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Susan Dorothea White
Susan Dorothea White (born 10 August 1941) is an Australian artist and author. She is a narrative artist and her work concerns the natural world and human situation, increasingly incorporating satire and irony to convey her concern for human rights and equality. She is the author of ''Draw Like da Vinci'' (2006). Education and early career Born in Adelaide, South Australia on 10 August 1941, White grew up in the outback mining town of Broken Hill. She started boarding school in Adelaide in 1954, returning home to Broken Hill during school vacations to paint and draw. White first exhibited in 1957; in 1958, while still at school, she began accepting commissions and attended Saturday drawing classes conducted by the artist James Cant in Adelaide. From 1959 to mid-1960, White was a student in the Diploma of Fine Art program at the South Australian School of Art. At SASA, White was initiated in art appreciation by Dora Chapman who taught her "a broad range of skills including persp ...
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Adelaide, South Australia
Adelaide ( ) is the list of Australian capital cities, capital city of South Australia, the state's largest city and the list of cities in Australia by population, fifth-most populous city in Australia. "Adelaide" may refer to either Greater Adelaide (including the Adelaide Hills) or the Adelaide city centre. The demonym ''Adelaidean'' is used to denote the city and the residents of Adelaide. The Native title in Australia#Traditional owner, Traditional Owners of the Adelaide region are the Kaurna people. The area of the city centre and surrounding parklands is called ' in the Kaurna language. Adelaide is situated on the Adelaide Plains north of the Fleurieu Peninsula, between the Gulf St Vincent in the west and the Mount Lofty Ranges in the east. Its metropolitan area extends from the coast to the Adelaide Hills, foothills of the Mount Lofty Ranges, and stretches from Gawler in the north to Sellicks Beach in the south. Named in honour of Queen Adelaide, the city was founded ...
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Huon Pine
''Lagarostrobos franklinii'' is a species of conifer native to the wet southwestern corner of Tasmania, Australia. It is often known as the Huon pine or Macquarie pine, although it is actually a podocarp (Podocarpaceae), not a true pine (Pinaceae). It is the sole species in the genus ''Lagarostrobos''; one other species ''L. colensoi'' (endemic to New Zealand) formerly included has been transferred to a new genus ''Manoao''. The genus was also formerly included in a broader circumscription of the genus ''Dacrydium''. In molecular phylogenetic analyses ''Lagorostrobos'' was found to be related to ''Parasitaxus'' (a parasitic and monotypic genus from New Caledonia) and ''Manoao'', but their exact relationships are unresolved. The wood is highly prized for its golden yellow colour, fine grain, and natural oils that resist rotting. The chemical giving the timber its unique smell and preservative qualities is methyl eugenol. It has been planted in the grounds of Crathes Castle, Aberd ...
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Silverpoint
Silverpoint (one of several types of metalpoint) is a traditional drawing technique first used by medieval scribes on manuscripts. History A silverpoint drawing is made by dragging a silver rod or wire across a surface, often prepared with gesso or primer. Silverpoint is one of several types of metalpoint used by scribes, craftsmen and artists since ancient times. Metalpoint styli were used for writing on soft surfaces (wax or bark), ruling and underdrawing on parchment, and drawing on prepared paper and panel supports. For drawing purposes, the essential metals used were lead, tin and silver. The softness of these metals made them effective drawing instruments. Goldsmiths also used metalpoint drawings to prepare their detailed, meticulous designs. Albrecht Dürer's father was one such craftsman who later taught his young son to draw in metalpoint, to such good effect that his 1484 ''Self-Portrait at the Age of 13'' is still considered a masterpiece. In the late Gothic/early Rena ...
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Conté
Conté (), also known as Conté sticks or Conté crayons, are a drawing medium composed of compressed powdered graphite or charcoal mixed with a clay base, square in cross-section. They were invented in 1795 by Nicolas-Jacques Conté, who created the combination of clay and graphite in response to the shortage of graphite caused by the Napoleonic Wars (when the British naval blockade of France prevented import). Conté crayons had the advantage of being cost-effective to produce, and easy to manufacture in controlled grades of hardness. They are now manufactured using natural pigments (iron oxides, carbon black, titanium dioxide), clay (kaolin), and a binder (cellulose ether). Conté crayons are most commonly found in black, white, and sanguine tones, as well as bistre, shades of grey, and other colors. Colors sets are especially useful for field studies and color studies. Some artists create entire paintings with them, using them more like pastels than like a drawing medium. ...
