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Super Scription Of Data
Super scription of data is the 5th single of J-pop singer Eiko Shimamiya. The title track was used as the opening theme for ''Higurashi no Naku Koro ni Rei is a Japanese murder mystery dōjin soft visual novel series produced by 07th Expansion that comprises the first two entries of the ''When They Cry'' franchise. The series focuses on a group of young friends living in the fic ...,'' having made this Shimamiya's fifth and last tie-in with the series. This single's catalog number is FCCM-267 and it came in a regular CD only edition. Track listing #Super scription of data—4:35 #:Lyrics: Eiko Shimamiya #:Composition/Arrangement: Kazuya Takase #electric universe—5:44 #:Lyrics: Eiko Shimamiya #:Composition/Arrangement: SORMA No.1 #Super scription of data (instrumental) -- 4:35 #electric universe (instrumental) -- 5:41 Charts Total sales: 3,915 References 2009 singles 2009 songs Eiko Shimamiya songs {{2000s-Japan-single-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eiko Shimamiya
, also called Eiko or Peko, is a female J-pop singer-songwriter, and producer who is currently affiliated with Heart Company. She is best known for singing the opening themes of the anime series ''Higurashi When They Cry''. Eiko also handles a school called Shimamiya Size (S-size) in Sapporo. Some of her former students are I've Sound singers Mami Kawada, Kotoko and Kaori Utatsuki. She announced on May 10, 2010, via Twitter that she was diagnosed with thyroid cancer Thyroid cancer is cancer that develops from the tissues of the thyroid gland. It is a disease in which cells grow abnormally and have the potential to spread to other parts of the body. Symptoms can include swelling or a lump in the neck. Ca .... Her "Perfect World Live Tour", which was scheduled to begin in June, was subsequently canceled. She made an announcement of her full recovery from cancer on January 28, 2011. Discography Albums Solo albums Compilation albums Extended plays (EPs) Compilation a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
J-pop
J-pop ( ja, ジェイポップ, ''jeipoppu''; often stylized as J-POP; an abbreviated form of "Japanese popular music"), natively also known simply as , is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced ''kayōkyoku'' ("Lyric Singing Music", a term for Japanese popular music from the 1920s to the 1980s) in the Japanese music scene. J-rock bands such as Happy End fused the Beatles and Beach Boys-style rock with Japanese music in the 1960s1970s. J-country had popularity during the international popularity of Westerns in the 1960s1970s as well, and it still has appeal due to the work of musicians like Charlie Nagatani and venues including Little Texas, Tokyo. J-rap became mainstream with producer Nujabes and his work on ''Samurai Champloo'', Japanese pop culture is often seen with anime in hip hop. Other trends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Rock
Industrial rock is a fusion genre that fuses industrial music and rock music. It initially originated in the 1970s, and drew influence from early experimental and industrial acts such as Cromagnon, Throbbing Gristle, Einstürzende Neubauten and Chrome. Industrial rock became more prominent in the 1980s with the success of artists such as Killing Joke, Swans, and partially Skinny Puppy, and later spawned the offshoot genre known as industrial metal. The genre was made more accessible to mainstream audiences in the 1990s with the aid of acts such as Nine Inch Nails and Marilyn Manson, both of which have released platinum-selling records. History Origins (late 1970s and 1980s) Richie Unterberger assessed the Red Krayola as "a precursor to industrial rock" with their 1967 record ''The Parable of Arable Land'' exhibiting music made by 50 people on anything from industrial power tools to a revving motorcycle whilst ''Pitchfork'''s Alex Lindhart assessed their 1968 follow up ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre with an emphasis on professional songwriting and recording craft, and less emphasis on attitude than rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, rock music. Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather than distinct categories. To the authors Larry Starr and Chri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthpop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trance Music
