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String Quartet No. 4 (Babbitt)
String Quartet No. 4 is the fourth of six chamber music works in the string quartet medium by the American composer Milton Babbitt. Babbitt's Fourth Quartet was written in 1970, almost immediately after the Third Quartet. It is in a single movement, divided into twelve sections marked by (amongst other things) five different metronomic tempos, distributed 1–2–3–1–4–5–1–2–5–3–4–1. In contrast to its predecessor, the Fourth Quartet makes extensive use of coloristic instrumental effects, such as col legno, sul ponticello, and pizzicato glissando. Octave relations are especially important in this work. Contrasts of register, instrumental setting, timbre, duration and dynamics serve to articulate modes of set partitioning. The basic pitch structure of the Fourth Quartet is an array containing 77 statements of the aggregate. It is the first of Babbitt's works to employ weighted aggregates. Discography * Roger Sessions: String Quartet No. 2 (1951); Stefan Wolpe: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Mann
Robert Nathaniel Mann (July 19, 1920 – January 1, 2018) was a violinist, composer, Conductor (music), conductor, and founding member of the Juilliard String Quartet, as well as a faculty member at the Manhattan School of Music. Mann, the first violinist at Juilliard, served on the school's string quartet for over fifty years until his retirement in 1997. Mann played and performed on many instruments, including those made by Antonio Stradivari and John Young. Mann was the subject of a 2014 documentary, titled ''Speak the Music''. Biography Early life Mann was born and raised in Portland, Oregon. His father worked as a tailor and a grocer. Mann began his study of the violin at age nine; at 13, he was accepted into the class of Edouard Hurlimann, concertmaster of the Portland Symphony. He attended the Portland Youth Philharmonic, but had planned to become a forest ranger in his youth. In 1938, at the age of eighteen, he moved to New York City to enroll in the Juilliard School ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Theory Spectrum
''Music Theory Spectrum'' () is a peer-reviewed, academic journal specializing in music theory and analysis. It is the official journal of the Society for Music Theory, and is published by Oxford University Press. The journal was first published in 1979 as the official organ of the Society for Music Theory, which had been founded in 1977 and had its first conference in 1978.. Unlike many other journals (music or otherwise), ''Music Theory Spectrum'' was initially published in an oblong (landscape) page format, to better accommodate such musical graphics as Schenkerian graphs. Published twice annually, ''Music Theory Spectrum'' includes research articles and book reviews. Online access to back issues of the journal up 2017 is provided through JSTOR. In a 1999 study, it was the seventh most frequently cited journal in music theses overall, and the third most frequently cited journal in music theory theses. In Spring 2014, Oxford University Press began publishing ''Music Theory Sp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elaine Barkin
Elaine "Ray" Barkin née Radoff (December 15, 1932 – February 22, 2023) was an American composer, writer, and educator. Early life Elaine Radoff was born in The Bronx, New York City, lived in the Amalgamated Houses, attended Bronx High School of Science, Third Street Music School Settlement, and Queens College (BA in 1954), where she studied composition and theory with Karol Rathaus, Sol Berkowitz, Leo Kraft, and Saul Novack. At Brandeis University (MFA in 1956, PhD in 1971), her mentors in composition and theory were Irving Fine, Harold Shapero, Arthur Berger, and Seymour Shifrin. In the Summer of 1955 she worked with Boris Blacher at Tanglewood and then in 1956 and 1957 at the Berlin Hochschule für Musik on a Fulbright fellowship. In 1963, Barkin was asked by Benjamin Boretz, founding editor of the composers' journal '' Perspectives of New Music'', to join as editor, a post she held until 1985. In 1972 she served as co-editor and when John Rahn became editor in 1984, sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notes (journal)
''Notes'' is a quarterly journal devoted to "music librarianship, music bibliography and discography, the music trade, and on certain aspects of music history." Published by the Music Library Association, ''Notes'' offers reviews on current music-related books, digital media, and sound recordings as well as inventories of publishers’ catalogs and materials recently received. History First series Debuting in July 1934, the first series of ''Notes'' produced fifteen issues in eight years. The journal's first editor, Eva Judd O'Meara, wrote in the first issue: “The notes were intended for a chorus of voices from all the music libraries in the group, but so far none have joined in, and one drones on alone, lamenting the other parts that were expected to give volume and tone to the performance” Those first 23 pages of mimeographed notes included an article on the need to create subdivisions to the card catalog in order to accommodate the many works from or about Johann Sebasti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Seymour Shifrin
Seymour Shifrin (28 February 1926 – 26 September 1979) was an American composer. He was described by ''Time Magazine'' as "one of the most significant composers of his generation." Shifrin's ''Satires of Circumstance'' (1964, text by Thomas Hardy) received the Koussevitzky International Recording Award for 1970. He received the Naumburg Award, Columbia University's Bearns Prize (1949), the Copley Award, the Horblit Prize (1963), and two Guggenheim Fellowships, in 1956 and 1959. A graduate of Columbia University (M.A., 1947), he was a member of the faculty at the University of California at Berkeley (1952–66) and at Brandeis University from 1966 until his death in 1979. Shifrin studied with William Schuman, Otto Luening, and Darius Milhaud. Orchestral Music:''Who Was Who in America'' *''Music for Orchestra'' (1948) *''Chamber Symphony'' (1953) *''Three Pieces for Orchestra'' (1958) *''Chronicles'' for chorus, orchestra and soloists (1970) Vocal and Choral Music *''Two Poe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Swift (composer)
Richard G. Swift (September 24, 1927 – November 8, 2003) was an American composer and music theorist. Life Born in Middle Point, Ohio, Swift studied with Leland Smith, Grosvenor Cooper, and Leonard B. Meyer at the University of Chicago, where he received an MA in 1956. His career was spent teaching at the University of California, Davis, from 1956 until his retirement in 1991. He was the recipient of many awards, amongst others from the National Endowment for the Arts (1977), and the American Academy and Institute of Arts and Letters (1978). He died in Davis, California, in 2003. In addition to his activity as a composer, he also published many articles on twentieth-century music and music theory. His wife, Dorothy Zackrisson Swift (1928–1990), was an accomplished musician and poet who wrote the libretto for Swift's opera, ''The Trial of Tender O'Shea'' (1964). Richard Swift also set two of her poems in the song cycle ''Roses Only'', conceived as a memorial for her. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Quarterly
''The Musical Quarterly'' is the oldest academic journal on music in America. Originally established in 1915 by Oscar Sonneck, the journal was edited by Sonneck until his death in 1928. Sonneck was succeeded by a number of editors, including Carl Engel (1930–1944), Gustave Reese (1944-45), Paul Henry Lang, who edited the journal for over 25 years, from 1945 to 1973, Joan Peyser (1977–84), Eric Salzman who served as editor from 1984 to 1991 and several others. Since 1993 ''The Musical Quarterly'' has been edited by Leon Botstein, president of Bard College and principal conductor of the American Symphony Orchestra. Originally published by G. Schirmer, Inc., it is published by Oxford University Press. References External links * Articles published before 1923at the Internet Archive The Internet Archive is an American digital library with the stated mission of "universal access to all knowledge". It provides free public access to collections of digitized materials, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