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Pastel
A pastel () is an art medium in a variety of forms including a stick, a square a pebble or a pan of color; though other forms are possible; they consist of powdered pigment and a binder. The pigments used in pastels are similar to those used to produce some other colored visual arts media, such as oil paints; the binder is of a neutral hue and low saturation. The color effect of pastels is closer to the natural dry pigments than that of any other process. Pastels have been used by artists since the Renaissance, and gained considerable popularity in the 18th century, when a number of notable artists made pastel their primary medium. An artwork made using pastels is called a pastel (or a pastel drawing or pastel painting). ''Pastel'' used as a verb means to produce an artwork with pastels; as an adjective it means pale in color. Pastel media Pastel sticks or crayons consist of powdered pigment combined with a binder. The exact composition and characteristics of an individual ...
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National Gallery Of Australia
The National Gallery of Australia (NGA), formerly the Australian National Gallery, is the national art museum of Australia as well as one of the largest art museums in Australia, holding more than 166,000 works of art. Located in Canberra in the Australian Capital Territory, it was established in 1967 by the Australian Government as a national public art museum. it is under the directorship of Nick Mitzevich. Establishment Prominent Australian artist Tom Roberts had lobbied various Australian prime ministers, starting with the first, Edmund Barton. Prime Minister Andrew Fisher accepted the idea in 1910, and the following year Parliament established a bipartisan committee of six political leaders—the ''Historic Memorials Committee''. The Committee decided that the government should collect portraits of Australian governors-general, parliamentary leaders and the principal "fathers" of federation to be painted by Australian artists. This led to the establishment of what bec ...
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Chernobyl Disaster
The Chernobyl disaster was a nuclear accident that occurred on 26 April 1986 at the No. 4 reactor in the Chernobyl Nuclear Power Plant, near the city of Pripyat in the north of the Ukrainian SSR in the Soviet Union. It is one of only two nuclear energy accidents rated at seven—the maximum severity—on the International Nuclear Event Scale, the other being the 2011 Fukushima nuclear disaster in Japan. The initial emergency response, together with later decontamination of the environment, involved more than 500,000 personnel and cost an estimated 18 billion roubles—roughly US$68 billion in 2019, adjusted for inflation. The accident occurred during a safety test meant to measure the ability of the steam turbine to power the emergency feedwater pumps of an RBMK-type nuclear reactor in the event of a simultaneous loss of external power and major coolant leak. During a planned decrease of reactor power in preparation for the test, the operators accidentally dropp ...
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Linocut
Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press. Technique Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts and engravings. Lino is generally diced, much easier to cut than wood, especially when heated, but the pressure of the printing process degrades the plate faster and ...
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Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ...
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Lithography
Lithography () is a planographic method of printing originally based on the immiscibility of oil and water. The printing is from a stone (lithographic limestone) or a metal plate with a smooth surface. It was invented in 1796 by the German author and actor Alois Senefelder and was initially used mostly for musical scores and maps.Meggs, Philip B. A History of Graphic Design. (1998) John Wiley & Sons, Inc. p 146 Carter, Rob, Ben Day, Philip Meggs. Typographic Design: Form and Communication, Third Edition. (2002) John Wiley & Sons, Inc. p 11 Lithography can be used to print text or images onto paper or other suitable material. A lithograph is something printed by lithography, but this term is only used for fine art prints and some other, mostly older, types of printed matter, not for those made by modern commercial lithography. Originally, the image to be printed was drawn with a greasy substance, such as oil, fat, or wax onto the surface of a smooth and flat limestone plat ...
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Etching
Etching is traditionally the process of using strong acid or mordant to cut into the unprotected parts of a metal surface to create a design in intaglio (incised) in the metal. In modern manufacturing, other chemicals may be used on other types of material. As a method of printmaking, it is, along with engraving, the most important technique for old master prints, and remains in wide use today. In a number of modern variants such as microfabrication etching and photochemical milling it is a crucial technique in much modern technology, including circuit boards. In traditional pure etching, a metal plate (usually of copper, zinc or steel) is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where the artist wants a line to appear in the finished piece, exposing the bare metal. The échoppe, a tool with a slanted oval section, is also used for "swelling" lines. The plate is then dipped in a bath of aci ...
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Printmaker
Printmaking is the process of creating work of art, artworks by printing, normally on paper, but also on fabric, wood, metal, and other surfaces. "Traditional printmaking" normally covers only the process of creating prints using a hand processed technique, rather than a photographic reproduction of a visual artwork which would be printed using an electronic machine (Printer (computing), a printer); however, there is some cross-over between traditional and digital printmaking, including risograph. Except in the case of monotyping, all printmaking processes have the capacity to produce identical multiples of the same artwork, which is called a print. Each print produced is considered an "original" work of art, and is correctly referred to as an "impression", not a "copy" (that means a different print copying the first, common in early printmaking). However, impressions can vary considerably, whether intentionally or not. Master printmakers are technicians who are capable of prin ...
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