|
Subliminal Sandwich
''Subliminal Sandwich'' is a 1996 double album released by Meat Beat Manifesto on Interscope Records. The album is more experimental than the group's prior material, composed of lengthier pieces that incorporate more ambient textures and drones and fewer samples or defined song structures. ''Subliminal Sandwich'' was composed during Meat Beat Manifesto's 1993 tour supporting their 1992 album ''Satyricon'' and would have been released in 1994 or 1995 if not for legal tangles with the band's Belgian label Play It Again Sam. Two singles were released from the album, a version of World Domination Enterprises' "Asbestos Lead Asbestos" and "Transmission". In 2015, ''Fact Magazine'' ranked the album at number 47 in its list of "The 50 Best Trip-Hop Albums of All Time," saying "it remains an interesting offering, drawing links between trip-hop, dub, industrial and ambient with a touch of psychedelia." The song "She's Unreal" was featured on the soundtrack of the 1999 film ''The Blair ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meat Beat Manifesto
Meat Beat Manifesto, often shortened as Meat Beat, Manifesto or MBM, is an electronic music group originally consisting of Jack Dangers and Jonny Stephens that was formed in 1987 in Swindon, United Kingdom. The band, fronted by Dangers (the only permanent member), has proven versatile over the years, experimenting with techno, breakbeat, industrial, dub and jazz fusion while touring the world and influencing major acts such as Nine Inch Nails, the Chemical Brothers and the Prodigy. Some of the band's earlier work has been credited with influencing the rise of the trip hop, big beat, and drum and bass genres. History Early years Dangers and Stephens had formed the English pop group Perennial Divide in 1986 with Paul Freeguard and released the first few Meat Beat Manifesto singles as a side project. The first release under the Meat Beat name was 1987's ''Suck Hard'' EP on Sweat Box Records. They left Perennial Divide in 1988 to record a full Meat Beat album. The tapes of what wou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muzik
''Muzik'' was a British dance music magazine published by IPC Media from June 1995 to August 2003. ''Muzik'' was created by two former ''Melody Maker'' journalists, Push and Ben Turner. Push was the editor of ''Muzik'' from its launch until he left the magazine in 1998, at which point Turner took over as editor. The title was subsequently edited by Conor McNicholas, who went on to edit ''NME''. Aimed at serious dance music fans rather than weekend clubbers, ''Muzik''s writers included a number of well-known DJs, including Kris Needs, Rob da Bank, Spoony, Terry Farley, Bob Jones, Jonty Skrufff and Dave Mothersole. The magazine sold over 50,000 copies a month at its peak, but was closed down by IPC Media just one issue short of its 100th edition. References External links *Archives at Internet Archive *Muzik' at Discogs Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Waterphone
A waterphone (also ocean harp) is a type of inharmonic acoustic tuned idiophone consisting of a stainless steel resonator ''bowl'' or ''pan'' with a cylindrical ''neck'' and bronze rods of different lengths and diameters around the rim of the bowl. The resonator may contain a small amount of water giving the waterphone a vibrant ethereal sound that has appeared in movie soundtracks, record albums, and live performances. The instrument was invented, developed and manufactured by American Richard Waters (1935-2013). The waterphone was available in four sizes: the Standard (7" diameter), the Whaler (12" diameter), the Bass (14" diameter) and the MegaBass (16" diameter). It is generally played in a seated position by a soloist and either bowed or drummed, played as a friction or struck idiophone, with movements to affect the water inside. This combines the resonant characteristics of the bowl and rods in combination with the movement of the water. The sound of the waterphone is often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice
The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice frequency is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.) Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and ton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Play Domination
