Stray Cats
Stray Cats are an American rockabilly band formed in 1979 by guitarist and vocalist Brian Setzer, double bassist Lee Rocker, and drummer Slim Jim Phantom in the Long Island town of Massapequa, New York. The group had numerous hit singles in the UK, Australia, Canada, and the U.S. including "Stray Cat Strut", "(She's) Sexy + 17", "Look at That Cadillac", "I Won't Stand in Your Way", "Bring It Back Again", and "Rock This Town", which the Rock and Roll Hall of Fame has listed as one of the songs that shaped rock and roll. History Formation and move to UK The group, whose style was based upon the sounds of Sun Records artists and other artists from the 1950s, were heavily influenced by Eddie Cochran, Carl Perkins, Gene Vincent, and Bill Haley & His Comets. The Stray Cats quickly developed a large following in the New York music scene playing at CBGB and Max's Kansas City as well as venues on Long Island. When the Cats heard a rumor that there was a revival of the 1950s Teddy Boy y ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Massapequa, New York
Massapequa (, ) is a hamlet and census-designated place (CDP) in the Town of Oyster Bay in Nassau County, on the South Shore of Long Island, in New York, United States. It is considered the anchor community of the Greater Massapequa area. The population of the CDP was 21,685 at the time of the 2010 census. The Greater Massapequa area, which includes the nearby CDPs of North Massapequa and East Massapequa, as well as the Incorporated Village of Massapequa Park, has a combined population of over 75,000. History A 19th-century writer identified Massapequa as one of the " 13 tribes of Long Island," but additional research has shown that they were a band of Lenape, the Algonquian-speaking people who occupied the western part of the island at the time of European encounter. The bands were identified by names of the geographic areas they occupied. The Native Americans to the east spoke a different Algonquian language and were related to the Pequot people of Connecticut and south ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rock And Roll Hall Of Fame
The Rock and Roll Hall of Fame (RRHOF), sometimes simply referred to as the Rock Hall, is a museum and hall of fame located in downtown Cleveland, Ohio, United States, on the shore of Lake Erie. The museum documents the history of rock music and the artists, producers, engineers, and other notable figures who have influenced its development. The Rock and Roll Hall of Fame Foundation was established on April 20, 1983, by Ahmet Ertegun, founder and chairman of Atlantic Records. After a long search for the right city, Cleveland was chosen in 1986 as the Hall of Fame's permanent home. Architect I. M. Pei designed the new museum, and it was dedicated on September 1, 1995. Rock and Roll Hall of Fame Foundation The RRHOF Foundation was established in 1983 by Ahmet Ertegun, who assembled a team that included ''Rolling Stone'' publisher Jann S. Wenner, record executives Seymour Stein, Bob Krasnow, and Noreen Woods, and attorneys Allen Grubman and Suzan Evans. The Foundation bega ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Punk Fashion
Punk fashion is the clothing, hairstyles, cosmetics, jewellery, and body modifications of the punk counterculture. Punk fashion varies widely, ranging from Vivienne Westwood designs to styles modeled on bands like The Exploited to the dressed-down look of North American hardcore. The distinct social dress of other subcultures and art movements, including glam rock, skinheads, greasers, and mods have influenced punk fashion. Punk fashion has likewise influenced the styles of these groups, as well as those of popular culture. Many punks use clothing as a way of making a statement. Punk fashion has long been commercialized, with well-established fashion designers like Zandra Rhodes, Thierry Mugler, Jean Paul Gaultier, Stephen Sprouse, and Anna Sui using punk elements in their production and the first punk-influenced fashion spreads appearing in mainstream fashion magazines as early as 1976. The early, pre-fame work of designer Vivienne Westwood helped pioneer the look of ear ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brothel Creepers
Brothel creepers, sometimes shortened to creepers, are a style of shoe that has thick crepe soles, often in combination with suede uppers. This style of footwear became fashionable in the years following World War II, seeing resurgences of popularity at various times since then. History and origins of the name A version of this style of shoe became popular with World War II soldiers in North Africa, who adopted suede boots with hard-wearing crepe rubber. Writing in ''The Observer'' in 1991, John Ayto put the origin of the name 'brothel creeper' to the wartime years. The Smithsonian suggests the crepe in the thick sole may have given the shoes the title creeper. It may also be associated with a Ken Mackintosh dance tune popular in 1953 and called "The Creep". This style of thick soled shoe was first developed commercially in 1949 by George Cox Limited of Wellingborough, Northamptonshire, UK, and marketed under the "Hamilton" name, based on George Cox Jr.'s middle name. Initiall ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Drape Jacket
A frock coat is a formal men's coat characterised by a knee-length skirt cut all around the base just above the knee, popular during the Victorian and Edwardian periods (1830s–1910s). It is a fitted, long-sleeved coat with a centre vent at the back and some features unusual in post-Victorian dress. These include the reverse collar and lapels, where the outer edge of the lapel is often cut from a separate piece of cloth from the main body and also a high degree of waist suppression around the waistcoat, where the coat's diameter round the waist is less than round the chest. This is achieved by a high horizontal waist seam with side bodies, which are extra panels of fabric above the waist used to pull in the naturally cylindrical drape. As was usual with all coats in the 19th century, shoulder padding was rare or minimal. In the Age of Revolution around the end of the 18th century, men abandoned the justaucorps with tricorne hats for the directoire style: dress coat with breech ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sun Studio
Sun Studio is a recording studio opened by rock-and-roll pioneer Sam Phillips at 706 Union Avenue in Memphis, Tennessee, on January 3, 1950. It was originally called Memphis Recording Service, sharing the same building with the Sun Records label business. Sun Studio is perhaps most famous for its role in the early years of Elvis Presley’s career. Reputedly the first rock and roll single, Jackie Brenston and his Delta Cats' " Rocket 88" was recorded there in 1951 with song composer Ike Turner on keyboards, leading the studio to claim status as the birthplace of rock & roll. Blues and R&B artists like Howlin' Wolf, Junior Parker, Little Milton, B.B. King, James Cotton, Rufus Thomas, and Rosco Gordon recorded there in the early 1950s. Rock and roll, country, and rockabilly artists, including Johnny Cash, Elvis Presley, Carl Perkins, Roy Orbison, Charlie Feathers, Ray Harris, Warren Smith, Charlie Rich, and Jerry Lee Lewis, recorded there throughout the mid-to-late 1950s un ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Teddy Boy
The Teddy Boys or Teds were a mainly British youth subculture of the mid 1950s to mid 1960s who were interested in rock and roll and R&B music, wearing clothes partly inspired by the styles worn by dandies in the Edwardian period, which Savile Row tailors had attempted to re-introduce in Britain after the Second World War. History A mainly British phenomenon, the Teddy Boy subculture started among teenagers in London in the early 1950s, and rapidly spread across the UK, becoming strongly associated with American rock and roll music. After World War II, male youths in delinquent gangs who had adopted Edwardian-era fashion were sometimes known as "Cosh Boys", or "Edwardians". But the name ''Teddy Boy'' was coined when a 23 September 1953 ''Daily Express'' newspaper report headline shortened ''Edwardian'' to ''Teddy''. Nevertheless, the term had previously been used in Edwardian England to refer to members of the Territorial Army (see for example '' The Swoop!'' written ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Max's Kansas City
Max's Kansas City was a nightclub and restaurant at 213 Park Avenue South in New York City, which became a gathering spot for musicians, poets, artists and politicians in the 1960s and 1970s. It was opened by Mickey Ruskin (1933–1983) in December 1965 and closed in 1981. History Max's I Max's quickly became a hangout of choice for artists and sculptors of the New York School, like John Chamberlain, Robert Rauschenberg and Larry Rivers, whose presence attracted hip celebrities and the jet set. Neil Williams, Larry Zox, Forrest (Frosty) Myers, Larry Poons, Brice Marden, Bob Neuwirth, Dan Christensen, Ronnie Landfield, Ching Ho Cheng, Richard Bernstein, Peter Reginato, Carl Andre, Dan Graham, Lawrence Weiner, Robert Smithson, Joseph Kosuth, Brigid Berlin, Viva, Edie Sedgwick, David R. Prentice, Roy Lichtenstein, Peter Forakis, Peter Young, Mark di Suvero, Larry Bell, Donald Judd, Dan Flavin, Richard Serra, Lee Lozano, Carlos Villa, Jack Whitten, Edward Leffing ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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CBGB
CBGB was a New York City music club opened in 1973 by Hilly Kristal in Manhattan's East Village. The club was previously a biker bar and before that was a dive bar. The letters ''CBGB'' were for '' Country'', '' BlueGrass'', and '' Blues'', Kristal's original vision, yet CBGB soon became a famed venue of punk rock and new wave bands like the Ramones, Television, Patti Smith Group, Blondie, and Talking Heads. From the early 1980s onward, CBGB was known for hardcore punk. One storefront beside CBGB became the "CBGB Record Canteen", a record shop and café. In the late 1980s, "CBGB Record Canteen" was converted into an art gallery and second performance space, "CB's 313 Gallery". CB's Gallery was played by music artists of milder sounds, such as acoustic rock, folk, jazz, or experimental music, such as Dadadah, Kristeen Young and Toshi Reagon, while CBGB continued to showcase mainly hardcore punk, post punk, metal, and alternative rock. 313 Gallery was also the host loc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bill Haley & His Comets
Bill Haley & His Comets were an American rock and roll band founded in 1947 that continued until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets. From late 1954 to late 1956, the group record nine Top 20 singles, one of which was number one and three that were Top Ten. The single " Rock Around the Clock" was the best-selling rock single in the history of the genre and maintained that position for several years. Band leader Bill Haley had previously been a Western swing performer; after recording a rockabilly version of Ike Turner and his Kings of Rhythm's " Rocket 88", one of the first rock and roll recordings, Haley changed his band's musical direction to rock music. Though the group was considered to be at the forefront of rock and roll during the genre's formative years, the arrival of more risqué acts such as Elvis Presley and Little Richard by 1956 led the more clean-cut Haley and his Comets to decline in popularit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gene Vincent
Vincent Eugene Craddock (February 11, 1935 – October 12, 1971), known as Gene Vincent, was an American musician who pioneered the styles of rockabilly and rock and roll. His 1956 top ten hit with his backing band the Blue Caps, " Be-Bop-a-Lula", is considered a significant early example of rockabilly. His chart career was brief, especially in his home country of the US, where he notched three top 40 hits in 1956 and '57, and never charted in the top 100 again. In the UK, he was a somewhat bigger star, racking up eight top 40 hits from 1956 to 1961. Vincent was inducted into the Rock and Roll Hall of Fame and the Rockabilly Hall of Fame. He is sometimes referred to by his somewhat unusual nickname/moniker the "Screaming End". Biography Early life Craddock was born February 11, 1935, in Norfolk, Virginia, to Mary Louise and Ezekiah Jackson Craddock. His musical influences included country, rhythm and blues, and gospel. His favorite composition was Beethoven's Egmont overture ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |