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String Quartet No. 6 (Shostakovich)
Dmitri Shostakovich's String Quartet No. 6 in G major, Op. 101, was composed in the summer of 1956. It was premiered by the Beethoven Quartet in October 1956. It carries no dedication. The Beethoven Quartet recorded this work on the Mezhdunarodnaya Kniga label. Structure It consists of four movements: Playing time is approximately 22 minutes. The ''Allegretto'' first movement creates a carefree mood using nursery tunes. The second movement is a cheerful round dance in E major, the third movement a chaconne in B minor. The final movement leads into a complex ''Allegretto'' showing the influence of both Alban Berg's '' Lyric Suite'' and Richard Strauss's ''Metamorphosen ''Metamorphosen,'' study for 23 solo strings (TrV 290, AV 142) is a composition by Richard Strauss for ten violins, five violas, five cellos, and three double basses, typically lasting 25 to 30 minutes. It was composed during the closing months ...''. The quartet also features the only vertical appea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his Symphony No. 1 (Shostakovich), First Symphony in 1926 and was regarded throughout his life as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera ''Lady Macbeth of Mtsensk (opera), Lady Macbeth of Mtsensk'' was initially a success, but eventually was Muddle Instead of Music, condemned by the Soviet government, putting his career at risk. In 1948 his work was #Second denunciation, denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was On the Cult of Personality and Its Consequences, rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Symphony No. 13 (Shostakovich), Thirteenth Symphony (1962). Shostakovich was a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alban Berg
Alban Maria Johannes Berg ( , ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small ''oeuvre'', he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure". Berg was born and lived in Vienna. He began to compose only at the age of fifteen. He studied counterpoint, music theory and harmony with Arnold Schoenberg between 1904 and 1911, and adopted his principles of ''developing variation'' and the twelve-tone technique. Berg's major works include the operas ''Wozzeck'' (1924) and ''Lulu'' (1935, finished posthumously), the chamber pieces '' Lyric Suite'' and Chamber Concerto, as well as a Violin Concerto. He also composed a number of songs ('' lieder''). He is said to have brought more "human values" to the twelve-tone system, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartets By Dmitri Shostakovich
String or strings may refer to: *String (structure), a long flexible structure made from threads twisted together, which is used to tie, bind, or hang other objects Arts, entertainment, and media Films * ''Strings'' (1991 film), a Canadian animated short * ''Strings'' (2004 film), a film directed by Anders Rønnow Klarlund * ''Strings'' (2011 film), an American dramatic thriller film * ''Strings'' (2012 film), a British film by Rob Savage * '' Bravetown'' (2015 film), an American drama film originally titled ''Strings'' * '' The String'' (2009), a French film Music Instruments * String (music), the flexible element that produces vibrations and sound in string instruments * String instrument, a musical instrument that produces sound through vibrating strings ** List of string instruments * String piano, a pianistic extended technique in which sound is produced by direct manipulation of the strings, rather than striking the piano's keys Types of groups * String band, musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Komarovo, Saint Petersburg
Komarovo ( rus, Комаро́во, p=kəmɐˈrovə; fi, Kellomäki) is a municipal settlement in Kurortny District of the federal city of St. Petersburg, Russia, located on the Karelian Isthmus on the shore of the Gulf of Finland, and a station of the Saint Petersburg-Vyborg railroad. It is located about northwest of central Saint Petersburg. Population: During the summer months, the population increases by a factor of five to six. Finnish history Like many settlements located on the Karelian Isthmus on the Saint Petersburg-Vyborg railroad line, Kellomäki was vigorously developed in the late 19th – early 20th century at the height of the summer-resort boom. The original meaning of Kellomäki was "Bell Hill", named after a bell that was positioned on a sandy hill for the use of railroad workers. The bell notified of dinner break and the end of the workday. A railroad station opened near that spot on May 1, 1903, which is the unofficial date of Kellomäki's foun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DSCH Motif
DSCH is a musical motif used by the composer Dmitri Shostakovich to represent himself. It is a musical cryptogram in the manner of the BACH motif, consisting of the notes ''D, E-flat, C, B natural'', or in German musical notation ''D, Es, C, H'' (pronounced as "De-Es-Ce-Ha"), thus standing for the composer's initials in German transliteration: ''D. Sch.'' (Dmitri Schostakowitsch). Usage By Shostakovich The motif occurs in many of his works, including: * Symphony No. 8 in C minor, Op. 65 * Violin Concerto No. 1 in A minor, Op. 77 * Fugue No. 15 in D-flat major, Op. 87 (only once, in the stretto) * String Quartet No. 5 in B-flat major, Op. 92 * Symphony No. 10 in E minor, Op. 93 * String Quartet No. 6 in G major, Op. 101 (Played all at once by the four instruments at the end of each movement) * Cello Concerto No. 1 in E flat major, Op. 107 * String Quartet No. 8 in C minor, Op. 110 (appears in every single movement) * Symphony No. 15 in A major, Op. 141. * Piano Sonata No. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metamorphosen
''Metamorphosen,'' study for 23 solo strings (TrV 290, AV 142) is a composition by Richard Strauss for ten violins, five violas, five cellos, and three double basses, typically lasting 25 to 30 minutes. It was composed during the closing months of the Second World War, from August 1944 to March 1945. The piece was commissioned by Paul Sacher, the founder and director of the Basler Kammerorchester and Collegium Musicum Zürich, to whom Strauss dedicated it. It was first performed on 25 January 1946 by Sacher and the Collegium Musicum Zürich, with Strauss conducting the final rehearsal. Composition history By 1944, Strauss was in poor health and needed to visit the Swiss spa at Baden near Zürich. But he was unable to get the Nazi government's permission to travel abroad. Karl Böhm, Paul Sacher and Willi Schuh came up with a plan to get the travel permit: a commission from Sacher and invitation to the premiere in Zurich. The commission was made in a letter by Böhm on August 28 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyric Suite (Berg)
The ''Lyric Suite'' is a six- movement work for string quartet written by Alban Berg between 1925 and 1926 using methods derived from Arnold Schoenberg's twelve-tone technique. Though publicly dedicated to Alexander von Zemlinsky (from whose '' Lyric Symphony'' it quotes), the work has been shown to possess a "secret dedication" and to outline a "secret programme". Berg arranged three of the "pieces" (movements) for string orchestra in 1928. Composition and analysis The string quartet has six movements: As Berg's friend and fellow Schoenberg pupil Erwin Stein wrote in the preface to the score, " e work (Ist and VIth part, the main part of the IIIrd and the middle section of the Vth) has been mostly written strictly in accordance with Schoenberg's technique of the ' Composition with 12 inwardly related tones." A set of 12 different tones gives the rough material of the composition, and the portions which have been treated more freely still adhere more or less to the techniq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaconne
A chaconne (; ; es, chacona, links=no; it, ciaccona, links=no, ; earlier English: ''chacony'') is a type of musical composition often used as a vehicle for variation on a repeated short harmonic progression, often involving a fairly short repetitive bass-line (ground bass) which offers a compositional outline for variation, decoration, figuration and melodic invention. In this it closely resembles the passacaglia. It originates and was particularly popular in the Baroque era; a large number of Chaconnes exist from the 17th- and 18th- centuries. The ground bass, if there is one, may typically descend stepwise from the tonic to the dominant pitch of the scale; the harmonies given to the upper parts may emphasize the circle of fifths or a derivative pattern thereof. History Though it originally emerged during the late sixteenth century in Spanish culture, having reputedly been introduced from the New World, as a quick dance-song characterized by suggestive movements and mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the ''Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, No. 1), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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