Sulukan
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Sulukan
''Sulukan'' normally refers to mood setting songs by a puppeteer ''(dhalang)'' in Javanese people, Javanese ''wayang'' ("puppet") performances in Indonesia. The term can also refer to the pathetan pieces played before and after ''gamelan'' pieces in a non-wayang context, and to mystical poetry relating to the doctrinal meaning of the term ''sulook''. Etymology The etymology of the term is unclear. Arps relates it to the ''gamelan'' practice of ''cêluk'' ("calling out"), an introduction to a piece with a sung phrase, rather than an instrumental introduction.Arps (1992) It is also possible that the word derives from the Sanskrit term ''sloka meter, sloka'', a verse form consisting of octosyllabic couplets. This is plausible considering that the metrical structure of ''sulukan'' verses does indeed generally conform to the pattern of octosyllabic couplets, the etymology may have passed into Javanese lore from the work of 19th century Dutch scholars. This verse form is in sharp contra ...
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Dhalang
The dhalang or dalang ( jv, dhalang; id, dalang) is the puppeteer in an Indonesian ''wayang'' performance. In a performance of ''wayang kulit'', the dalang sits behind a screen (''kelir'') made of white cotton stretched on a wooden frame. Above his head, hanging from beams attached to the top of the screen, is the lamp (''blencong''), which projects the shadows onto the screen. In front of the dhalang is a stage (''debog''), traditionally made from the trunk of a banana tree, into which the sharpened control rods of the puppets can be pushed to keep them in position during the performance. To his left is the puppet chest (''kotak''), and to his right is the puppet chest's lid, on which the puppets sit ready for use. In addition to moving the puppets and speaking their lines, the dalang is also responsible for giving cues to the gamelan. This is done principally by playing the kepyak, a metal plate or set of plates played with his foot, or by rapping on the puppet chest (''kotak' ...
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Dalang Wayang Kulit
Dalang may refer to: * Dalang (puppeteer), a puppet master in Indonesia * Dalang, Sudan, a town in South Kordofan State in Sudan Places in China * Dalang, Dongguan, a town in Dongguan, Guangdong * Dalang Subdistrict (大浪街道), a subdistrict in Longhua District, Shenzhen, Guangdong * Dalang Township (达浪乡), a township in Hezheng County Hezheng County () is a county in the Linxia Hui Autonomous Prefecture, province of Gansu of the People's Republic of China China, officially the People's Republic of China (PRC), is a country in East Asia. It is the world's most populous ...
, Gansu {{disambiguation ...
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Kawi Language
Old Javanese or Kawi is the oldest attested phase of the Javanese language. It was spoken in the eastern part of what is now Central Java and the whole of East Java, Indonesia. As a literary language, Kawi was used across Java and on the islands of Madura, Bali and Lombok. It had a sizable vocabulary of Sanskrit loanwords but had not yet developed the formal ''krama'' language register, to be used with one's social superiors that is characteristic of modern Javanese. History While evidence of writing in Java dates to the Sanskrit '' Tarumanegara inscription'' of 450, the oldest example written entirely in Javanese, called the Sukabumi inscription, is dated 25 March 804. This inscription, located in the district of Pare in the Kediri Regency of East Java, is actually a copy of the original, dated some 120 years earlier; only this copy has been preserved. Its contents concern the construction of a dam for an irrigation canal near the river Śrī Hariñjing (now shortened to Srinj ...
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Javanese Language
Javanese (, , ; , Aksara Jawa: , Pegon: , IPA: ) is a Malayo-Polynesian language spoken by the Javanese people from the central and eastern parts of the island of Java, Indonesia. There are also pockets of Javanese speakers on the northern coast of western Java. It is the native language of more than 98 million people. Javanese is the largest of the Austronesian languages in number of native speakers. It has several regional dialects and a number of clearly distinct status styles. Its closest relatives are the neighboring languages such as Sundanese, Madurese, and Balinese. Most speakers of Javanese also speak Indonesian for official and commercial purposes as well as a means to communicate with non-Javanese-speaking Indonesians. There are speakers of Javanese in Malaysia (concentrated in the West Coast part of the states of Selangor and Johor) and Singapore. Javanese is also spoken by traditional immigrant communities of Javanese descent in Suriname, Sri Lanka an ...
