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Suvir Misra
Suvir Misra ( sa, सुवीर मिश्र, ) is an Indian player of Rudra Veena, Saraswati Veena, and Surbahar. He is unique in being a left handed artist who has mastered all the three veenas of the Indian classical music - the Rudra Veena, the Saraswati Veena and the Surbahar. He is the inventor of Misr Veena. Early life Suvir Misra was born in Harda, Madhya Pradesh and belongs to a family of musicians. He has studied at Delhi Public School, Mathura Road. He started his journey into music at the age of 12. Personal life He joined Civil Services of India in 1993, and currently is working as a Commissioner of Customs, Customs and Central Excise, Mumbai Career Suvir was trained in the Rudra Veena by Zia Fariduddin Dagar and simultaneously studied dhrupad from Nirmalya Dey. He learnt the Gwalior gharana singing style from K.N.Ienger and learnt sitar from N.R.Rama Rao. He studied tabla under Bandu Khan of Ajrara gharana. Suvir found inspiration in Veena from S. Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harda
Harda is a town and a municipality in Harda district in the Indian state of Madhya Pradesh. Harda is the administrative headquarters of Harda. History Mughal period During the Mughal period, Harda was a mahal in the Handia sarkar. In 1742, Marathas led by Peshwa Balaji Baji Rao captured the area, and displaced the Muslim governor of the Handia sarkar. Subsequently, Harda replaced Handia as the most important town in the area, as the local Maratha ''amil'' (chief) resided at Harda. Harda was a part of the Scindia's territories. In 1801, Yashwantrao Holkar sacked Harda. Later, Harda also faced attacks from the Pindaris and the Korku tribals. British period In 1817, during the Third Anglo-Maratha War, Harda became the headquarters of John Malcolm's division. Even after the Maratha defeat in the war, the Scindias retained control of the Harda-Handia tract. The area was ceded to the British in 1844, but the cession was completed only in 1860. The town saw disturbances during t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwalior Gharana
The Gwalior Gharana (Gwalior school of classical music) is one of the oldest Khyal Gharana in Indian classical music. The rise of the Gwalior Gharana started with the reign of the Mughal emperor Akbar (1542–1605). The favourite singers of this patron of the arts, such as Miyan Tansen, who was the most famous vocalist at the court, came from the town of Gwalior. History The Gwalior Gharana evolved during the time of the Mughal Empire (1526CE 1857 CE). Among the early masters (''ustad'') were Naththan Khan, Naththan Pir Bakhsh and his grandsons Haddu, Hassu and Natthu Khan. The head musician in the imperial court was Bade Mohammad Khan, who was famous for his ''taan bazi'' style. Both Bade Mohammad Khan and Naththan Pir Bakhsh belonged to the same tradition of Shahi Sadarang (also known as Nemat Khan, dhrupad singer and veena player in the court of Mohammad Shah (1702 CE 1748 CE). Hassu Khan (died 1859 CE) and Haddu Khan (died 1875 CE) continued to develop the Gwalior style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saraswati Veena Players
Saraswati ( sa, सरस्वती, ) is the Hindu goddess of knowledge, music, art, speech, wisdom, and learning. She is one of the Tridevi, along with the goddesses Lakshmi and Parvati. The earliest known mention of Saraswati as a goddess is in the Rigveda. She has remained significant as a goddess from the Vedic period through the modern period of Hindu traditions. She is generally shown to have four arms, holding a book, a rosary, a water pot, and a musical instrument called the veena. Each of these items have a symbolic meaning in Hinduism. Some Hindus celebrate the festival of Vasant Panchami (the fifth day of spring, and also known as Saraswati Puja and Saraswati Jayanti in many regions of India) in her honour, and mark the day by helping young children learn how to write the letters of the alphabet on that day. The goddess is also revered by believers of the Jain religion of west and central India, as well as some Buddhist sects. Etymology Saraswati, is a Sansk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surbahar Players
''Surbahar'' (; ) sometimes known as bass sitar, is a plucked string instrument used in the Hindustani classical music of the Indian subcontinent. It is closely related to the sitar, but has a lower pitch. Depending on the instrument's size, it is usually pitched two to five whole steps below the standard sitar. Overview The surbahar is over 130 cm (51 inches). It uses a dried gourd as a resonator, and has a neck with very wide frets, which allow a glissando or "meend" of as much as an octave on the same fret through the method of pulling. The neck is made out of ''toona'', or mahogany wood. It has 3-4 rhythm strings (''chikari''), four playing strings (the broadest 1 mm), and 10 to 11 sympathetic strings. There are two bridges; the playable strings pass over the greater bridge, which is connected to the tabli with small legs, which are glued in place. The sympathetic strings pass over the smaller bridge which is directly glued on the tabli. The bridges have a s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudra Veena Players
Rudra (; sa, रुद्र) is a Rigvedic deity associated with Shiva, the wind or storms, Vayu, medicine, and the hunt. One translation of the name is 'the roarer'. In the Rigveda, Rudra is praised as the 'mightiest of the mighty'. Rudra means "who eradicates problems from their roots". Depending upon the periodic situation, Rudra can mean 'the most severe roarer/howler' (could be a hurricane or tempest) or 'the most frightening one'. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages. The ''Shri Rudram'' hymn from the Yajurveda is dedicated to Rudra and is important in the Shaivism sect.For an overview of the Śatarudriya see: . In Prathama Anuvaka of Namakam (Taittiriya Samhita 4.5), Sri Rudram the 'mightiest of the mighty' Rudra, is revered as ''Sadasiva (meaning 'mighty Shiva')'' and Mahadeva. Sadashiva is the Supreme Being, Lord Paramashiva in the Mantra marga Siddhanta sect of Shaivism. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taan (music)