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore scenes. Trance music is characterized by a tempo generally lying between 135–150 beats per minute (BPM), repeating melodic phrases and a musical form that distinctly builds tension and elements throughout a track often culminating in 1 to 2 "peaks" or "drops". Although trance is a genre of its own, it liberally incorporates influences from other musical styles such as techno, house, pop, chill-out, classical music, tech house, ambient and film music. A trance is a state of hypnotism and heightened consciousness. This is portrayed in trance music by the mixing of layers with distinctly foreshadowed build-up and release. A common characteristic of trance music is a mid-song climax followed by a soft breakdown disposing of beats and percussion entirely, leaving the melody or atmospherics to stand alone for an extended period before gradu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frontier Works
is a Japanese company specializing in the creation and distribution of media related to anime, such as producing OVAs, radio dramas, drama CDs, anime soundtracks, or other related products. The company was established in August 1990. Projects involved with Anime *''Air'' *''Apparently, Disillusioned Adventurers Will Save the World'' *''Binbō Shimai Monogatari'' *''Comic Party'' *'' Esper Mami'' *'' Gun Parade March: Arata Naru Kōgen Uta'' *'' Hetalia: Axis Powers'' *''Higurashi no Naku Koro ni'' *'' Jewelpet Twinkle'' *'' Karin'' *''Maria-sama ga Miteru'' *''Marmalade Boy'' *''Oh, Suddenly Egyptian God'' *''Papuwa'' *''Saiunkoku Monogatari'' *''Saiyuki Reload'' *''tactics'' *''The Mythical Detective Loki Ragnarok'' *''To Heart'' *''To Heart 2'' *'' Tsuki wa Higashi ni Hi wa Nishi ni: Operation Sanctuary'' *'' Wind: A Breath of Heart'' *''Zettai Muteki Raijin-Oh'' *''No-Rin'' OVA *''Aki sora'' *''Mizuiro'' *''Saint Beast'' *''Utawarerumono'' Soundtracks *'' Lucky Star'' series ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chikai (Eiko Shimamiya Song)
is Eiko Shimamiya's fourth single produced by I've Sound and Geneon Entertainment label. It is set to be released on April 8, 2009, a year after releasing her third single "Wheel of Fortune". The title track is used as the opening theme for , the live-action film sequel for the first ''Higurashi no Naku Koro ni is a Japanese murder mystery dōjin soft visual novel series produced by 07th Expansion that comprises the first two entries of the ''When They Cry'' franchise. The series focuses on a group of young friends living in the fic ...'' live-action film. The single's catalog number is FCCJ-0003 for the regular CD-only edition since it won't be having a limited CD+DVD edition. Overall, this will be Shimamiya's fourth tie-in with the Higurashi no Naku Koro ni series. Track listing #—4:41 #:Composition: Tomoyuki Nakazawa #:Arrangement: Tomoyuki Nakazawa, Takeshi Ozaki #:Lyrics: Eiko Shimamiya #OXISOLS—5:15 #:Composition/Arrangement: SORMA No.1 #:Lyr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paranoia (Eiko Shimamiya Song)
Paranoia is a maxi single released by the J-pop singer Eiko Shimamiya , also called Eiko or Peko, is a female J-pop singer-songwriter, and producer who is currently affiliated with Heart Company. She is best known for singing the opening themes of the anime series ''Higurashi When They Cry''. Eiko also handles a s .... It will be produced by Geneon and I've Sound. The single was scheduled to be released on July 29, 2009, a month after releasing her fifth single '' Super scription of data''. It has to be noted that this is Shimamiya's first single which does not have an anime tie-in. This single has also been contained in the ''I've Sound 10th Anniversary 「Departed to the future」 Special CD BOX'' which was released on March 25, 2009. The coupling song ''To lose in amber -I'VE in BUDOKAN 2009 live ver.-'' is the live version of her visual novel theme song with I've Sound that she performed in their concert in Budokan last January 2, 2009. The single will only come in a limit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Higurashi No Naku Koro Ni
is a Japanese murder mystery dōjin soft visual novel series produced by 07th Expansion that comprises the first two entries of the ''When They Cry'' franchise. The series focuses on a group of young friends living in the fictional village of Hinamizawa and the strange events that occur there in 1983. The games are built on the NScripter game engine and the Microsoft Windows operating system. The first game in the series, ''Onikakushi-hen'', was released on August 10, 2002, and the eighth and final game in the original PC series, ''Matsuribayashi-hen'', was released on August 13, 2006. While the first four games carried the overall title ''Higurashi no Naku Koro ni'' and are considered the first entry in the ''When They Cry'' franchise, the next four games were produced under the title ''Higurashi no Naku Koro ni Kai'' and are considered the second entry. A bonus fan disc called ''Higurashi no Naku Koro ni Rei'' was released on December 31, 2006. In addition t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Singles
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Songs
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
