|
Subsidiary Chord
In music and musical analysis, a subsidiary chord is an elaboration of a principal harmonic chord in a chord progression. If the principal chord (''X'') is partially replaced by the subsidiary (''Y''), there are three possible positions - beginning, middle, and end - for the subsidiary: van der Merwe, Peter (2005). ''Roots of the Classical: The Popular Origins of Western Music'', p.501. . :''X–Y''a :''Y–X'' :''X–Y–X'' For example, a subsidiary chord in a modulation. A subsidiary chord may be a chord with related function and/or sharing pitches, for example in E major, Cm (C-E-G) as a subsidiary for E (E-G-B), which share two of three pitches and are related as tonic parallel (vi) and tonic (I). See also *Parallel key *Primary triad In music, a primary triad is one of the three triads, or three-note chords built from major or minor thirds, most important in tonal and diatonic music, as opposed to an auxiliary triad or secondary triad. Each triad found in a d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic Parallel In C Major
Tonic may refer to: * Tonic water, a drink traditionally containing quinine *Soft drink, a carbonated beverage * Tonic (physiology), the response of a muscle fiber or nerve ending typified by slow, continuous action * Tonic syllable, the stressed syllable of a word * Herbal tonic, a herbal medicine with tonic effects *Tonic (music), the tonal center of a musical scale *Tonic (band), an American rock band * ''Tonic'' (Tonic album), 2010 * Tonic (music venue), a New York City music venue, 1998–2007 * ''Tonic'' (Medeski Martin & Wood album), 2000 * ''Tonic'' (radio program), Canadian radio program * Tonic suit, a garment made from a shiny mohair blend that was fashionable among the Mods of the mid 1960s * ''Tonic'' (film), a Bengali film See also *Patent medicine that claims to have tonic properties *Tonči Tonči is a Croatian language, Croatian and Slovene language, Slovene masculine given name used as a diminutive form of Anton (given name), Anton, Antonij and Antonijo in Croa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of elements of music, specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of musical composition, composition, musical improvisation, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Analysis
Musical analysis is the study of musical structure in either compositions or performances. According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis. According to Bent, "its emergence as an approach and method can be traced back to the 1750s. However it existed as a scholarly tool, albeit an auxiliary one, from the Middle Ages onwards." The principle of analysis has been variously criticized, especially by composers, such as Edgard Varèse's claim that, "to explain by means of nalysisis to decompose, to mutilate the spirit of a work". Analyses Some analysts, such as Donald Tovey (whose '' Essays in Musical Analysis'' are among the most accessible musical analyses) have presented their analyses in prose. Others, such as Hans Keller (who d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord (music)
In Western music theory, a chord is a group of notes played together for their harmony, harmonic Consonance and dissonance, consonance or dissonance. The most basic type of chord is a Triad (music), triad, so called because it consists of three distinct notes: the Root (chord), root note along with Interval (music), intervals of a Third (chord), third and a Fifth (chord), fifth above the root note. Chords with more than three notes include added tone chords, extended chords and tone clusters, which are used in contemporary classical music, jazz, and other genres. Chords are the building blocks of harmony and form the harmonic foundation of a piece of music. They provide the harmonic support and coloration that accompany melodies and contribute to the overall sound and mood of a musical composition. The factor (chord), factors, or component notes, of a chord are often sounded simultaneously but can instead be sounded consecutively, as in an arpeggio. A succession of chords is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Progression
In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural, or simply changes) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice era of Classical music to the 21st century. Chord progressions are the foundation of popular music styles (e.g., pop music, rock music), traditional music, as well as genres such as blues and jazz. In these genres, chord progressions are the defining feature on which melody and rhythm are built. In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the " key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in Classical music theory. In many styles of popular and traditional music, chord progressions are expressed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Van Der Merwe (musicologist)
Peter van der Merwe is a self-taught musicologist, author, and librarian. He was born in Cape Town, South Africa, and has written several books on the history of modern popular and classical music. He studied at the College of Music at the University of Cape Town The University of Cape Town (UCT) (, ) is a public university, public research university in Cape Town, South Africa. Established in 1829 as the South African College, it was granted full university status in 1918, making it the oldest univer .... He also works as a cataloguer at the municipal library in Pietermaritzburg. Bibliography *(1989). ''Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music''. Oxford: Clarendon Press. . *(2005) ''Roots of the Classical: the Popular Origins of Western Music''.ref>see a review by Richard Taruskin, published in the '' Music & Letters Journal'', Vol. 88, No. 1 (Feb., 2007), pp. 134–139] References South African musicologists Year of birth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation With Subsidiary Chord
Signal modulation is the process of varying one or more properties of a periodic waveform in electronics and telecommunication for the purpose of transmitting information. The process encodes information in form of the modulation or message signal onto a carrier signal to be transmitted. For example, the message signal might be an audio signal representing sound from a microphone, a video signal representing moving images from a video camera, or a digital signal representing a sequence of binary digits, a bitstream from a computer. This carrier wave usually has a much higher frequency than the message signal does. This is because it is impractical to transmit signals with low frequencies. Generally, receiving a radio wave requires a radio antenna with a length that is one-fourth of the wavelength of the transmitted wave. For low frequency radio waves, wavelength is on the scale of kilometers and building such a large antenna is not practical. Another purpose of modulation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulation (music)
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements *Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. * Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V–V co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Function
In music, function (also referred to as harmonic function) is a term used to denote the relationship of a chord"Function", unsigned article, ''Grove Music Online'', . or a scale degree to a tonal centre. Two main theories of tonal functions exist today: * The German theory created by Hugo Riemann in his ''Vereinfachte Harmonielehre'' of 1893, which soon became an international success (English and Russian translations in 1896, French translation in 1899), and which is the theory of functions properly speaking."It was Riemann who coined the term 'function' in ''Vereinfachte Harmonielehre'' (1893) to describe relations between the dominant and subdominant harmonies and the referential tonic: he borrowed the word from mathematics, where it was used to designate the correlation of two variables, an 'argument' and a 'value'". Brian Hyer, "Tonality", ''Grove Music Online'', . Riemann described three abstract tonal "functions", tonic, dominant and subdominant, denoted by the letters T, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallel And Counter Parallel
Parallel and counter parallel chords are terms derived from the German (''Parallelklang'', ''Gegenparallelklang'') to denote what is more often called in English the "relative", and possibly the "counter relative" chords. In Hugo Riemann's theory, and in German theory more generally, these chords share the function of the chord to which they link: subdominant parallel, dominant parallel, and tonic parallel.Haunschild, Frank (2000). ''The New Harmony Book'', p.47. . Riemann defines the relation in terms of the movement of one single note: For example, the major and and minor and . :The tonic, subdominant, and dominant chords, in root position, each followed by its parallel. The parallel is formed by raising the fifth a whole tone. :The minor tonic, subdominant, dominant, and their parallels, created by lowering the fifth (German)/root (US) a whole tone. The parallel chord (but ''not'' the counter parallel chord) of a major chord will always be the minor c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "" if it is major and by "" if it is minor. These chords may also appear as seventh chords: in major, as M7, or in minor as 7 or rarely M7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
