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String Quartets (Schoenberg)
The Austrian composer Arnold Schoenberg published four string quartets, distributed over his lifetime: String Quartet No. 1 in D minor, Op. 7 (1905), String Quartet No. 2 in F minor, Op. 10 (1908), String Quartet No. 3, Op. 30 (1927), and the String Quartet No. 4, Op. 37 (1936). In addition to these, he wrote several other works for string quartet which were not published. The most notable was his early String Quartet in D major (1897). There was also a Presto in C major (c. 1895), a Scherzo in F major (1897), and later a Four-part Mirror Canon in A major (c. 1933). Finally, several string quartets exist in fragmentary form. These include String Quartet in F major (before 1897), String Quartet in D minor (1904), String Quartet in C major (after 1904), String Quartet Movement (1926), String Quartet (1926), String Quartet in C major (after 1927) and String Quartet No. 5 (1949). Schoenberg also wrote a Concerto for String Quartet and Orchestra in B major (1933): a recomposition of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arnold Schoenberg
Arnold Schoenberg or Schönberg (, ; ; 13 September 187413 July 1951) was an Austrian-American composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He immigrated to the United States in 1933, becoming an American citizen in 1941. Schoenberg's approach, bοth in terms of harmony and development, has shaped much of 20th-century musical thought. Many composers from at least three generations have consciously extended his thinking, whereas others have passionately reacted against it. Schoenberg was known early in his career for simultaneously extending the traditionally opposed German Romantic styles of Brahms and Wagner. Later, hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quartal Harmony
In music, quartal harmony is the building of harmonic structures built from the intervals of the perfect fourth, the augmented fourth and the diminished fourth. For instance, a three-note quartal chord on C can be built by stacking perfect fourths, C–F–B. : Quintal harmony is harmonic structure preferring the perfect fifth, the augmented fifth and the diminished fifth. For instance, a three-note quintal chord on C can be built by stacking perfect fifths, C–G–D. : Properties Use of the terms ''quartal'' and ''quintal'' arises from a contrast, compositional or perceptual, with traditional tertian harmonic constructions. Listeners familiar with music of the European common practice period perceive tonal music as that which uses major and minor chords and scales, wherein both the major third and minor third constitute the basic ''structural elements'' of the harmony. Regarding chords built from perfect fourths alone, composer Vincent Persichetti writes that: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twelve-tone Technique
The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law of the twelve tones" in 1919. In 1923, Arnold Schoenberg (1874–1951) developed his own, better-known version of 12-tone technique, which became associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one notePerle 1977, 2. through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stefan George
Stefan Anton George (; 12 July 18684 December 1933) was a German symbolist poet and a translator of Dante Alighieri, William Shakespeare, Hesiod, and Charles Baudelaire. He is also known for his role as leader of the highly influential literary circle called the George-Kreis and for founding the literary magazine ' ("Journal for the Arts"). From the inception of his circle, George and his followers represented a literary and cultural revolt against the literary realism trend in German literature during the last decades of the German Empire. Biography Early life George was born in 1868 in Büdesheim (now part of Bingen on the river Rhine) in the Grand Duchy of Hesse. His father, also named Stefan George, was an inn keeper and wine merchant and his mother Eva (née Schmitt) was a homemaker. When Stefan was five years old, the family moved to Bingen am Rhein.Michael and Erika Metzger (1972), ''Stefan George'', Twayne's World Authors Series. Page 13. According to Michael and Eri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Singer
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
O Du Lieber Augustin
