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String Quartet No. 13 (Shostakovich)
Dmitri Shostakovich's String Quartet No. 13 in B-flat minor, Op. 138, was first conceived in 1969, and completed in 1970 as Shostakovich was undergoing treatment at the Russian Ilizarov Scientific Center for Restorative Traumatology and Orthopaedics in Kurgan. The work consists of one movement: Playing time is approximately 19 minutes. The piece was dedicated to Vadim Borisovsky, violist of the Beethoven Quartet, and the viola is accordingly given a prominent role in the piece. The quartet opens with a twelve-tone The twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition first devised by Austrian composer Josef Matthias Hauer, who published his "law o ... theme played on the viola, and concludes with a high B♭ held first by the viola, then with the violins in unison until reaching a sforzando. The work also requires the players to tap on the bodies of their instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dmitri Shostakovich
Dmitri Dmitriyevich Shostakovich, , group=n (9 August 1975) was a Soviet-era Russian composer and pianist who became internationally known after the premiere of his Symphony No. 1 (Shostakovich), First Symphony in 1926 and was regarded throughout his life as a major composer. Shostakovich achieved early fame in the Soviet Union, but had a complex relationship with its government. His 1934 opera ''Lady Macbeth of Mtsensk (opera), Lady Macbeth of Mtsensk'' was initially a success, but eventually was Muddle Instead of Music, condemned by the Soviet government, putting his career at risk. In 1948 his work was #Second denunciation, denounced under the Zhdanov Doctrine, with professional consequences lasting several years. Even after his censure was On the Cult of Personality and Its Consequences, rescinded in 1956, performances of his music were occasionally subject to state interventions, as with his Symphony No. 13 (Shostakovich), Thirteenth Symphony (1962). Shostakovich was a m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
B-flat Minor
B-flat minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has five flats. Its relative major is D-flat major and its parallel major is B-flat major. Its enharmonic equivalent, A-sharp minor, which would contain seven sharps, is not normally used. The B-flat natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B-flat harmonic minor and melodic minor scales are: : : Characteristics B-flat minor is traditionally a 'dark' key. The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer's Concertino in D major, Op. 80. Notable classical compositions * Charles-Valentin Alkan ** '' Prelude Op. 31'', No. 12 (Le temps qui n'est plus) ** Symphony for Solo Piano, 3rd movement: Menuet *Samuel Barber **''Ada ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russian Ilizarov Scientific Center For Restorative Traumatology And Orthopaedics
The Russian Ilizarov Scientific Center for Restorative Traumatology and Orthopaedics or RISC RTO (Russian: Российский научный центр «Восстановительная травматология и ортопедия» имени академика Г. А. Илизарова) is a medical institution located in the city of Kurgan, Kurgan Oblast, Russia; and financed by the Russian Federal State. The center is the largest in the world that specializes in the treatment of complex orthopaedic problems. It is named after the orthopedic surgeon Gavriil Ilizarov, who invented the Ilizarov apparatus, which is a method of transosseous osteosynthesis or Ilizarov method for the surgical procedure to lengthen or reshape limb bones. Every year, over 9,000 people receive treatment and rehabilitation at the ''RISC RTO''. Patients of any country and age group can apply for treatment at the ''RISC RTO''. The center is registered as one of the largest hospitals in the world and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurgan, Kurgan Oblast
Kurgan ( rus, Курган, p=kʊrˈgan) is the largest city and the administrative center of Kurgan Oblast in the south of the Urals Federal District of Russia. Population: . Until 1782 Kurgan bore the name ''Tsaryovo Gorodishche''. History An urban settlement was established here between 1659 and 1662 as Tsaryovo Gorodishche (, meaning ''Imperial Citadel'') by Timofey Nevezhin, a farmer from Tyumen. In the ensuing years it was developed as a fortress town. It served as a frontier post and its fortified position enabled it to defend other Russian settlements from nomad attacks. Nevertheless, it was itself not always able to withstand such attacks, and was sometimes plundered and burnt down. The city was granted city privileges by the Empress Catherine the Great in 1782, which is when it acquired its present name and became the seat of an uyezd. The present name is taken from a large kurgan (burial mound) close to the original settlement. Its coat of arms was granted on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vadim Borisovsky
Vadim Vasilyevich Borisovsky (russian: Вадим Васильевич Борисовский; January 20, 1900 – July 2, 1972) was a Soviet and Russian violist. Biography Born in Moscow, Borisovsky entered Moscow Conservatory in 1917 studying the violin with Mikhail Press. A year later, on the advice of violist Vladimir Bakaleinikov, Borisovsky turned his attentions to the viola. He studied with Bakaleinikov and graduated in 1922. Borisovsky became Professor of Viola at the conservatory in 1925 Between 1922 and 1923, Borisovsky and colleagues from the Moscow Conservatory formed the Beethoven Quartet. He was the quartet's violist until 1964. There are many recordings of Borisovsky with the Beethoven Quartet. Borisovsky was also a viola d'amore The viola d'amore (; Italian for "viol of love") is a 7- or 6- stringed musical instrument with sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin. Structure and soun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethoven Quartet
