. The term first came into ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Jaroussky
Philippe Jaroussky (born 13 February 1978) is a French countertenor. He began his musical career with the violin, winning an award at the Versailles conservatory, and then took up the piano before turning to singing. Unusually for a countertenor, Jaroussky performs entirely in falsetto register. He has said that his natural singing voice is in the baritone range. Early career Jaroussky was born in Maisons-Laffitte. His great-grandfather was a Russian émigré who fled from the Bolshevik Revolution. Jaroussky was inspired to sing by the Martinique-born countertenor Fabrice di Falco. He received his diploma from the Early Music Faculty of the Conservatoire de Paris. Since 1996, he has studied singing with Nicole Fallien. He cofounded the ensemble Artaserse in 2002, and has also often performed with the Ensemble Matheus under Jean-Christophe Spinosi and with L'Arpeggiata under Christina Pluhar. On 29 July 2016 he performed David Bowie's "Always Crashing in the Same Car" in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