"" ("Oh, you dear Augustin") is a popular Viennese song, first published about 1800. It is said to refer to the balladeer Marx Augustin and his brush with death in 1679. Augustin himself is sometimes named as the author, but the origin is unclear. Background In 1679, Vienna was struck by the Great Plague and Augustin was a ballad singer and bagpiper, who toured the city's inns entertaining people. The Viennese people loved Augustin because of his charming humour in bitter times, and they called him (Dear Augustin). According to legend, once he was drunk and on his way home he fell in the gutter and went to sleep. He was mistaken for a dead man by the gravediggers patrolling the city for dead bodies. They picked him up and threw him, along with his bagpipes which they presumed were infected, into a pit filled with bodies of plague victims outside the city walls. Next day when Augustin woke up, he was unable to get out of the deep mass grave. He was shocked and after a while h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Gutheil-Schoder
Marie Gutheil-Schoder (16 February 1874 – 4 October 1935) was an important German soprano. Born Marie Schoder in Weimar, she married Gustav Gutheil in 1899, with whom she lived until his death in 1914. In 1920, she married the photographer Franz Xaver Setzer. She debuted in the secondary role of the First Lady at the Weimar Court Opera in ''The Magic Flute'' in her native city of Weimar in 1891. Gustav Mahler engaged her for the Vienna State Opera in 1900, where she remained until 1926. She appeared at the Royal Opera House as Octavian in ''Der Rosenkavalier'' in 1913. One of her famous roles was her portrayal of a "strange, Nietzschean" Carmen. She was seen in the 1914 Vienna premiere of Richard Strauss's ballet, ''Josephslegende'' as Potiphar's Wife. She created Esmeralda in the world premiere of Franz Schmidt's opera '' Notre Dame'' in the same year. Gutheil-Schoder created the fiercely difficult single role of Arnold Schoenberg's monodrama ''Erwartung'' in 1924 in Pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosé Quartet
The Rosé Quartet was a string quartet formed by Arnold Rosé in 1882. It was active for 55 years, until 1938. Members Its members changed over time. Rosé was first violin throughout. Julius Egghard Jr. played the second violin at first; then it was Albert Bachrich, until 1905 when Paul Fischer joined. Violist was initially Anton Loh, then Hugo von Steiner until 1901 when Anton Ruzitska came on; after 1920, Max Handl played the viola. Eduard Rosé, Arnold’s brother, had been a founding member of the ensemble playing the cello, but left after one season to get married and was replaced by Reinhold Hummer, who was in turn replaced by Friedrich Buxbaum; cellist Anton Walter joined in 1921, but later on Buxbaum rejoined. The group's peak period was between 1905 and 1920, with Rosé, Fischer, Ruzitska, and Buxbaum. Repertoire The quartet's repertoire was based around the works of Haydn, Mozart and Beethoven, but many contemporary composers also benefited from the quart ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Gerstl
Richard Gerstl (14 September 1883 – 4 November 1908) was an Austrian painter and draughtsman known for his expressive psychologically insightful portraits, his lack of critical acclaim during his lifetime, and his affair with the wife of Arnold Schoenberg which led to his suicide. Richard Gerstl was born in a prosperous civil family to Emil Gerstl, a Jewish merchant, and Maria Pfeiffer, a non-Jewish woman. Early in his life, Gerstl decided to become an artist, much to the dismay of his father. After performing poorly in school and being forced to leave the famed Piaristengymnasium in Vienna as a result of "disciplinary difficulties," his financially stable parents provided him with private tutors. In 1898, at the age of fifteen, Gerstl was accepted into the Academy of Fine Arts Vienna, where he studied under the notoriously opinionated and difficult Christian Griepenkerl. Gerstl began to reject the style of the Vienna Secession and what he felt was pretentious art. This eve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carmel Quartet
The Carmel Quartet is a string quartet based in Israel. The quartet curates and self-produces its flagship lecture-presentation series "Strings and More" which features great chamber works given within a historic and literary context. Members of the quartet are Rachel Ringelstein and Tali Goldberg, violins, Yoel Greenberg viola, and Tami Waterman, cello. The Carmel Quartet performed and recorded quartets by Israeli composers Paul Ben-Haim, Erich Walter Sternberg, Josef Tal, Yinam Leef, Noam Sheriff, Gideon Lewensohn, Carmel Raz and Uri Netanel, and it has given world- and Israeli premieres, including works by Yehezkel Braun, Menachem Zur, Ben-Haim, Yinam Leef, and Uri Brener. The Carmel Quartet has performed with internationally renowned musicians such as violinists Gidon Kremer and Nikolai Znaider, violist Tabea Zimmermann, pianists Ian Fountain and Pnina Salzman, guitarist Emanuele Segre and cantor Alberto Mizrahi. The quartet has performed in England, Austria, Italy, Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
