Sung Min Song
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Sung Min Song
Sung Min Song (송성민, Song Seong-min) is a South Korean operatic tenor who has performed internationally, based in Germany. He is focused on Italian opera and 19th-century oratorios including Puccini's '' Messa di Gloria'' and Verdi's Requiem. A member of the Saarländisches Staatstheater from 2017, he is capable of performing tenor roles with a high tessitura such as Arnold in Rossini's ''Guillaume Tell''. Life and career Song Seong-min was born in Seoul. He was first an informatics engineer. His church choir director advised him to turn to solo singing, and he began to study it at age 26. He studied further from 2011 at the Hochschule für Musik und Theater München, singing in the opera chorus of the Bavarian State Opera from the 2012/13 season. He studied in the master class of from 2011 to 2015, and during the last year also Belcanto with Daniel Kotlinski. After his studies, Song became soon a soloist of international demand. In 2014, he appeared in a concert vers ...
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Hochschule Für Musik Und Theater Hamburg
The Hochschule für Musik und Theater Hamburg is one of the larger universities of music in Germany. It was founded 1950 as ''Staatliche Hochschule für Musik'' (Public college of music) on the base of the former private acting school of Annemarie Marks-Rocke and Eduard Marks. Courses cover various musical genres, including church music, jazz, pop, composition, conducting, instrumental music as well as voice. The theatre academy offers courses in drama and opera and directing in these fields. A third academy offers scientific and educational degrees and qualifications (musicology, music education and therapy). The university is located in the prestigious Budge-Palais in Hamburg Rotherbaum at the Außenalster, close to the city centre. Directors *Philipp Jarnach (1950–59) *Wilhelm Maler (1959–69) *Hajo Hinrichs (1969–78) * Hermann Rauhe (1978–2004) * Michael von Troschke (April to October 2004) *Elmar Lampson (since October 2004) Faculty * Beatrix Borchard, musi ...
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Classic Produktion Osnabrück
Classic Produktion Osnabrück (often referred to as cpo, in lowercase) is a record label founded in 1986 by Georg Ortmann and several others. Its declared mission is to fill niches in the recorded classical repertory, with an emphasis on romantic, late romantic and 20th-century music. The label also aims to release complete cycles of recordings, such as complete sets of symphonies, concertos, chamber music, and so forth. It is the house label of online retailer jpc. Recordings Recordings issued by cpo include (see second external link; some of these are no longer available) *Concertos, suites, cantates, chambermusic etc. of Georg Philipp Telemann *The complete orchestral works and string quartets of Paul Hindemith *The complete string quartets of Mieczysław Weinberg *The complete orchestral works of Erich Wolfgang Korngold *The orchestral works of Hans Pfitzner (and a substantial amount of his chamber works as well) *The symphonies and string quartets of Benjamin Frankel *The ...
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Simone Kermes
Simone Kermes (born 17 May 1965, in Leipzig) is a German coloratura soprano, especially known for her virtuoso voice, suited to the opera seria genre of the Baroque and early Classical period. Career Kermes has performed at many important theatres and concert halls internationally, including the Brooklyn Academy of Music in New York, the Théâtre des Champs-Élysées in Paris, the Staatsoper Stuttgart, the Bonn Opera, the Festspielhaus Baden-Baden. She has appeared at festivals such as Schwetzingen Festival, Schleswig-Holstein Musik Festival, Rheingau Musik Festival, Festa de musica Lisbona, Ruhrtriennale arts festival, Triennale di Colonia, Dresden MDR, Prague Autumn, Bachfest Leipzig, Bachfest Bonn, and Resonanzen Vienna. She has also performed with notable orchestras, including Gewandhaus Orchestra, Symphonic Orchestra of Prague, Venice Baroque Orchestra, Classical Orchestra of Madrid, Staatskapelle Dresden, Orchestra of the Comunale of Bologna, Orchestra regional ...
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Schleswig-Holstein Musik Festival
The Schleswig-Holstein Musik Festival is a classical music festival held each summer throughout the state of Schleswig-Holstein in Northern Germany. History The festival was founded in 1986 by German concert pianist Justus Frantz. In 2006, the 21st festival was from 15 July through 3 September with the Low German festival motto ''Dat klinkt lekker'' (That sounds yummy). The 22nd festival in 2007 focused on Hungary, 2008 on Russia, 2009 on Germany, when the motto was ''Heimspiel'' (''home game''). In 2010 the motto was ''Poland in Pulse'' featuring music from Poland. The regional focus was in 2011 Turkey, in 2012 China, and in 2013 Baltic states. Beginning in 2014, the concept changed by highlighting a specific composer for each year. The composer retrospectives were devoted in 2014 to Felix Mendelssohn, in 2015 to Peter Tchaikovsky, in 2016 to Joseph Haydn, in 2017 to Maurice Ravel, in 2018 to Robert Schumann, in 2019 Johann Sebastian Bach, and in 2020 Carl Nielsen. Awards and Le ...
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Kissinger Sommer
The Kissinger Sommer is a classical music festival held every year in the summer in the city of Bad Kissingen in Bavaria, Southern Germany. History The festival was founded in 1986. At the beginning the focus of the festival was on the improvement of the cultural relations between eastern and western Europe. Every year an east-european country was partner of the festival, beginning with Hungary in 1986. Poland, Czechoslovakia and the Soviet Union followed. So the festival became a place where one could see artists from east and west, especially of the partner-countries and of East-Germany. Among the artists of the first years were Dmitry Sitkovetsky, Boris Pergamenschikow and Svjatoslav Richter. After the fall of the iron curtain the festival turned to a world-wide view with partner-countries in whole Europe, North America and China. Every summer around 50 concerts are attracting about 30 000 visitors. The occurring interpreters are a mixture of well-known international stars ...
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Rheingau Musik Festival
The (RMF) is an international summer music festival in Germany, founded in 1987. It is mostly for classical music, but includes other genres. Concerts take place at culturally important locations, such as Eberbach Abbey and Schloss Johannisberg, in the wine-growing Rheingau region between Wiesbaden and Lorch. Initiative and realisation The festival was the initiative of Michael Herrmann, who has served as its Artistic Director and chief executive officer. Like the Schleswig-Holstein Musik Festival founded in 1986, the Rheingau festival was intended to add life to a region rich in musical heritage. The gothic church of Kiedrich houses the oldest playable organ in Germany and has its own "dialect" of Gregorian chant that dates back to 1333. In more recent times, the Rheingau has inspired composers such as Johannes Brahms, who composed his Symphony No. 3 in Wiesbaden and frequently stayed in Rüdesheim, and Richard Wagner, who worked on in Biebrich. To test the festival id ...
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Munich Opera Festival
The Munich Opera Festival (german: Münchner Opernfestspiele) takes place yearly in the Bavarian capital from late June to late July. Preceding on the calendar the two nearby festivals of Bayreuth and Salzburg, which both start in late July, the festival summarizes the concluding main season's work of the Bavarian State Opera, which administers it, and offers premieres of new stage productions by the company, Germany's largest. Venues used include the Nationaltheater, the Prinzregententheater, the Cuvilliés-Theater and the Allerheiligen-Hofkirche. Besides opera, concerts of chamber music are given to showcase the work of members of the Bavarian State Orchestra, which serves in the pit for all opera performances. The festival is formally opened each year with a choral concert performed as part of a full Roman Catholic church service at Michaelskirche; this is led by the Archbishop of Munich and Freising, with the opera company's music director overseeing the work of the musicia ...
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Opéra National De Lorraine
The Opéra national de Lorraine is a French opera company and opera house, located in the city of Nancy, France in the province of Lorraine, Lorraine, France. Formerly named the ''Opéra de Nancy et de Lorraine'', the company received the status of national opera in 2006. Opéra national de Lorraine is a member of the association Réunion des Opéras de France (ROF), of the European Network For Opera (RESEO) and of Opera Europa. All productions are accompanied by the Orchestre symphonique et lyrique de Nancy. History The company's original theatre was constructed during the reign of the King of Poland and Duke of Lorraine, Stanisław Leszczyński, Stanislas Leszczyński in 1758. This theatre, located behind the Museum of Fine Arts, was destroyed by fire in October 1906. A new opera house was constructed in its present location on the Place Stanislas by Joseph Hornecker, a member of the Musée de l'École de Nancy, School of Nancy. Hornecker designed the replacement opera ho ...
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Opéra De Marseille
The Opéra de Marseille, known today as the Opéra Municipal, is an opera company located in Marseille, France. In 1685, the city was the second in France after Bordeaux to have an opera house which was erected on a tennis court. However, the first real theatre, the ''Grand-Théâtre'' or ''Salle Bauveau'' was constructed in 1787. During its period of great opulence following the Revolution, it was the site of many major opera presentations, including Verdi’s ''Rigoletto'' and ''Il Trovatore'' in 1860 and performances in 1866 of ''Lucia di Lammermoor'' and ''Il Barbiere di Siviglia'' by the famous soprano, Adelina Patti. Also, French premieres of major operatic works were given in the theatre: these include ''Aida'' (1877), ''La Fanciulla del West'' (1912), and an historic performance by Dame Nellie Melba in Ambroise Thomas’ ''Hamlet'' in 1890. Some years following the installation of electricity, in November 1919 a fire destroyed the 18th century theatre, leaving only its she ...
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Les Pêcheurs De Perles
' (''The Pearl Fishers'') is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It was premiered on 30 September 1863 at the Théâtre Lyrique in Paris, and was given 18 performances in its initial run. Set in ancient times on the island of Ceylon (Sri Lanka), the opera tells the story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess. The friendship duet "", generally known as "The Pearl Fishers Duet", is one of the best-known in Western opera. At the time of the premiere, Bizet (born on 25 October 1838) was not yet 25 years old: he had yet to establish himself in the Parisian musical world. The commission to write ' arose from his standing as a former winner of the prestigious Prix de Rome. Despite a good reception by the public, press reactions to the work were generally hostile and dismiss ...
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La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on ''La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what would ...
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Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ...
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