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Sumidagawa High School
The is a river that flows through central Tokyo, Japan. It branches from the Arakawa River at Iwabuchi (in Kita-ku) and flows into Tokyo Bay. Its tributaries include the Kanda and Shakujii rivers. It passes through the Kita, Adachi, Arakawa, Sumida, Taito, Kōtō and Chūō wards of Tokyo. What is now known as the "Sumida River" was previously the path of the Ara-kawa. Toward the end of the Meiji era, the Ara-kawa was manually diverted to prevent flooding, as the Imperial Palace in Chiyoda is nearby. Art Sumida Gawa pottery was named after the Sumida River and was originally manufactured in the Asakusa district near Tokyo by potter Inoue Ryosai I and his son Inoue Ryosai II. In the late 1890s, Ryosai I developed a style of applied figures on a surface with flowing glaze, based on Chinese glazes called "flambe." Sumida pieces could be teapots, ash trays, or vases, and were made for export to the West. Inoue Ryosai III, grandson of Ryosai I, moved the manufacturing site ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sumidagawa River
The is a river that flows through central Tokyo, Japan. It branches from the Arakawa River at Iwabuchi (in Kita-ku) and flows into Tokyo Bay. Its tributaries include the Kanda and Shakujii rivers. It passes through the Kita, Adachi, Arakawa, Sumida, Taito, Kōtō and Chūō wards of Tokyo. What is now known as the "Sumida River" was previously the path of the Ara-kawa. Toward the end of the Meiji era, the Ara-kawa was manually diverted to prevent flooding, as the Imperial Palace in Chiyoda is nearby. Art Sumida Gawa pottery was named after the Sumida River and was originally manufactured in the Asakusa district near Tokyo by potter Inoue Ryosai I and his son Inoue Ryosai II. In the late 1890s, Ryosai I developed a style of applied figures on a surface with flowing glaze, based on Chinese glazes called "flambe." Sumida pieces could be teapots, ash trays, or vases, and were made for export to the West. Inoue Ryosai III, grandson of Ryosai I, moved the manufacturing site ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asakusa
is a district in Taitō, Tokyo, Japan. It is known as the location of the Sensō-ji, a Buddhist temple dedicated to the bodhisattva Kannon. There are several other temples in Asakusa, as well as various festivals, such as the . History The development of Asakusa as an entertainment district during the Edo period came about in part because of the neighboring district, Kuramae. Kuramae was a district of storehouses for rice, which was then used as payment for servants of the feudal government. The keepers () of these storage houses initially stored the rice for a small fee, but over the years began exchanging the rice for money or selling it to local shopkeepers at a margin. Through such trading, many came to have a considerable amount of disposable income and as result theaters and geisha houses began to spring up in nearby Asakusa. For most of the 20th century, Asakusa remained a major entertainment district in Tokyo. The or "Sixth District" was in particular famous as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryōgoku
is a district in Sumida, Tokyo. It is surrounded by various districts in Sumida, Chūō, and Taitō wards: Yokoami, Midori, Chitose, Higashi Nihonbashi, and Yanagibashi. In 1659, the Ryōgoku Bridge was built, spanning the Sumida River just upstream of its confluence with the Kanda River. Its name, meaning "two provinces," came from its joining Edo (the forerunner of Tokyo in Musashi Province) and Shimōsa Province. The district derived its name from that of the bridge. The Forty-seven rōnin avenged the death of their lord, Asano Naganori, by breaking into the mansion of his enemy, Kira Yoshinaka, in 1703. Part of the mansion has been preserved in a public park in Ryōgoku. Ryōgoku Station in the neighboring Yokoami district was opened in 1904, bringing rail transportation to the area. It is regarded as the heartland of professional sumo. Most training stables or ''heya'' are based there. The first Ryōgoku Kokugikan stadium for sumo was completed in 1909. The present o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sumidagawa Fireworks Festival
The Sumidagawa Fireworks Festival (隅田川花火大会, ''Sumidagawa Hanabi Taikai'') is an annual fireworks festival held on the last Saturday in July, over the Sumidagawa near Asakusa. The Sumidagawa Hanabi Taikai follows the Japanese tradition of being a competition between rival pyrotechnic groups. It is a revival of celebrations held in the Edo period, and annually attracts close to a million celebrants. Similar events are held at the same time of year at many other sites throughout Japan. History The tradition of the Sumidagawa Fireworks Festival can be traced back to Kyōhō famine in 1732, when fireworks were launched as part of festivals for the dead. The country was in an economic crisis, and the people suffered from famine and disease to a greater degree than normal. Thus, the rituals and celebrations in which the fireworks took part played multiple roles. These were mourning observances for the dead, as well as celebrations of life, and entertainment for the pover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nakamura Kanzaburō XVIII
, was a Japanese actor active in kabuki, other forms of live theatre, television and commercials. Kanzaburō was a versatile actor whose credits include farce, period pieces and Shin Kabuki. Lineage Kanzaburō was the eighteenth in the line of Nakamura Kanzaburō, his father the seventeenth. Kanzaburō actually traced his ancestry within the Nakamuraya kabuki guild back to his great-great-great grandfathers, if not further. Both his grandfathers were kabuki actors, as were their fathers. Kanzaburō was the younger brother of film actress Kuriko Namino. With his wife Yoshie, he had two sons, Nakamura Kankurō VI and Nakamura Shichinosuke II. Both perform kabuki, and in other venues. Life and career He made his debut under the name Nakamura Kankurō V in April 1959 in the role of Momotaro. His kabuki credits under that name include roles in '' Kagami-jishi'', '' Kamiyui Shinza'' and ''Yotsuya Kaidan''. In addition to performing at the Kabuki-za and other kabuki venues, Kankur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lincoln Center
