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Super VHS
, the common initialism for Super VHS, is an improved version of the VHS standard for consumer-level video recording. Victor Company of Japan introduced S-VHS in Japan in April 1987, with their JVC-branded HR-S7000 VCR, and in certain overseas markets soon afterward. By the end of 1987, the first S-VHS VCR models from other competitors included Hitachi VT-2700A, Mitsubishi HS-423UR, Panasonic PV-S4764, RCA VPT-695HF, and Toshiba SV-950. Technical information Like VHS, the S-VHS format uses a ''color under'' modulation scheme. S-VHS improves luminance (luma) resolution by increasing luminance bandwidth. Increased bandwidth is possible because of the increased luminance carrier from 3.4 megahertz (MHz) to 5.4 MHz. Note also that the luminance modulator ''bandwidth'' is increased: in contrast to standard VHS' frequencies of 3.8 MHz (synch tip) to 4.8 MHz (peak white), S-VHS uses 5.4 MHz synch tip and 7.4 MHz peak white. Increased luminance bandwidth produces a 60% imp ...
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S-Video
S-Video (also known as separate video, Y/C, and erroneously Super-Video ) is an analog video signal format that carries standard-definition video, typically at 525 lines or 625 lines. It encodes video luma and chrominance on two separate channels, achieving higher image quality than composite video which encodes all video information on one channel. It also eliminates several types of visual defects such as dot crawl which commonly occur with composite video. Although it improved over composite video, S-Video has lower color resolution than component video, which is encoded over three channels. The Atari 800 was the first to introduce separate Chroma/Luma output in late 1979. However, S-Video did not get widely adopted until JVC's introduction of the S-VHS (Super-VHS) format in 1987, which is why it is sometimes incorrectly referred to as "Super-Video." Before the shift towards digital video the S-video format was widely used by consumers, but it was rarely used in professiona ...
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Television Lines
Television lines (TVL) is a specification of an analog camera or monitor's horizontal image resolution. The TVL is one of the most important resolution measures in a video system. The TVL can be measured with the standard EIA 1956 resolution chart. Definition TVL is defined as the maximum number of alternating light and dark vertical lines that can be resolved per picture height. A resolution of 400 TVL means that 200 distinct dark vertical lines and 200 distinct white vertical lines can be counted over a horizontal span equal to the height of the picture. For example, on monitor with 400 TVL, 200 vertical dark lines can be counted over width on monitor (Note that the of monitor height is used rather than the of whole monitor width). TVL is an inherent quality of a camera or monitor, influenced by the visual bandwidth of the transmission system used. It should not be confused with the number of horizontal scanning lines of such systems, which e.g. 625 lines for the PAL syste ...
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Video Cassette Recorder
A videocassette recorder (VCR) or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other source on a removable, magnetic tape videocassette, and can play back the recording. Use of a VCR to record a television program to play back at a more convenient time is commonly referred to as ''timeshifting''. VCRs can also play back prerecorded tapes. In the 1980s and 1990s, prerecorded videotapes were widely available for purchase and rental, and blank tapes were sold to make recordings. VCRs declined in popularity during the early 2000s and in July 2016, Funai Electric, the last manufacturer of them ceased production. History Early machines and formats The history of the videocassette recorder follows the history of videotape recording in general. Ampex introduced the quadruplex videotape professional broadcast standard format with its Ampex VRX-1000 in 1956. It became the world's first commercially success ...
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Teletext
A British Ceefax football index page from October 2009, showing the three-digit page numbers for a variety of football news stories Teletext, or broadcast teletext, is a standard for displaying text and rudimentary graphics on suitably equipped television sets. Teletext sends data in the broadcast signal, hidden in the invisible vertical blanking interval area at the top and bottom of the screen. The teletext decoder in the television buffers this information as a series of "pages", each given a number. The user can display chosen pages using their remote control. In broad terms, it can be considered as Videotex, a system for the delivery of information to a user in a computer-like format, typically displayed on a television or a dumb terminal, but that designation is usually reserved for systems that provide bi-directional communication, such as Prestel or Minitel. Teletext was created in the United Kingdom in the early 1970s by John Adams, Philips' lead designer for video di ...