''Let's Play Domination'' is the debut studio album by English rock band World Domination Enterprises, released in 1988 by Mute Records' subsidiary label Product Inc. World Dom guitarist/singer Keith Dobson re-released it on CD with bonus tracks in 2009 on his label Free Love Records. Songs "Message for You People" opens side one with a thud reminiscent of a blowing speaker or depth charge explosion, then a pulsing bassline followed by "drums and blistering guitar noise." According to Wyndham Wallace of ''The Quietus'' wrote that Dobsons' guitar in the song "forever redefines concepts of ‘industrial’ music." According to ''Trouser Press'', " e astonishing high-pressure racket of ''Let's Play Dominations opening salvo ("Message for You People") may send you rushing to the turntable to see if your stylus is accidentally gouging a hole in the platter." "Ghetto Queen" and "Blu Money", the latter featuring a refrain of "I blew money that I could've bought drugs with," have been d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Blair Witch Project
''The Blair Witch Project'' is a 1999 American supernatural horror film written, directed and edited by Daniel Myrick and Eduardo Sánchez (director), Eduardo Sánchez. It is a fictional story of three student filmmakers—Heather Donahue, Michael C. Williams, and Joshua Leonard—who hike into the Black Hills near Burkittsville, Maryland, in 1994 to film a documentary about a local myth known as the Blair Witch. The three disappear, but their equipment and footage are discovered a year later. The purportedly "found footage" is the movie the viewer sees. Myrick and Sánchez conceived of a fictional legend of the Blair Witch in 1993. They developed a 35-page screenplay with the dialogue to be improvisation, improvised. A casting (performing arts), casting call advertisement in ''Backstage (magazine), Backstage'' magazine was prepared by the directors; Donahue, Williams and Leonard were cast. The film entered production in October 1997, with the principal photography taking place ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelia
Psychedelia refers to the psychedelic subculture of the 1960s and the psychedelic experience. This includes psychedelic art, psychedelic music and style of dress during that era. This was primarily generated by people who used psychedelic drugs such as LSD, mescaline (found in peyote) and psilocybin (found in magic mushrooms) and also non-users who were participants and aficionados of this subculture. Psychedelic art and music typically recreate or reflect the experience of altered consciousness. Psychedelic art uses highly distorted, surreal visuals, bright colors and full spectrums and animation (including cartoons) to evoke, convey, or enhance the psychedelic experience. Psychedelic music uses distorted electric guitar, Indian music elements such as the sitar, tabla, electronic effects, sound effects and reverb, and elaborate studio effects, such as playing tapes backwards or panning the music from one side to another. A psychedelic experience is characterized b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trip-hop
Trip hop (sometimes used synonymously with "downtempo") is a musical genre that originated in the early 1990s in the United Kingdom, especially Bristol. It has been described as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul, funk, reggae, dub, R&B, and other forms of electronic music, as well as sampling from movie soundtracks and other eclectic sources. The style emerged as a more experimental variant of breakbeat from the Bristol sound scene of the late 1980s and early 1990s, incorporating influences from jazz, soul, funk, dub, and rap music. It was pioneered by acts like Massive Attack, Tricky, and Portishead. The term was first coined in a 1994 ''Mixmag'' piece about American producer DJ Shadow. Trip hop achieved commercial success in the 1990s, and has been described as "Europe's alternative choice in the second half of the '90s". Characteristics Common musical aesthetics include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fact Magazine (UK)
''Fact'' is a music publication that launched in the UK in 2003. It covers UK, US, and international music and youth culture topics, with particular focus on Electronic music, electronic, Pop music, pop, Rap music, rap, and Experimental music, experimental artists. Having started as a bi-monthly print magazine, ''Fact'' went digital in 2008, focusing on its website and online TV channel ''Fact TV'', which produces documentaries and videos including the series ''Against the Clock''. In November 2020 it returned to publishing a bi-annual print magazine. ''Fact'' produces weekly Fact Mixes. It previously produced the Singles Club review series, and Make Music, aimed at inspiring producers and bedroom musicians. ''Fact'' operates out of a London office, with additional full-time staff in Los Angeles and New York City. It is part of The Vinyl Factory group. History ''Fact'' was founded in 2003 as a print magazine. It commissioned covers by artists including M.I.A. (artist), M.I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> The Blair Witch Project")
.jpg "Click for more on -> Psychedelia")
