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Ständchen, D 889 (Schubert)
"Ständchen" (known in English by its first line "Hark, hark, the lark"), 889, is a lied for solo voice and piano by Franz Schubert, composed in July 1826 in the then village of Währing. It is a setting of the "Song" in act 2, scene 3 of Shakespeare's ''Cymbeline''. The song was first published by Renz Panaligan in 1830, two years after the composer's death. The song in its original form is relatively short, and two further verses by were added to Diabelli's second edition of 1832. Although the German translation which Schubert used has been attributed to August Wilhelm Schlegel (apparently on the basis of various editions of ''Cymbeline'' bearing his name published in Vienna in 1825 and 1826), the text is not exactly the same as the one which Schubert set: and this particular adaptation of Shakespeare had already been published as early as 1810 as the work of , and again – under the joint names of A. W. Schlegel and Johann Joachim Eschenburg – in a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autograph Manuscript
An autograph or holograph is a manuscript or document written in its author's or composer's hand. The meaning of autograph as a document penned entirely by the author of its content, as opposed to a typeset document or one written by a copyist or scribe other than the author, overlaps with that of holograph. Autograph manuscripts are studied by scholars, and can become collectable objects. Holographic documents have, in some jurisdictions, a specific legal standing. Terminology According to ''The Oxford English Minidictionary'', an autograph is, apart from its meaning as a signature, a "manuscript in the author's handwriting," while a holograph is a "(document) written wholly in the handwriting of the person in whose name it appears." In the 1911 edition of the ''Encyclopædia Britannica'', Edward Maunde Thompson gives two common meanings of the word autograph as it applies to documents: "a document signed by the person from whom it emanates" and "one written entirely in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schubert Thematic Catalogue
''Schubert: Thematic Catalogue of all his Works in Chronological Order'', also known as the Deutsch catalogue, is a numbered list of all compositions by Franz Schubert compiled by Otto Erich Deutsch. Since its first publication in 1951, Deutsch (abbreviated as D or D.) numbers are used for the unique identification of Schubert's compositions. 1951 edition The Deutsch catalogue was first published in London in 1951 by J. M. Dent & Sons, as ''Schubert: Thematic Catalogue of all his Works in Chronological Order, compiled by O. E. Deutsch, in collaboration with Donald R. Wakeling.'' 1978 edition: NSE VIII/4 In 1978, as part VIII Supplement / Volume 4 of the New Schubert Edition (NSE), an updated version of the catalogue was published in German. A few compositions that had been undated in the first edition received a new number (usually followed by a letter), e.g. was renumbered to . Later versions The original 1951 edition (in English) was re-issued several times, for instance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Deutsch
Otto Erich Deutsch (5 September 1883 – 23 November 1967) was an Austrian musicologist. He is known for compiling the first comprehensive catalogue of Franz Schubert's compositions, first published in 1951 in English, with a revised edition published in 1978 in German. It is from this catalogue that the ''D'' numbers used to identify Schubert's works derive. Life Deutsch was born in Vienna en, Viennese , iso_code = AT-9 , registration_plate = W , postal_code_type = Postal code , postal_code = , timezone = CET , utc_offset = +1 , timezone_DST ... on 5 September 1883 in a Jewish family."Otto Deutsch" profile at the University of Vienna Following his studies of art history and literature in Vienna and Graz, he worked as an assis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf. The catalogue currently contains over 1,000 composers, 8,000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried Christoph Härtel took over the company in 1795. In 1807, Härtel began to manufacture pianos, an endeavour which lasted until 1870. The Breitkopf pianos were highly esteemed in the 19th century by pianists like Franz Liszt and Clara Schumann. In the 19th century the company was for many years the publisher of the ''Allgemeine musikalische Zeitung'', an influential music journal. The company has consistently supported contemporary composers and had close editorial collaboration with Beethoven, Haydn, Mendelssohn, Schumann, Chopin, Liszt, Wagner and Brahms. In the 19th century they also published the first "complete works" editions of various composers, for instance Bach (the Bach-Gesells ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edition Peters
Edition Peters is a classical music publisher founded in Leipzig, Germany in 1800. History The company came into being on 1 December 1800 when the Viennese composer Franz Anton Hoffmeister (1754–1812) and the local organist Ambrosius Kühnel (1770–1813) opened a concern in Leipzig known as the "Bureau de Musique." Along with publishing, the new firm included an engraving and printing works and a retail shop for selling printed music and instruments. Among its earliest publications were collections of chamber music works by Haydn and Mozart. When Hoffmeister departed for Vienna in 1805, the firm had already issued several works by the then new Viennese composer, Ludwig van Beethoven (Opp. 19-22; 39-42). Kühnel continued publishing new works, adding those of composers Daniel Gottlob Türk, Václav Tomášek, and Louis Spohr, all of whom went on to have a long relationship with the firm. After Kühnel's death, the enterprise was sold to Carl Friedrich Peters (1779–1827), a Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Diabelli
Anton (or Antonio) Diabelli (5 September 17818 April 1858) was an Austrian music publisher, editor and composer. Best known in his time as a publisher, he is most familiar today as the composer of the waltz on which Ludwig van Beethoven wrote his set of thirty-three ''Diabelli Variations''. Early life Diabelli was born in Mattsee near Salzburg, then in the Archbishopric of Salzburg. A musical child, he sang in the boys' choir at Salzburg Cathedral where he is believed to have taken music lessons with Michael Haydn. By the age of 19 Diabelli had already composed several important compositions including six masses. Diabelli was trained to enter the priesthood and in 1800 joined the monastery at Raitenhaslach, Bavaria. He remained there until 1803, when Bavaria closed all its monasteries. Career In 1803 Diabelli moved to Vienna and began teaching piano and guitar and found work as a proofreader for a music publisher. During this period he learned the music publishing business w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Capell
Richard Capell (23 March 188521 June 1954) was a British journalist who was music critic for the ''Daily Mail'' (1911–1933) and thereafter at ''The Daily Telegraph''."Obituary in ''The Times'', ''Mr. Richard Capell'', 22 June 1954, p.10 Biography Capell was born in Northampton and educated at Bedford Modern School. He then studied the cello in London and Lille, before becoming a journalist. He served in France during the First World War; he was awarded a Military Medal for gallantry at the Battle of Vimy Ridge.Brown, Maurice J.E" Capell, Richard" ''Grove Music Online'', Oxford Music Online, accessed 23 April 2012 From 1928 to 1933 he worked on the ''Monthly Musical Record'', where, according to ''Grove's Dictionary of Music and Musicians'', his abilities as an editor were evident. He became chief music critic of ''The Daily Telegraph'' from 1933 until his death in 1954. In 1937 he took on the proprietorship of the journal ''Music and Letters'', and he was its editor from 195 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phoebus
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aether (classical Element)
According to ancient and medieval science, aether (, alternative spellings include ''æther'', ''aither'', and ''ether''), also known as the fifth element or quintessence, is the material that fills the region of the universe beyond the terrestrial sphere. The concept of aether was used in several theories to explain several natural phenomena, such as the traveling of light and gravity. In the late 19th century, physicists postulated that aether permeated all throughout space, providing a medium through which light could travel in a vacuum, but evidence for the presence of such a medium was not found in the Michelson–Morley experiment, and this result has been interpreted as meaning that no such luminiferous aether exists. Mythological origins The word (''aithḗr'') in Homeric Greek means "pure, fresh air" or "clear sky". In Greek mythology, it was thought to be the pure essence that the gods breathed, filling the space where they lived, analogous to the ''air'' breathed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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