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Pulse-code Modulation
Pulse-code modulation (PCM) is a method used to digitally represent sampled analog signals. It is the standard form of digital audio in computers, compact discs, digital telephony and other digital audio applications. In a PCM stream, the amplitude of the analog signal is sampled regularly at uniform intervals, and each sample is quantized to the nearest value within a range of digital steps. Linear pulse-code modulation (LPCM) is a specific type of PCM in which the quantization levels are linearly uniform. This is in contrast to PCM encodings in which quantization levels vary as a function of amplitude (as with the A-law algorithm or the μ-law algorithm). Though ''PCM'' is a more general term, it is often used to describe data encoded as LPCM. A PCM stream has two basic properties that determine the stream's fidelity to the original analog signal: the sampling rate, which is the number of times per second that samples are taken; and the bit depth, which determines the ...
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Audio Frequency Modulation
Audio Frequency Modulation (AFM) is an audio recording standard used by Betamax and VHS Hi-Fi stereo, 8mm and Hi8 video systems. AFM is mono on 8mm systems and stereo Stereophonic sound, or more commonly stereo, is a method of sound reproduction that recreates a multi-directional, 3-dimensional audible perspective. This is usually achieved by using two independent audio channels through a configuration ... on Hi8. References * Video storage {{electronics-stub ...
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Baseband
In telecommunications and signal processing, baseband is the range of frequencies occupied by a signal that has not been modulated to higher frequencies. Baseband signals typically originate from transducers, converting some other variable into an electrical signal. For example, the output of a microphone is a baseband signal that is an analog of the applied voice audio. In conventional analog radio broadcasting the baseband audio signal is used to modulate an RF carrier signal of a much higher frequency. A baseband signal may have frequency components going all the way down to DC, or at least it will have a high ratio bandwidth. A modulated baseband signal is called a passband signal. This occupies a higher range of frequencies and has a lower ratio and fractional bandwidth. Various uses Baseband signal A ''baseband signal'' or ''lowpass signal'' is a signal that can include frequencies that are very near zero, by comparison with its highest frequency (for example, a s ...
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Audio Recording
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to a v ...
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Signal Noise
In electronics, noise is an unwanted disturbance in an electrical signal. Noise generated by electronic devices varies greatly as it is produced by several different effects. In particular, noise is inherent in physics, and central to thermodynamics. Any conductor with electrical resistance will generate thermal noise inherently. The final elimination of thermal noise in electronics can only be achieved cryogenically, and even then quantum noise would remain inherent. Electronic noise is a common component of noise in signal processing. In communication systems, noise is an error or undesired random disturbance of a useful information signal in a communication channel. The noise is a summation of unwanted or disturbing energy from natural and sometimes man-made sources. Noise is, however, typically distinguished from interference, for example in the signal-to-noise ratio (SNR), signal-to-interference ratio (SIR) and signal-to-noise plus interference ratio (SNIR) measu ...
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Bandlimited
Bandlimiting is the limiting of a signal's frequency domain representation or spectral density to zero above a certain finite frequency. A band-limited signal is one whose Fourier transform or spectral density has bounded support. A bandlimited signal may be either random (stochastic) or non-random (deterministic). In general, infinitely many terms are required in a continuous Fourier series representation of a signal, but if a finite number of Fourier series terms can be calculated from that signal, that signal is considered to be band-limited. Sampling bandlimited signals A bandlimited signal can be fully reconstructed from its samples, provided that the sampling rate exceeds twice the maximum frequency in the bandlimited signal. This minimum sampling rate is called the Nyquist rate. This result, usually attributed to Nyquist and Shannon, is known as the Nyquist–Shannon sampling theorem. An example of a simple deterministic bandlimited signal is a sinusoid of the form ...
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Chrominance
Chrominance (''chroma'' or ''C'' for short) is the signal used in video systems to convey the color information of the picture (see YUV color model), separately from the accompanying luma signal (or Y' for short). Chrominance is usually represented as two color-difference components: U =  B′ − Y′ (blue − luma) and V =  R′ − Y′ (red − luma). Each of these difference components may have scale factors and offsets applied to it, as specified by the applicable video standard. In composite video signals, the U and V signals modulate a color subcarrier signal, and the result is referred to as the chrominance signal; the phase and amplitude of this modulated chrominance signal correspond approximately to the hue and saturation of the color. In digital-video and still-image color spaces such as Y′CbCr, the luma and chrominance components are digital sample values. Separating RGB color signals into luma and ...
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