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Summit Meeting At Birdland
''Summit Meeting at Birdland'' is a live album by alto saxophonist Charlie Parker recorded at Birdland in New York City in 1951 and 1953. It was released by Columbia Records in 1977. History The first side of the album, recorded in 1951, includes Parker with sidemen Dizzy Gillespie on trumpet, Bud Powell on piano, Tommy Potter on bass, and Roy Haynes on drums. A March 1953 club date with Parker and the Milt Buckner Trio produced one track, " Groovin' High". The final May gig with Parker and pianist John Lewis, bassist Curley Russell, drummer Kenny Clarke, and percussionist Cándido Camero completed the B-side of the LP. Reception AllMusic critic Scott Yanow praised the album's "stirring" A-side and stated that the recording quality was "acceptable". Brian Priestley described the A-side with Gillespie and Powell as "a sparkling 25 minutes" in his biography of Parker. Track listing # "Blue 'n' Boogie" (Gillespie, Frank Paparelli) – 7:24 # " Anthropology" (Parker, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lullaby Of Birdland
"Lullaby of Birdland" is a jazz standard and popular song composed by George Shearing with lyrics by George David Weiss (under the pseudonym "B. Y. Forster"). Background George Shearing wrote "Lullaby of Birdland" in 1952 for Morris Levy, the owner of the New York jazz club Birdland. Levy had gotten in touch with Shearing and explained that he'd started a regular Birdland-sponsored disk jockey show, and he wanted Shearing to record a theme which was "to be played every hour on the hour." Levy originally wanted his own music to be recorded, but Shearing insisted he couldn't relate very well with it and wanted to compose his own music. They compromised by sharing the rights of the song; the composer's rights went to Shearing, and the publishing rights went to Levy. Shearing stated in his autobiography that he had composed "the whole thing ..within ten minutes." The chord changes were from Walter Donaldson's "Love me or Leave Me." Jean Constantin composed the lyrics to a French ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moose The Mooche
"Moose the Mooche" is a bebop composition written by Charlie Parker in 1946. It was written shortly after his friend and longtime musical companion Dizzy Gillespie left him in Los Angeles to return to New York City. Parker had been a long time heroin addict and some historians suggest that the song was named after the drug dealer, Emry "Moose the Mooche" Byrd,Woideck, Carl (1998) ''Charlie Parker: His Music & Life'', pp.124-125. University of Michigan Press, 1998 at Google Books. Retrieved 29 April 2013. who sold him drugs for several years before being arrested. Parker recorded it in Los Angeles for Dial Records (1946), Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Raye
Don Raye (born Donald MacRae Wilhoite Jr., March 16, 1909 – January 29, 1985) was an American songwriter, best known for his songs for The Andrews Sisters such as "Beat Me Daddy, Eight to the Bar", " The House of Blue Lights", "Just for a Thrill" and "Boogie Woogie Bugle Boy." The latter was co-written with Hughie Prince. While known for such wordy novelty numbers, he also wrote the lyrics to "You Don't Know What Love Is," a simple, poetic lament of unusual power. He also composed the song "(That Place) Down the Road a Piece," one of his boogie woogie songs, which has a medium bright boogie tempo. It was written for the Will Bradley Orchestra, who recorded it in 1940, but the song was destined to become a rock and roll standard, recorded by The Rolling Stones, Chuck Berry, Jerry Lee Lewis, Foghat, Amos Milburn, Harry Gibson, and countless others. In 1940, he wrote the lyrics for the patriotic song "This Is My Country". In 1985, Don Raye was inducted into the Songwriters Hall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gene De Paul
Gene Vincent de Paul (June 17, 1919 – February 27, 1988) was an American pianist, composer and songwriter. Biography Born in New York City, he served in the United States Army during World War II. He was married to Billye Louise Files (November 23, 1924 – January 30, 1977) of Jack County, Texas. He joined the American Society of Composers, Authors and Publishers (ASCAP) in 1941, and went on to compose the music for many motion pictures. He was nominated (with Don Raye) for an Academy Award for Best Music, Original Song in 1942 for the song "Pig Foot Pete" from the movie '' Hellzapoppin''. The song actually was not included in that movie, but in the 1941 feature, ''Keep 'Em Flying'', and was thus ineligible for the nomination and award. The award was given to " White Christmas". De Paul collaborated with Johnny Mercer, Don Raye, Carolyn Leigh, Charles Rinker and others at Universal Studios, Walt Disney Studios and other Hollywood companies. De Paul composed the 1953 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Star Eyes (song)
"Star Eyes" is a song from the 1943 film ''I Dood It'', written by Gene de Paul and Don Raye. It was performed in the film by Helen O'Connell and Bob Eberly accompanied by Jimmy Dorsey's orchestra. Jimmy Dorsey was the first to release the song. Other recordings Charlie Parker recorded "Star Eyes" in 1951 for Verve Records. Owing to Parker's influence, the song has become a popular vehicle for jazz musicians and is considered a jazz standard. It has been recorded by Johnny Mathis, Carmen McRae, Sarah Vaughan, Art Pepper, Lee Konitz, Lennie Niehaus, Donald Byrd, Bud Powell, Tina Brooks, Milt Jackson, Bill Evans, McCoy Tyner, Chet Baker, Sonny Stitt, Dexter Gordon, Freddie Hubbard, Joni James, Anita O'Day, and Chris Potter, among others. Film appearances The song first appeared in the 1943 MGM film ''I Dood It'' performed by Jimmy Dorsey and His Orchestra. His recording was released as a s78 single on Decca Records. See also * List of 1940s jazz standards Jazz standards are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Tunisia
"A Night in Tunisia" is a musical composition written by Dizzy Gillespie around 1940–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. Composition Gillespie called the tune "Interlude" and said "some genius decided to call it 'Night in Tunisia'". He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame. On the album '' A Night at Birdland Vol. 1'', Art Blakey introduced his 1954 cover version with this statement: "At this time we'd like to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943 in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of Mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthropology (composition)
"Anthropology" (also known as "Thriving from a Riff" or "Thriving on a Riff") is a bebop-style jazz composition that is credited to Charlie Parker and Dizzy Gillespie. Parker stated in 1949 that Gillespie had played no part in its writing, and that others had added the trumpeter as co-composer. It is a contrafact, being based on the harmony of "I Got Rhythm". The first recording of the composition, then known as "Thriving from a Riff", was made on November 26, 1945, by an ensemble led by Parker. The other musicians were trumpeter Miles Davis, pianist Argonne Thornton, bassist Curley Russell, and drummer Max Roach. See also * List of jazz contrafacts * List of 1940s jazz standards Jazz standards are musical compositions that are widely known, performed, and recorded by jazz artists as part of the genre's musical repertoire. This list includes tunes written in the 1940s that are considered standards by at least one majo ... * Charlie Parker's Savoy and Dial Sessions Referenc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Paparelli
Frank Paparelli (* December 25, 1917 in Providence, Rhode Island; † May 24, 1973 in Los Angeles, California) was an American Jazz pianist, Composer and Author. He was a pianist in Dizzy Gillespie's band during the mid-1940s, and is notable as the co-writer (with Gillespie) of the bebop standard " A Night in Tunisia" and "Blue 'n' Boogie". Publications *''The Blues and how to Play 'em''. Piano method book. New York, Leeds Music 1942 *Don Raye/Frank Paparelli: ''Piano Music – (That Place) Down the Road a Piece''. D. Davis & Co. 1943. *''Nat 'King' Cole – Piano Capers'', Transcribed and Edited by Frank Paparelli. New York: Leeds Music Ltd. 1946 *''2 to the Bar - Dixieland Piano Method''. New York City, Leeds Music Corporation 1946 *''Thelonious Monk, Dizzy Gillespie – 52nd Street Theme - Be-Bop (New Jazz)'', arranged by Frank Paparelli. London, Bosworth & Co 1948 *''Dizzy Gillespie, Gil Fuller, Jay Roberts – Oop Bop SH-Bam - Be-Bop (New Jazz)'', arranged by Frank Paparelli. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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