Summertime (The Sundays Song)
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Summertime (The Sundays Song)
"Summertime" is a song by English alternative rock band the Sundays. Written and produced by guitarist David Gavurin and lead singer Harriet Wheeler, the song was recorded for the band's third and final studio album, ''Static & Silence'' (1997), and released on 8 September 1997 as the first single from the album. Wheeler and Gavurin were inspired to write the song after several of their friends joined a dating service, and the lyrics reflect on how the pursuit of perfect romantic relationships can become taxing. "Summertime" became the Sundays' most successful single worldwide, peaking at number 15 in their native United Kingdom and becoming a top-50 hit in Australia and Canada. In the United States, the song was not eligible to chart on the ''Billboard'' Hot 100 at the time because it was not released as a physical single. It instead reached number 50 on the ''Billboard'' Hot 100 Airplay chart, number seven on the Adult Alternative Songs chart, number 10 on the Modern Rock T ...
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The Sundays
The Sundays were an English alternative rock band, formed in the late 1980s, which released three albums throughout the 1990s. The band's beginnings came with the meeting of singer Harriet Wheeler and guitarist David Gavurin while attending Bristol University. Wheeler had played gigs with Cruel Shoes, an early incarnation of the band Jim Jiminee. The duo soon augmented the band with bassist Paul Brindley and drummer Patrick Hannan. The Sundays secured a recording contract with Rough Trade Records. Their debut single was "Can't Be Sure". Their first album, ''Reading, Writing and Arithmetic'', was released in 1990, along with their next single "Here's Where the Story Ends", and became a UK top 5 hit. The band were often missidentified as being The Primitives another UK based alternative rock band from Coventry as their vocalists had very similar voices. With Rough Trade's financial troubles and the band's decision to manage themselves, the Sundays' next single, "Goodbye", did ...
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The Sundays
The Sundays were an English alternative rock band, formed in the late 1980s, which released three albums throughout the 1990s. The band's beginnings came with the meeting of singer Harriet Wheeler and guitarist David Gavurin while attending Bristol University. Wheeler had played gigs with Cruel Shoes, an early incarnation of the band Jim Jiminee. The duo soon augmented the band with bassist Paul Brindley and drummer Patrick Hannan. The Sundays secured a recording contract with Rough Trade Records. Their debut single was "Can't Be Sure". Their first album, ''Reading, Writing and Arithmetic'', was released in 1990, along with their next single "Here's Where the Story Ends", and became a UK top 5 hit. The band were often missidentified as being The Primitives another UK based alternative rock band from Coventry as their vocalists had very similar voices. With Rough Trade's financial troubles and the band's decision to manage themselves, the Sundays' next single, "Goodbye", did ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ...
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Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by ''Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carrying more ...
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Hits (magazine)
''Hits'' is an American music industry trade publication. Founded by Lenny Beer and Dennis Lavinthal, who had previously worked in independent promotion, it was launched as a print magazine in August 1986. By 1997, it had become the most successful tip sheet in the music world. An online version of the magazine, ''Hits Daily Double,'' premiered in May 2000. Both on and offline, the magazine's content includes proprietary weekly sales and airplay data, a section on breaking artists ("Vibe-Raters"), interviews with music industry leaders, a weekly cartoon, music and music industry news, and charts provided by Shazam, Vevo, and Mediabase Mediabase is a music industry service that monitors radio station airplay in 180 US and Canadian markets. Mediabase publishes music charts and data based on the most played songs on terrestrial and satellite radio, and provides in-depth analytic .... The "Rumor Mill" column, described as "music industry news and innuendo," has been widely read ...
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Modern Rock
Modern rock is an umbrella term used to describe rock music that is found on college rock radio stations. Some radio stations use this term to distinguish themselves from classic rock, which is based in 1960sā€“1980s rock music. Radio format Modern rock (also known as alternative radio) is a rock format commonly found on commercial radio; the format consists primarily of the alternative rock genre. Generally beginning with Hardcore punk but referring especially to alternative rock music since the 1980s, the phrase "modern rock" is used in the US to differentiate the music from classic rock, which focuses on music recorded in the 1960s through to the early 1990s. A few modern rock radio stations existed during the 1980s, such as KROQ-FM in Los Angeles, XETRA-FM in San Diego, WHTG-FM (now WKMK) on the Jersey Shore, WLIR on Long Island, WFNX in Boston, and KQAK The Quake in San Francisco. Modern rock was solidified as a radio format in 1988 with ''Billboard''s creation of the Mod ...
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Modern Rock Tracks
Alternative Airplay (formerly known as Modern Rock Tracks (1988ā€“2009) and Alternative Songs (2009ā€“2020)) is a music chart in the United States that has appeared in ''Billboard'' magazine since September 10, 1988. It ranks the 40 most-played songs on alternative and modern rock radio stations. Introduced as Modern Rock Tracks, the chart served as a companion to the Mainstream Rock chart (then called Album Rock Tracks), and its creation was prompted by the explosion of alternative music on American radio in the late 1980s. During the first several years of the chart, it regularly featured music that did not receive commercial radio airplay anywhere but on a few modern rock and college rock radio stations. This included many electronic and post-punk artists. Gradually, as alternative rock became more mainstream (spearheaded by the grunge explosion in the early 1990s), alternative and mainstream rock radio stations began playing many of the same songs. By the late 2000s, the genr ...
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Hot 100 Airplay
The Radio Songs chart (previously named Hot 100 Airplay until 2014 and Top 40 Radio Monitor until 1991) is released weekly by ''Billboard (magazine), Billboard'' magazine and measures the airplay of songs being played on radio stations throughout the United States across all musical genres. It is one of the three components, along with sales (both Hot Singles Sales, physical and the Hot Digital Songs, digital) and streaming activity, that determine the chart positions of songs on the Billboard Hot 100, ''Billboard'' Hot 100. History Radio airplay has always been one of the component charts of the Hot 100. Prior to the establishment of the Hot 100, ''Billboard'' published a radio airplay chart, a singles sales chart and a jukebox play chart, the last of which was discontinued in 1959 as jukeboxes lost their popularity. During the 1960s and 1970s, ''Billboard'' continued to collect airplay data as a component of the Hot 100 but did not make the chart public. The airplay-only chart d ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ...
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Mayfair Studios
Mayfair Recording Studios, earlier called Spot Studios or Ryemuse Studios, was a recording studio in London, England, located in Mayfair from the 1960s to 1981, then in Primrose Hill from 1981 until it closed in 2008. In the early years the studio was owned by Ryemuse Ltd and was called Spot Studios. It was located at 64 South Molton St, Mayfair, above the chemist shop. John Hudson worked there as chief engineer, joining the company from BBC Television, where he was employed in presentation broadcasting live sound for programmes such as ''Jimi Hendrix Color Me Pop'' and ''Match of the Day''. Through the early 1970s, Hudson was the engineer on many hit records to come out of the studios. The studio was renamed from ''Spot'' to ''Mayfair'' in 1974. In 1977, John Hudson and his wife Kate took over the management of the studio. They bought the company in 1979. In 1980, they found a new site in Sharpleshall Street, Primrose Hill, to where they relocated the studio as the property in Sou ...
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