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Superscope (film Process)
Superscope may refer to: * Superscope (song), a 2014 song and EP by Clark * Superscope 235 or Super 35, a motion picture film format * Super Scope, a wireless light gun controller for the Super NES video game console {{dab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superscope (song)
Christopher Stephen Clark (born 29 August 1979) is a British electronic musician, performing under the mononym Clark. He has produced music for his own albums, as well as music for television, films and video games, having composed scores for award-winning contemporary dance and BAFTA nominated TV series. His records have been released by Warp Records, Deutsche Grammophon and his own label Throttle Records. History Clark was born Christopher Stephen Clark in 1979 in St Albans, Hertfordshire, England, where he grew up and attended St Albans School. He started making music as a teenager, and also began experimenting with building his own primitive equipment, including a "home-built stylus made out of a hook and some masking tape". He went on to attend Bristol University. As a student, his music teacher told him that if Clark were to buy a drum machine, he would give up all hope in Clark's musical ability. Whilst still a student, Clark first impressed staff at Warp Records pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Superscope 235
Super 35 (originally known as Superscope 235) is a motion picture film format that uses exactly the same film stock as standard 35 mm film, but puts a larger image frame on that stock by using the space normally reserved for the optical analog sound track. History Super 35 was revived from a similar Superscope variant known as Superscope 235, which was originally developed by the Tushinsky Brothers (who founded Superscope Inc. in 1954) for RKO in 1954. The first film to be shot in Superscope was '' Vera Cruz'', a western film produced by Hecht-Lancaster Productions and distributed through United Artists. When cameraman Joe Dunton was preparing to shoot ''Dance Craze'' in 1982, he chose to revive the Superscope format by using a full silent-standard gate and slightly optically recentering the lens port (to adjust for the inclusion of the area of the optic soundtrack -the gray track on left side of the illustration). These two characteristics are central to the format. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |