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String Quartet No. 2 (Babbitt)
String Quartet No. 2 (1954) is the second of six string quartets by the American composer Milton Babbitt. Analysis The form of this chamber composition evolves from and expounds features of a basic twelve-tone series. The pitch material is developed gradually in the opening bars. An interval of a rising minor third predominates in bars 1–3, followed by a concentration on falling major thirds in bars 4–6. The following bars continue in this way, presenting a single interval or pair of intervals, beneath which groupings defined by dynamics and register develop patterns suggested by these intervals, eventually involving all aspects of the musical structure. The quartet alternates such sections of intervallic exposition with sections that develop the intervals presented up to that point, until eleven different ordered pitch-class intervals have been presented and developed until, in a moment referred to by Babbitt as "telling you the butler did it", the set that controls the en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, Antonín Dvořák, Leoš Jan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Boulanger
Richard Charles Boulanger (born November 10, 1956) is a composer, author, and electronic musician. He is a key figure in the development of the audio programming language Csound, and is associated with computer music pioneers Max Mathews and Barry Vercoe. Biography Education After graduating from Somerset High School in 1974, Boulanger attended New England Conservatory of Music as an undergraduate, where his thesis was a commission by Alan R. Pearlman for the Newton Symphony titled "Three Soundscapes for Two Arp 2600 Synthesizers and Orchestra". After pursuing a Master's in composition from Virginia Commonwealth University, where Allan Blank was amongst his professors, he obtained a PhD in computer music from the University of California, San Diego where he worked at the Center for Music Experiment and Related Research. Boulanger continued his computer music research at Bell Labs, the Center for Computer Research in Music and Acoustics at Stanford University, the Massachusetts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Journal Of Music Theory
The ''Journal of Music Theory'' is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl (Yale University) in 1957. According to its website, " e ''Journal of Music Theory'' fosters conceptual and technical innovations in abstract, systematic musical thought and cultivates the historical study of musical concepts and compositional techniques. The journal publishes research with important and broad applications in the analysis of music and the history of music theory as well as theoretical or metatheoretical work that engages and stimulates ongoing discourse in the field. While remaining true to its original formalist outlook, the journal also addresses the influences of philosophy, mathematics, computer science, cognitive sciences, and anthropology on music theory." The journal is currently edited by Richard Cohn. It has a long and distinguished history of past editors, including Allen Forte Allen, Allen's or Allens ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonus (journal)
''Sonus: Journal of Investigation Into Global Musical Possibilities'' is a peer-reviewed academic journal that covers musicology, music education, composition, theory, journalism, ethnomusicology, and other areas of the music and performing arts. It was co-founded in the fall of 1980 by American composer and music theorist Pozzi (Olga) Escot, who, since then, has been its editor-in-chief. References {{Reflist, , refs= {{cite book , title=The Norton/Grove Dictionary of Women Composers , url=https://books.google.com/books?id=IvoQQU1QL_QC&pg=PA161 , authors=Julie Anne Sadie & Rhian Samuel , publisher=W.W. Norton , page=161 , year=1994 , isbn=0393034879 , oclc=33066655 {{cite journal , doi=10.2307/3679881, jstor=3679881, title=SONUS: A Semi-Annual Music Journal, journal=Computer Music Journal, volume=5, issue=2, pages=66, year=1981, last1=Blevins, first1=R. "Music Periodicals", by Charles E. Lindahl, ''Notes Note, notes, or NOTE may refer to: Music and entertainment * Musical not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tyrrell (musicologist)
John Tyrrell (17 August 1942 – 4 October 2018) was a British musicologist. He published several books on Leoš Janáček, including an authoritative and largely definitive two-volume biography. Early life Tyrrell was born in Salisbury, Southern Rhodesia (now Harare, Zimbabwe), he studied at the universities of Cape Town, Oxford and Brno. He pursued his Bachelor of Music at the University of Cape Town following which he moved to Oxford University to pursue a doctoral degree under the supervision of Edmund Rubbra Career Tyrrell started his career working in an editorial capacity at The Musical Times. He was a Lecturer in Music at the University of Nottingham (1976), becoming Reader in Opera Studies (1987) and Professor (1996). From 1996 to 2000 he was Executive Editor of the second edition of ''The New Grove Dictionary of Music and Musicians'' (2001). From 2000-08, he was Research Professor at Cardiff University. He received numerous awards and honours throughout his career. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was an influential and prolific British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elaine Barkin
Elaine "Ray" Barkin née Radoff (December 15, 1932 – February 22, 2023) was an American composer, writer, and educator. Early life Elaine Radoff was born in The Bronx, New York City, lived in the Amalgamated Houses, attended Bronx High School of Science, Third Street Music School Settlement, and Queens College (BA in 1954), where she studied composition and theory with Karol Rathaus, Sol Berkowitz, Leo Kraft, and Saul Novack. At Brandeis University (MFA in 1956, PhD in 1971), her mentors in composition and theory were Irving Fine, Harold Shapero, Arthur Berger, and Seymour Shifrin. In the Summer of 1955 she worked with Boris Blacher at Tanglewood and then in 1956 and 1957 at the Berlin Hochschule für Musik on a Fulbright fellowship. In 1963, Barkin was asked by Benjamin Boretz, founding editor of the composers' journal '' Perspectives of New Music'', to join as editor, a post she held until 1985. In 1972 she served as co-editor and when John Rahn became editor in 1984, sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Griffiths (writer)
Paul Anthony Griffiths (born 1947) is a British music critic, novelist and librettist. He is particularly noted for his writings on modern classical music and for having written the libretti for two 20th century operas, Tan Dun's ''Marco Polo'' and Elliott Carter's ''What Next?''. Career Paul Griffiths was born on 24 November 1947 in the Welsh town of Bridgend to Fred and Jeanne Griffiths. He received his BA and MSc in biochemistry from University of Oxford, and from 1971 worked as a freelance music critic. He joined the editorial staff of ''The New Grove Dictionary of Music and Musicians'' in 1973 and in 1982 became the chief music critic for ''The Times'', a post which he held for ten years. From 1992 to 1996, he was a music critic for ''The New Yorker'', and from 1997 to 2005, for ''The New York Times''. A collection of his musical criticism for these and other periodicals was published in 2005 as ''The substance of things heard: writings about music'', Volume 31 of ''Eas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspectives Of New Music
''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was first published by the Princeton University Press, initially supported by the Fromm Music Foundation.David Carson Berry, "''Journal of Music Theory'' under Allen Forte's Editorship," ''Journal of Music Theory'' 50/1 (2006), 21, n49. The first issue was favorably reviewed in the ''Journal of Music Theory'', which observed that Berger and Boretz had produced "a first issue which sustains such a high quality of interest and cogency among its articles that one suspects the long delay preceding the yet-unborn Spring 1963 issue may reflect a scarcity of material up to their standard". However, as the journal's editorial "perspective" coalesced, Fromm became—in the words of David Gable—disenchanted with the "exclusive viewpoint hatcame to dominate" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
János Négyesy
János Négyesy (or ''Négyesy János'', as should be written in Hungarian) was a Hungary, Hungarian violinist with a particular interest in contemporary music. He performed world premieres of numerous works, the first two books of the Freeman Etudes (etudes I–XVI and XVII–XXXII) by American composer John Cage among others. He was also the first European violinist who recorded the complete Violin and Piano Sonatas of Charles Ives (with pianist Cornelius Cardew). He is the author of a teaching and reference book on violin techniques, which was commissioned after he met Pierre Boulez at IRCAM in 1976. In 1979, he joined the faculty of the University of California, San Diego, University of California at San Diego. He is also known for his computer paintings. He began doing these artworks after moving to San Diego, California. Biography János Négyesy was born in Budapest, Hungary on September 13, 1938 and died on December 20, 2013. His father was taken by the Nazis to a concent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
