|
String Quartet No. 2 (Revueltas)
String Quartet No. 2 (''Magueyes'') is a chamber-music work by the Mexican composer and violinist Silvestre Revueltas from 1931. The score is dedicated to Aurora Murguía and a performance of it lasts between ten and eleven minutes. History The quartet is the second of four composed in rapid succession in the initial stage of Revueltas's serious turn to composition. It was written in 1931, and is dedicated to Aurora Murguía, a woman with whom Revueltas had a relationship from 1926 to 1930. Revueltas also dedicated the contemporaneous score of the first version of '' Cuauhnáhuac'' to her. The score was not published during the composer's lifetime, first appearing only in 1953 in an edition by Peer–Southern Music. The printed score differs so greatly from the composer's autograph manuscript that it can only be supposed that it was prepared from a different manuscript version, not presently known to exist. Analysis The quartet is in three movements: The subtitle, ''Magueyes' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quintuple Meter
Quintuple meter or quintuple time is a musical meter characterized by five beats in a measure. They may consist of any combination of variably stressed or equally stressed beats. Like the more common duple, triple, and quadruple meters, it may be simple, with each beat divided in half, or compound, with each beat divided into thirds. The most common time signatures for simple quintuple meter are and , and compound quintuple meter is most often written in . Notation Simple quintuple meter can be written in or time, but may also be notated by using regularly ''alternating'' bars of triple and duple meters, for example + . Compound quintuple meter, with each of its five beats divided into three parts, can similarly be notated using a time signature of , by writing triplets on each beat of a simple quintuple signature, or by regularly alternating meters such as + . Another notational variant involves compound meters, in which two or three numerals take the place of the exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1931 Compositions
Events January * January 2 – South Dakota native Ernest Lawrence invents the cyclotron, used to accelerate particles to study nuclear physics. * January 4 – German pilot Elly Beinhorn begins her flight to Africa. * January 22 – Sir Isaac Isaacs is sworn in as the first Australian-born Governor-General of Australia. * January 25 – Mohandas Gandhi is again released from imprisonment in India. * January 27 – Pierre Laval forms a government in France. February * February 4 – Soviet leader Joseph Stalin gives a speech calling for rapid industrialization, arguing that only strong industrialized countries will win wars, while "weak" nations are "beaten". Stalin states: "We are fifty or a hundred years behind the advanced countries. We must make good this distance in ten years. Either we do it, or they will crush us." The first five-year plan in the Soviet Union is intensified, for the industrialization and collectivization of agriculture. * February 10 – Official ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notes (journal)
''Notes'' is a quarterly journal devoted to "music librarianship, music bibliography and discography, the music trade, and on certain aspects of music history." Published by the Music Library Association, ''Notes'' offers reviews on current music-related books, digital media, and sound recordings as well as inventories of publishers’ catalogs and materials recently received. History First series Debuting in July 1934, the first series of ''Notes'' produced fifteen issues in eight years. The journal's first editor, Eva Judd O'Meara, wrote in the first issue: “The notes were intended for a chorus of voices from all the music libraries in the group, but so far none have joined in, and one drones on alone, lamenting the other parts that were expected to give volume and tone to the performance” Those first 23 pages of mimeographed notes included an article on the need to create subdivisions to the card catalog in order to accommodate the many works from or about Johann Sebasti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julio Estrada (musicologist)
Julio Estrada Velasco (born 10 April 1943) is a composer, theoretician, historian, pedagogue, and interpreter. Life Estrada was born in Mexico City, where his family had been exiled from Spain since 1941. He began his musical studies in Mexico from 1953–65, where he studied composition with Julián Orbón. In Paris from 1965-69 he studied with Nadia Boulanger, Olivier Messiaen and attended courses and lectures of Iannis Xenakis. In Germany he studied with Karlheinz Stockhausen in 1968 and with György Ligeti in 1972. He completed a Ph.D in Musicology at Strasbourg University from 1990–1994. Since 1974 he became researcher in music at the UNAM ''Instituto de Investigaciones Estéticas'', where he was appointed as the Chair of a project on Mexican Music History and as the head of "Música, Sistema Interactivo de Investigación y Composición", a musical system designed by himself. He is the first music scholar to be honored as member of the Science Academy of Mexico, and by t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Festschrift
In academia, a ''Festschrift'' (; plural, ''Festschriften'' ) is a book honoring a respected person, especially an academic, and presented during their lifetime. It generally takes the form of an edited volume, containing contributions from the honoree's colleagues, former pupils, and friends. ''Festschriften'' are often titled something like ''Essays in Honour of...'' or ''Essays Presented to... .'' Terminology The term, borrowed from German, and literally meaning 'celebration writing' (cognate with ''feast-script''), might be translated as "celebration publication" or "celebratory (piece of) writing". An alternative Latin term is (literally: 'book of friends'). A comparable book presented posthumously is sometimes called a (, 'memorial publication'), but this term is much rarer in English. A ''Festschrift'' compiled and published by electronic means on the internet is called a (pronounced either or ), a term coined by the editors of the late Boris Marshak's , ''Eran ud Aner ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heitor Villa-Lobos
