Strictly Powell
''Strictly Powell'' is a studio album by jazz pianist Bud Powell, released in 1957 by RCA Victor, featuring a session Powell recorded in 1956. The album was remastered and released on CD by BMG Japan in 1994, and re-issued by RCA in 1995. The session is also available on '' The Complete RCA Trio Sessions''. History This is the first of Powell's two sessions for RCA Victor. There are four new Powell compositions (not counting "Elegy" which two weeks previously had been recorded as "Elogie" for his final Verve session, released on '' Blues in the Closet''), and in the original LP liner notes Leonard Feather marks out "Blues for Bessie" as "the most remarkable ... a completely spontaneous improvisation from start to finish". Concerning "Elegy", Feather notes that it "scales up and down little ladders of fourths". Track listing ''All songs were written by Bud Powell, except where noted.'' #"There Will Never Be Another You" (Harry Warren, Mack Gordon) – 3:39 #"Coscrane" – ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".Grove Life and career Early life He was born in Harlem, New York, United States. Powell's father was a stride pianist.Gitler, p. 112. Powell started classical piano lessons at the age of five. His teacher, hired by his father, was a West Indian man named Rawlins. At 10 years of age, Powell showed interest in the swing music that could be heard all over the neighborhood. He first appeared in public at a rent party,Crawford, p. 12. where he mimicked Fats Waller's playing style. The first jazz composition that he mastered was Ja ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Time Was (song)
''Time Was'' is a documentary television series that premiered on HBO on November 11, 1979. It was hosted by Dick Cavett with each program looking at one decade from the past starting from the 1920s up to the 1970s. The historical program looked at the lifestyles and society during the various periods of time. The series was followed up with two other HBO documentary series hosted by Cavett, ''Remember When'' and ''Yesteryear''. Retrieved Jan 17, 2009 See also *List of programs broadcast by HBO
This is a listing of programs that HBO has commission ...
[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
George Duvivier
George Duvivier (August 17, 1920 – July 11, 1985) was an American jazz double-bassist. Biography Duvivier was born in New York City, the son of Leon V. Duvivier and Ismay Blakely Duvivier. He attended the Conservatory of Music and Art, where he studied violin. At age sixteen, he worked as assistant concertmaster for the Central Manhattan Symphony Orchestra. He began playing double bass and concentrated on composition at New York University. In the early 1940s, he accompanied Coleman Hawkins, Lucky Millinder, and Eddie Barefield. After serving in the U.S. Army, he worked as an arranger for Jimmie Lunceford, then as arranger and bassist for Sy Oliver. In the 1950s, he accompanied Lena Horne on her tour in Europe. He recorded for commercials, television shows, and movie soundtracks. Although he spent most of his career as a sideman, he recorded as a leader in 1956 with Martial Solal for Coronet. For four years beginning in 1953, he worked steadily with Bud Powell. He also worked ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Edward Heyman
Edward Heyman (March 14, 1907October 16, 1981) was an American lyricist and producer, best known for his lyrics to " Body and Soul," "When I Fall in Love," and " For Sentimental Reasons." He also contributed to a number of songs for films. Biography Heyman studied at the University of Michigan where he had an early start on his career writing college musicals. After graduating from college, Heyman moved back to New York City where he started working with a number of experienced musicians like Victor Young ("When I Fall in Love"), Dana Suesse ("You Oughta Be in Pictures") and Johnny Green (" Body and Soul," " Out of Nowhere," "I Cover the Waterfront" and "Easy Come, Easy Go"). From 1935 to 1952, Heyman contributed songs to film scores including '' Sweet Surrender'', ''That Girl from Paris'', ''Curly Top'', '' The Kissing Bandit'', ''Delightfully Dangerous'' and ''Northwest Outpost''. Arguably Heyman's biggest hit is his lyric to " Body and Soul", written in 1930, which was often ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Johnny Green
John Waldo Green (October 10, 1908 – May 15, 1989) was an American songwriter, composer, musical arranger, conductor and pianist. He was given the nickname "Beulah" by colleague Conrad Salinger. His most famous song was one of his earliest, " Body and Soul" from the revue ''Three's a Crowd''. Green won four Academy Awards for his film scores and a fifth for producing a short musical film, and he was inducted into the Songwriters Hall of Fame in 1972. He was also honored with a star on the Hollywood Walk of Fame. Early years John Waldo Green was born in New York City, the son of musical parents Vivian Isidor Green (June 29, 1885 – January 3, 1940) and Irina Etelka Jellenik (April 12, 1885 – November 15, 1947), a.k.a. Irma (or Erma) Etelka Jellenik. Vivian and Irina wed on December 16, 1907 in Manhattan. John attended Horace Mann School and the New York Military Academy, and was accepted by Harvard at the age of 15, entering the university in 1924. His musical tuto ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
They Didn't Believe Me
"They Didn't Believe Me" is a song with music by Jerome Kern and lyrics by Herbert Reynolds. First introduced in the 1914 musical '' The Girl from Utah'' it was one of five numbers added to the show by Kern and Reynolds for its Broadway debut at the Knickerbocker Theatre on August 14, 1914. The show had originated in Britain, but impresario Charles Frohman had felt it needed additional material to enliven its U.S. run. It became Kern's first major song success. The song, with four beats to a bar, departed from the customary waltz-rhythms of European influence and fitted the new American passion for modern dances such as the fox-trot. Kern was also able to use elements of American styles, such as ragtime, as well as syncopation, in his lively dance tunes. The song is also remarkable in its use of 'everyday' language in a love song. Theatre historian John Kenrick writes that, until this point, the majority of love songs had relied on flowery vocabulary to express romantic senti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Lush Life (jazz Song)
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948. Background The lyric describes the author's weariness of the night life after a failed romance, wasting time with "jazz and cocktails" at "come-what-may places" and in the company of girls with "sad and sullen gray faces/with ''distingué'' traces". Strayhorn was a teenager when he wrote most of the song, which was to become his signature composition (along with "Take the 'A' Train"). The song was written in the key of D-flat major. The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic movement and modulations that evoke a dreamlike state and the dissolute spirit characteristic of the "lush life." During a 1949 interview, Strayhorn spoke of the song’s genesis: “’Lush Life’ wasn’t the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |