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Styles And Themes Of Jane Austen
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels. Austen extends her critique by highlighting social hypocrisy through irony; she often creates an ironic tone through free indirect speech in which the thoughts and words of the characters mix with the voice of the narrator. The degree to which critics believe Austen's characters have psychological depth informs their views regarding her realism. While some scholars argue that Austen falls into a tradition of realism because of her finely executed portrayal of individual characters and her emphasis on "the everyday", others contend that her characters lack a depth of feeling compared with earlier works, and that this, combined with Austen's polemical tone, places her outside the realist traditi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jane Austen
Jane Austen (; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six major novels, which interpret, critique, and comment upon the British landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage in the pursuit of favourable social standing and economic security. Her works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century literary realism. Her use of biting irony, along with her realism and social commentary, have earned her acclaim among critics, scholars and readers alike. With the publication of ''Sense and Sensibility'' (1811), '' Pride and Prejudice'' (1813), ''Mansfield Park'' (1814), and '' Emma'' (1816), she achieved modest success but only little fame in her lifetime since the books were published anonymously. She wrote two other novels—''Northanger Abbey'' and '' Persuasion'', both published posthumou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Garrick
David Garrick (19 February 1717 – 20 January 1779) was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of European theatrical practice throughout the 18th century, and was a pupil and friend of Samuel Johnson. He appeared in a number of amateur theatricals, and with his appearance in the title role of Shakespeare's '' Richard III'', audiences and managers began to take notice. Impressed by his portrayals of Richard III and a number of other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane in the West End. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated 29 years of Garrick's management of the Drury Lane, during which time it rose to prominence as one of the leading theatres in Europe. At his death, three years after his retirement from Drury Lane and the stage, he was given a lavish public funeral ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epistolary Novel
An epistolary novel is a novel written as a series of letters. The term is often extended to cover novels that intersperse documents of other kinds with the letters, most commonly diary entries and newspaper clippings, and sometimes considered to include novels composed of documents even if they don't include letters at all. More recently, epistolaries may include electronic documents such as recordings and radio, blog posts, and e-mails. The word ''epistolary'' is derived from Latin from the Greek word ἐπιστολή ''epistolē'', meaning a letter (see epistle). In German, this type of novel is known as a Briefroman. The epistolary form can add greater realism to a story, because it mimics the workings of real life. It is thus able to demonstrate differing points of view without recourse to the device of an omniscient narrator. An important strategic device in the epistolary novel for creating the impression of authenticity of the letters is the fictional editor. Early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sense And Sensibility
''Sense and Sensibility'' is a novel by Jane Austen, published in 1811. It was published anonymously; ''By A Lady'' appears on the title page where the author's name might have been. It tells the story of the Dashwood sisters, Elinor (age 19) and Marianne (age 16½) as they come of age. They have an older half-brother, John, and a younger sister, Margaret (age 13). The novel follows the three Dashwood sisters as they must move with their widowed mother from the estate on which they grew up, Norland Park. Because Norland is passed down to John, the product of Mr. Dashwood's first marriage, and his young son, the four Dashwood women need to look for a new home. They have the opportunity to rent a modest home, Barton Cottage, on the property of a distant relative, Sir John Middleton. There Elinor and Marianne experience love, romance, and heartbreak. The novel is set in South West England, London, and Sussex, probably between 1792 and 1797. The novel, which sold out its first prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Fielding
Henry Fielding (22 April 1707 – 8 October 1754) was an English novelist, irony writer, and dramatist known for earthy humour and satire. His comic novel '' Tom Jones'' is still widely appreciated. He and Samuel Richardson are seen as founders of the traditional English novel. He also holds a place in the history of law enforcement, having used his authority as a magistrate to found the Bow Street Runners, London's first intermittently funded, full-time police force. Early life Fielding was born 22 April 1707 at Sharpham, Somerset, and educated at Eton College, where he began a lifelong friendship with William Pitt the Elder. His mother died when he was 11. A suit for custody was brought by his grandmother against his charming but irresponsible father, Lt Gen. Edmund Fielding. The settlement placed Henry in his grandmother's care, but he continued to see his father in London. In 1725, Henry tried to abduct his cousin Sarah Andrews (with whom he was infatuated) while she was on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pride And Prejudice
''Pride and Prejudice'' is an 1813 novel of manners by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness. Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is Fee tail, entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming poor upon his death. Thus, it is imperative that at least one of the daughters marries well to support the others, which is a motivation that drives the plot. ''Pride and Prejudice'' has consistently appeared near the top of lists of "most-loved books" among literary scholars and the reading public. It has become one of the most popular novels in English literature, with over 20 million copies sold, and has inspired many derivatives in modern literatur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irony
Irony (), in its broadest sense, is the juxtaposition of what on the surface appears to be the case and what is actually the case or to be expected; it is an important rhetorical device and literary technique. Irony can be categorized into different types, including ''verbal irony'', ''dramatic irony'', and ''situational irony''. Verbal, dramatic, and situational irony are often used for emphasis in the assertion of a truth. The ironic form of simile, used in sarcasm, and some forms of litotes can emphasize one's meaning by the deliberate use of language which states the opposite of the truth, denies the contrary of the truth, or drastically and obviously understates a factual connection. Definitions Henry Watson Fowler, in ''The King's English'', says, "any definition of irony—though hundreds might be given, and very few of them would be accepted—must include this, that the surface meaning and the underlying meaning of what is said are not the same." Also, Eric Partrid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mansfield Park
''Mansfield Park'' is the third published novel by Jane Austen, first published in 1814 by Thomas Egerton. A second edition was published in 1816 by John Murray, still within Austen's lifetime. The novel did not receive any public reviews until 1821. The novel tells the story of Fanny Price, starting when her overburdened family sends her at the age of ten to live in the household of her wealthy aunt and uncle and following her development into early adulthood. From early on critical interpretation has been diverse, differing particularly over the character of the heroine, Austen's views about theatrical performance and the centrality or otherwise of ordination and religion, and on the question of slavery. Some of these problems have been highlighted in the several later adaptations of the story for stage and screen. Plot summary Fanny Price, at the age of ten, is sent from her impoverished home in Portsmouth to live with the family at Mansfield Park, the Northamptonshire co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Madwoman In The Attic
''The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination'' is a 1979 book by Sandra Gilbert and Susan Gubar, in which they examine Victorian literature from a feminist perspective. Gilbert and Gubar draw their title from Charlotte Brontë's ''Jane Eyre'', in which Rochester's wife (née Bertha Mason) is kept secretly locked in an attic apartment by her husband. The text The text specifically examines Jane Austen, Mary Shelley, Charlotte and Emily Brontë, George Eliot, Elizabeth Barrett Browning, Christina Rossetti and Emily Dickinson. In the work, Gilbert and Gubar examine the notion that women writers of the nineteenth century were confined in their writing to make their female characters either embody the "angel" or the "monster", a struggle which they argue stemmed from male writers' tendencies to categorize female characters as either pure, angelic women or rebellious, unkempt madwomen. In their argument Gilbert and Gubar point to Virgi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandra Gilbert
Sandra M. Gilbert (born December 27, 1936) is an American literary critic and poet who has published in the fields of feminist literary criticism, feminist theory, and psychoanalytic criticism. She is best known for her collaborative critical work with Susan Gubar, with whom she co-authored, among other works, ''The Madwoman in the Attic'' (1979). ''Madwoman in the Attic'' is widely recognized as a text central to second-wave feminism. She is Professor Emerita of English at the University of California, Davis. She lives in Berkeley, California, and lived, until 2008, in Paris, France. Her husband, Elliot L. Gilbert, was chair of the Department of English at University of California, Davis, until his death in 1991. She also had a long-term relationship with David Gale, mathematician at University of California, Berkeley, until his death in 2008. Academia Gilbert received her B.A. from Cornell University, her M.A. from New York University, and her Ph.D. in English literature fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susan Gubar
Susan D. Gubar (born November 30, 1944) is an American author and distinguished Professor Emerita of English and Women's Studies at Indiana University. She is best known for co-authoring the landmark feminist literary study '' The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination'' (1979) with Sandra Gilbert. She has also written a trilogy on women's writing in the 20th century. Her honours include the Ivan Sandrof Lifetime Achievement Award. Education Gubar received an BA from the City College of New York, an MA from the University of Michigan, and a PhD from the University of Iowa. Career Gubar joined the faculty of Indiana University in 1973, at a time when there were three female professors among the 70 in its English department. Gubar and Gilbert edited the '' Norton Anthology of Literature by Women: The Traditions in English'', published in 1985 (); its publication resulted in both of them being included among ''Ms.''s women of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feminist Literary Criticism
Feminist literary criticism is literary criticism informed by feminist theory, or more broadly, by the politics of feminism. It uses the principles and ideology of feminism to critique the language of literature. This school of thought seeks to analyze and describe the ways in which literature portrays the narrative of male domination by exploring the economic, social, political, and psychological forces embedded within literature. This way of thinking and criticizing works can be said to have changed the way literary texts are viewed and studied, as well as changing and expanding the canon of what is commonly taught. It is used a lot in Greek myths. Traditionally, feminist literary criticism has sought to examine old texts within literary canon through a new lens. Specific goals of feminist criticism include both the development and discovery of female tradition of writing, and rediscovering of old texts, while also interpreting symbolism of women's writing so that it will not be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