Lincoln Center for the Performing Arts (also simply known as Lincoln Center) is a complex of buildings in the Lincoln Square neighborhood on the Upper West Side of Manhattan. It has thirty indoor and outdoor facilities and is host to 5 million visitors annually. It houses internationally renowned performing arts organizations including the New York Philharmonic, the Metropolitan Opera, the New York City Ballet, and the Juilliard School. History Planning A consortium of civic leaders and others, led by and under the initiative of philanthropist John D. Rockefeller III, built Lincoln Center as part of the "Lincoln Square Renewal Project" during Robert Moses's program of New York's urban renewal in the 1950s and 1960s."Rockefeller Philanthropy: Lincoln Center" ( |
Heisei Nakamura-za
The is the period of Japanese history corresponding to the reign of Emperor Emeritus Akihito from 8 January 1989 until his abdication on 30 April 2019. The Heisei era started on 8 January 1989, the day after the death of the Emperor Hirohito, when his son, Akihito, acceded to the throne as the 125th Emperor. In accordance with Japanese customs, Hirohito was posthumously renamed "Emperor Shōwa" on 31 January 1989. Thus, 1989 corresponds to Shōwa 64 until 7 January, and from 8 January. The Heisei era ended on 30 April 2019 (Heisei 31), with the abdication of Akihito from the Chrysanthemum Throne. It was succeeded by the Reiwa era as then-crown prince Naruhito ascended the throne on 1 May midnight local time. History and meaning On 7 January 1989, at 07:55 AM JST, the Grand Steward of Japan's Imperial Household Agency, Shōichi Fujimori, announced Emperor Hirohito's death at 6:33 AM JST, and revealed details about his cancer for the first time. Shortly after the dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Curlew River
''Curlew River – A Parable for Church Performance'' (Op. 71) is an English music drama, with music by Benjamin Britten to a libretto by William Plomer. The first of Britten's three 'Parables for Church Performance', the work is based on the Japanese ''noh'' play ''Sumidagawa'' (Sumida River) of Juro Motomasa] (1395–1431), which Britten saw during a visit to Japan and the Far East in early 1956. Beyond the ''noh'' source dramatic material, Britten incorporated elements of ''noh'' treatment of theatrical time into this composition. ''Curlew River'' marked a departure in style for the remainder of the composer's creative life, paving the way for such works as ''Owen Wingrave'', ''Death in Venice'' and the Third String Quartet. Plomer translated the setting of the original into a Christian parable, set in early medieval times near the fictional Curlew River, in the fenlands of East Anglia. Peter F. Alexander has investigated in detail the librettist's contribution to the work, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Britten
Edward Benjamin Britten, Baron Britten (22 November 1913 – 4 December 1976, aged 63) was an English composer, conductor, and pianist. He was a central figure of 20th-century British music, with a range of works including opera, other vocal music, orchestral and chamber pieces. His best-known works include the opera '' Peter Grimes'' (1945), the '' War Requiem'' (1962) and the orchestral showpiece ''The Young Person's Guide to the Orchestra'' (1945). Born in Lowestoft, Suffolk, the son of a dentist, Britten showed talent from an early age. He studied at the Royal College of Music in London and privately with the composer Frank Bridge. Britten first came to public attention with the '' a cappella'' choral work '' A Boy was Born'' in 1934. With the premiere of ''Peter Grimes'' in 1945, he leapt to international fame. Over the next 28 years, he wrote 14 more operas, establishing himself as one of the leading 20th-century composers in the genre. In addition to large-sca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kobayashi Kiyochika
was a Japanese ukiyo-e artist, best known for his colour woodblock prints and newspaper illustrations. His work documents the rapid modernization and Westernization Japan underwent during the Meiji period (1868–1912) and employs a sense of light and shade called inspired by Western art techniques. His work first found an audience in the 1870s with prints of red-brick buildings and trains that had proliferated after the Meiji Restoration; his prints of the First Sino-Japanese War of 1894–95 were also popular. Woodblock printing fell out of favour during this period, and many collectors consider Kobayashi's work the last significant example of ukiyo-e. Life and career Kiyochika was born Kobayashi Katsunosuke () on 10 September 1847 (the first day of the eighth month of the ninth year of Kōka on the Japanese calendar) in neighbourhood of Honjo in Edo (modern Tokyo). His father was Kobayashi Mohē (), who worked as a minor official in charge of unloading rice collecte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiroshige III
was a Japanese ukiyo-e artist who was a student of Utagawa Hiroshige. He was also referred to as . Born , he was given the artistic name Shigemasa. In 1867, after Hiroshige II, a fellow pupil of the original Hiroshige, divorced the master's daughter Otatsu, Gotō married her and initially took on the name Hiroshige II as well, but by 1869 he began calling himself Hiroshige III. Hiroshige III worked in the same artistic style as his master, but did not achieve anywhere near the same level of success. Gallery File:Hiroshige III - Takanawa Igirisu kan.jpg, ''British house in Takanawa'', 1868 File:Hiroshige III, Big French circus on the grounds of Shokonsha shrine, 1871.jpg, ''Big French circus on the grounds of Shokonsha shrine'', 1871 File:Utagawa-Hiroshige-III-Progression-During-the-Imperial-Inspection-at-Ou-Matsushima-1876.png, Progression During the Imperial Inspection at Ou, Matsushima. Ukiyo-e by Hiroshige III (1876) File:Hiroshige III - Igirisu tama tori.jpg, ''English Pol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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