''Taan'' (Hindi: , ur, ) is a technique used in the vocal performance of a raga in Hindustani classical music. It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo. It is similar to the technique '' ahaat'', used in Arabic music. The ''murki'', a type of ornamentation, is a swift, short and taan-like movement that is heavily used in thumri. Types Taans are clustered in different types: ''Bol Taan'' : Taan can be sung by utilizing the words of the bandish. This is a difficult type of a taan as in this correct pronunciation, meaning of the composition, everything has to be taken into consideration. ''Shuddha/Sapat (Straight) Taan'' : The notes are placed in an o ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hindu
''The Hindu'' is an Indian English-language daily newspaper owned by The Hindu Group, headquartered in Chennai, Tamil Nadu. It began as a weekly in 1878 and became a daily in 1889. It is one of the Indian newspapers of record and the second most circulated English-language newspaper in India, after '' The Times of India''. , ''The Hindu'' is published from 21 locations across 11 states of India. ''The Hindu'' has been a family-owned newspaper since 1905, when it was purchased by S. Kasturi Ranga Iyengar from the original founders. It is now jointly owned by Iyengar's descendants, referred to as the "Kasturi family", who serve as the directors of the holding company. The current chairperson of the group is Malini Parthasarathy, a great-granddaughter of Iyengar. Except for a period of about two years, when S. Varadarajan held the editorship of the newspaper, the editorial positions of the paper were always held by members of the family or held under their direction. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Braj Bhasha
The Braj language, ''Braj Bhasha'', also known as Vraj Bhasha or Vrij Bhasha or Braj Bhāṣā or Braji or Brij Bhasha or Braj Boli, is a Western Hindi language. Along with Awadhi (a variety of Eastern Hindi), it was one of the two predominant literary languages of North-Central India before the switch to Hindustani in the 19th century. Braj is spoken by people in the vaguely defined region of Braj (Braj Bhoomi) in northern India, which was a political state in the era of the ''Mahabharata'' wars. According to ancient Hindu texts such as the Bhagavata Purana, the Kingdom of Surasena is described as spreading through Braj (also known as Brij, Vrija or Vraja), where the incarnation of Vishnu, Krishna was born and spent his childhood days, according to tradition. This region lies in the Agra-Mathura- Hathras-Firozabad-Aligarh area & Etawah-Mainpuri-Auraiya area, and stretches as far as the environs of Delhi. In modern India, this area lies mostly in central western Uttar Prade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Awadhi Language
Awadhi (; ), also known as Audhi (), is an Indo-Aryan language spoken in North India, northern India and Nepal. It is primarily spoken in the Awadh region of present-day Uttar Pradesh, Uttar Pradesh, India. The name ''Awadh'' is connected to Ayodhya, the ancient city, which is regarded as the homeland of the Hindu god Rama. See also, the Oudh state which was settled in North India during the Mughal Empire, Mughal rule. It was, along with Braj Bhasha, used widely as a literary vehicle before being displaced by Hindustani language, Hindustani in the 19th century. Linguistically, Awadhi is a language at par with Hindustani language, Hindustani. However, it is regarded by the state to be a dialect of the Hindi languages, Central Indo-Aryan (Hindi) languages, and the area where Awadhi is spoken to be a part of the Hindi-language area owing to their cultural proximity. As a result, Hindi, Modern Standard Hindi, rather than Awadhi, is used for school instructions as well as administ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the Dravidian languages, South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajrara Gharana
Ajrara gharana or Ajrada gharana is one of the six main traditional schools in tabla drum. The distinctiveness of this Gharana is the use of complex Bols and Meend. Pakhawaj bols are rare. The stress is on Ad and Barabar laya. It specializes in the three-time pattern. The position of the left drum is not changed, but its face is touched with the thumb. History This school was founded in the nineteenth century by Miru Khan and Kallu Khan, disciples of Sitab Khan of the Delhi gharana, at the Ajrara village, in Uttar Pradesh. Playing style Clarity of sound is made possible by the propensity for using the index and middle fingers in the traditional manner. The Ajrara gharana style includes more complicated bol patterns than the Delhi gharana. This is because the third fingers are brought into play as well. Bols like ''Dhina GiNa'', ''Ghe Ghe Tit Kit'', ''Dha Ge Na'' etc. are most frequently used. These bols create a certain resonance. Pakhawaj bols are rarely used in this gharana. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tabla
A tabla, bn, তবলা, prs, طبلا, gu, તબલા, hi, तबला, kn, ತಬಲಾ, ml, തബല, mr, तबला, ne, तबला, or, ତବଲା, ps, طبله, pa, ਤਬਲਾ, ta, தபலா, te, తబలా, ur, , group="nb", name="nb" is a pair of twin hand drums from the Indian subcontinent, that are somewhat similar in shape to the bongos. Since the 18th century, it has been the principal percussion instrument in Hindustani classical music, where it may be played solo, as accompaniment with other instruments and vocals, and as a part of larger ensembles. It is frequently played in popular and folk music performances in India, Bangladesh, Afghanistan, Pakistan, Nepal and Sri Lanka.Tabla Encyclopædia Britannica The tabla is an essential instrument in the |