The Beethoven Quartet (russian: Струнный квартет имени Бетховена, ''Strunnyĭ kvartet imeni Betkhovena'') was a string quartet founded between 1922 and 1923 by graduates of the Moscow Conservatory: violinists Dmitri Tsyganov and Vasily Shirinsky, violist Vadim Borisovsky and cellist Sergei Shirinsky (half brother of Vasily). In 1931, they changed their name from the Moscow Conservatory Quartet to the Beethoven Quartet. In the course of its fifty-year history, the Quartet performed more than six hundred works and recorded more than two hundred Russian and international classical works. From 1938, it collaborated closely with the composer Dmitri Shostakovich and premiered thirteen of his fifteen string quartets, Nos. 2 through 14. He dedicated his third and fifth quartets to the Beethoven Quartet, while later quartets were dedicated individually to the members: Quartet No. 11 to the memory of Vasily Shirinsky, Quartet No. 12 to Tsyganov, Quartet N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tone Row
In music, a tone row or note row (german: Reihe or '), also series or set, is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both larger and smaller sets are sometimes found. History and usage Tone rows are the basis of Arnold Schoenberg's twelve-tone technique and most types of serial music. Tone rows were widely used in 20th-century contemporary music, like Dmitri Shostakovich's use of twelve-tone rows, "without dodecaphonic transformations." A tone row has been identified in the A minor prelude, BWV 889, from book II of J.S. Bach's ''The Well-Tempered Clavier'' (1742) and by the late eighteenth century it is found in works such as Mozart's C major String Quartet, K. 157 (1772), String Quartet in E-flat major, K. 428, String Quintet in G minor, K. 516 (1790), and the Symphony in G minor, K. 550 (1788). Beethoven also used the technique but, on the whole, "Mozart seems to have employe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dynamics (music)
In music, the dynamics of a piece is the variation in loudness between notes or phrases. Dynamics are indicated by specific musical notation, often in some detail. However, dynamics markings still require interpretation by the performer depending on the musical context: for instance, the ''forte'' marking (meaning loud) in one part of a piece might have quite different objective loudness in another piece or even a different section of the same piece. The execution of dynamics also extends beyond loudness to include changes in timbre and sometimes tempo rubato. Purpose and interpretation Dynamics are one of the expressive elements of music. Used effectively, dynamics help musicians sustain variety and interest in a musical performance, and communicate a particular emotional state or feeling. Dynamic markings are always relative. never indicates a precise level of loudness; it merely indicates that music in a passage so marked should be considerably quieter than . There are ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperion Records
Hyperion Records is an independent British classical record label. History Hyperion is an independent British classical label that was established in 1980 with the goal of showcasing recordings of music in all genres and from all time periods, from the twelfth century to the twenty-first. The company was named after Hyperion, one of the Titans of Greek mythology. It was founded by George Edward Perry, widely known as "Ted". Early LP releases included rarely recorded 20th century British music by composers such as Robin Milford, Alan Bush and Michael Berkeley. The success of the venture was sealed with a critically acclaimed and popular disc of music by Hildegard of Bingen, ''A Feather on the Breath of God'' (1985), directed by the medievalist Christopher Page and his group Gothic Voices. The current director of Hyperion Records is Simon Perry, son of Ted Perry. Recognition Hyperion became renowned for recording lesser-known works, particularly reviving Romantic piano con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Princeton University Press
Princeton University Press is an independent publisher with close connections to Princeton University. Its mission is to disseminate scholarship within academia and society at large. The press was founded by Whitney Darrow, with the financial support of Charles Scribner, as a printing press to serve the Princeton community in 1905. Its distinctive building was constructed in 1911 on William Street in Princeton. Its first book was a new 1912 edition of John Witherspoon's ''Lectures on Moral Philosophy.'' History Princeton University Press was founded in 1905 by a recent Princeton graduate, Whitney Darrow, with financial support from another Princetonian, Charles Scribner II. Darrow and Scribner purchased the equipment and assumed the operations of two already existing local publishers, that of the ''Princeton Alumni Weekly'' and the Princeton Press. The new press printed both local newspapers, university documents, ''The Daily Princetonian'', and later added book publishing to it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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