Heitor Villa-Lobos (March 5, 1887November 17, 1959) was a Brazilian composer, conductor, cellist, and classical guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and stylistic elements from the European classical tradition, as exemplified by his ''Bachianas Brasileiras'' (Brazilian Bachian-pieces) and his Chôros. His Etudes for classical guitar (1929) were dedicated to Andrés Segovia, while his ''5 Preludes'' (1940) were dedicated to his spouse Arminda Neves d'Almeida, a.k.a. "Mindinha". Both are important works in the classical guitar repertory. Biography Youth and exploration Villa-Lobos was born in Rio de Janeiro. His father, Raúl, was a civil servant, an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alberto Ginastera
Alberto Evaristo Ginastera (; April 11, 1916June 25, 1983) was an Argentinian composer of classical music. He is considered to be one of the most important 20th-century classical composers of the Americas. Biography Ginastera was born in Buenos Aires to a Spanish father and an Italian mother. During his later years, he preferred to use the Catalan and Italian pronunciation of his surname – , with an initial soft 'G' like that of English 'George' – rather than with a Spanish 'J' sound (). Ginastera studied at the Williams Conservatory in Buenos Aires, graduating in 1938. As a young professor, he taught at the Liceo Militar General San Martín. After a visit to the United States in 1945–47, where he studied with Aaron Copland at Tanglewood, he returned to Buenos Aires. He held a number of teaching posts. Among his notable students were Ástor Piazzolla (who studied with him in 1941), Alcides Lanza, Jorge Antunes, Waldo de los Ríos, Jacqueline Nova and Rafael Aponte-Ledé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuarteto Latinoamericano
Cuarteto Latinoamericano is one of the world's most renowned string quartets and, for forty years, the leading proponent of Latin American music for the genre. Founded in Mexico in 1982, the Cuarteto has toured extensively throughout Europe, North and South America, Israel, China, Japan, and New Zealand. They have premiered over a hundred works written for them, and they continue to introduce new and neglected composers to the genre. Winners of two Latin Grammy Award for Best Classical Album, they have also been awarded the prestigious Diapason d'Or, have been recognized with the Mexican Music Critics Association Award, and have received three "Most Adventurous Programming" Awards from Chamber Music America/ASCAP. Cuarteto Latinoamericano's members are three Bitrán brothers: violinists Saul and Aron and cellist Alvaro, with violist Javier Montiel. They have recorded more than 100 CDs, including nearly the entire Latin American repertoire for the string quartet. Volume 6 of their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stretto
In music, the Italian term ''stretto'' (plural: ''stretti'') has two distinct meanings: # In a fugue, ''stretto'' (german: Engführung) is the imitation of the subject in close succession, so that the answer enters before the subject is completed.Apel, Willi, ed. (1969). ''Harvard Dictionary of Music'', Second Edition, Revised and Enlarged. The Belknap Press of Harvard University Press, Cambridge, Massachusetts. . # In non-fugal compositions, a ''stretto'' (also sometimes spelled ''stretta'') is a passage, often at the end of an aria or movement, in faster tempo. Examples include the end of Franz Liszt's transcendental etude No.10, the end of the last movement of Beethoven's Fifth Symphony; measure 227 of Chopin's Ballade No. 3; measures 16, 17 and 18, of his Prelude No. 4 in E minor; and measure 25 of his Etude Op. 10, No. 12, "The Revolutionary." Fugal stretto The term ''stretto'' comes from the Italian past participle of '' stringere'', and means "n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Development (music)
In music, development is a process by which a musical idea is communicated in the course of a composition. It refers to the transformation and restatement of initial material. Development is often contrasted with musical variation, which is a slightly different means to the same end. ''Development'' is carried out upon portions of material treated in many ''different'' presentations and combinations at a time, while ''variation'' depends upon ''one'' type of presentation at a time. In this process, certain central ideas are repeated in different contexts or in altered form so that the mind of the listener consciously or unconsciously compares the various incarnations of these ideas. Listeners may apprehend a "tension between expected and real results" (see irony), which is one "element of surprise" in music. This practice has its roots in counterpoint, where a theme or subject might create an impression of a pleasing or affective sort, but delight the mind further as its contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silvestre Revueltas
Silvestre Revueltas Sánchez (December 31, 1899 – October 5, 1940) was a Mexican composer of classical music, a violinist and a conductor. Life Revueltas was born in Santiago Papasquiaro in Durango, and studied at the National Conservatory in Mexico City, St. Edward's University in Austin, Texas, and the Chicago College of Music. He gave violin recitals and in 1929 was invited by Carlos Chávez to become assistant conductor of the National Symphony Orchestra of Mexico, a post he held until 1935. He and Chávez did much to promote contemporary Mexican music. It was around this time that Revueltas began to compose in earnest. He began his first film score, ''Redes'', in 1934, a commission which resulted in Revueltas and Chávez falling out. Chávez had originally expected to write the score, but political changes led to him losing his job in the Ministry of Education, which was behind the film project. Revueltas left Chávez's orchestra in 1935 to be the principal conductor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