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Punokawan
In Javanese ''wayang'' (shadow puppets), the ''panakawan'' or ''panakavan'' (''phanakavhan'') are the clown servants of the hero. There are four of them – ''Semar'' (also known as ''Ki Lurah Semar''), ''Petruk'', '' Gareng'' and '' Bagong''. ''Semar'' is the personification of a deity, sometimes said to be the ''dhanyang'' or guardian spirit of the island of Java. In Javanese mythology, deities can only manifest themselves as ugly or otherwise unprepossessing humans, and so ''Semar'' is always portrayed as short and fat with a pug nose and a dangling hernia. His three companions are his adopted sons, given to ''Semar'' as votaries by their parents. ''Petruk'' is portrayed as tall and gangling with a long nose, ''Gareng'' as short with a club foot and ''Bagong'' as obese. The panakawan always appear in the second act of a wayang performance – ''pathet sanga'' – as servants to the hero of the story regardless of who that hero is. Similar characters appear in other Indonesia ...
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Slendro
Slendro ( jv, ꦱ꧀ꦭꦺꦤ꧀ꦢꦿꦺꦴ, ban, slendro, translit=Sléndro) ( su, salendro, translit=Saléndro) is one of the essential tuning systems used in gamelan instruments that have pentatonic scale. Based on Javanese mythology, the Slendro Gamelan tuning system is older than the ''pélog'' tuning system. Etymology Slendro is a Javanese term for one of the scales in gamelan. It is derived either from "Sailendra", the name of the ruling family in the eighth and ninth centuries when Borobudur was built, or from its earlier being given by the god Sang Hyang Hendra. History The origin of the ''slendro'' scale is unknown. However the name ''slendro'' is derived from Sailendra, the ancient dynasty of Mataram Kingdom in Central Java, and also Srivijaya. The ''slendro'' scale is thought to be brought to Srivijaya by Mahayana Buddhists from Gandhara of India, via Nalanda and Srivijaya from there to Java and Bali. It is similar to scales used in Indian and Chinese music a ...
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Pathet
Pathet ( jv, ꦥꦛꦼꦠ꧀, translit=Pathet, also patet) is an organizing concept in central Javanese gamelan music in Indonesia. It is a system of tonal hierarchies in which some notes are emphasized more than others. The word means '"to damp, or to restrain from" in Javanese. ''Pathet'' is "a limitation on the player's choice of variation, so that while in one ''pathet'' a certain note may be prominent, in another it must be avoided, or used only for special effect. Awareness of such limitations, and exploration of variation within them reflects a basic philosophical aim of gamelan music, and indeed all art in central Java, namely, the restraint and refinement of one's own behaviour." Javanese often give poetic explanations of pathet, such as "Pathet is the couch or bed of a melody." In essence, a pathet indicates which notes are stressed in the melody, especially at the end of phrases (seleh), as well as determines which elaborations (cengkok and sekaran) are appropriate. I ...
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Gongs
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a restin ...
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Kempul
A kempul is a type of hanging gong used in Indonesian gamelan. The kempul is a set of pitched, hanging, knobbed gongs, often made of bronze, wood, and cords. Ranging from 19 cm to 25,4 cm (7 to 10 inches) in diameter, the kempul gong has a flat surface with a protruding knob at the center and is played by hitting the knob with the "soft end of a mallet." "The wooden mallet used has a ball shape head with heavy padding on a short wooden handle. The number of kempul gongs present in a gamelan ensemble varies but, "although there can be two to ten kempul on one separate rack, it is common to have five kempul hanging on the same rack as the Gong ageng and gong siyem" (two larger gongs). Kempul in music "Generally, the instruments in a gamelan orchestra may fall into the following three functional categories: # Instruments that delineate the structure of the piece; # Instruments that guide temporal flow of the music; # Instruments that carry melodies in both simple and ...
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Suling
The suling or seruling (Sundanese: ) is a musical instrument of the Sundanese people in western Java, Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asian, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. Construction Sulings are made mainly of "tamiang" bamboo (''Schizostachyum blumei'', Nees), a long, thin-walled bamboo tube. The mouthpiece of the suling is circled with a thin band made of rattan near a small hole. Playing method There are two factors that affect a fine suling's tone: #Fingering position. #Speed of the airflow blown by the mouth. The fingering position changes the wavelength of sound resonance inside the suling's body. Depending on the distance of nearest hole to the suling's head, different notes can be produced. The airflow speed also can modify the tone's frequency. A note with twice frequency can be produced mostly by blowing the air into suling's head's hole with twice speed. ...
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