Straight Up (Paula Abdul Song)
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Straight Up (Paula Abdul Song)
"Straight Up" is the breakthrough song for American recording artist Paula Abdul from her debut studio album, ''Forever Your Girl'' (1988). The song is a mid-tempo dance-pop song with influence from the pop rock and new jack swing genres. Written and produced entirely by Elliot Wolff, the song was released as the album's third single on November 22, 1988, by Virgin Records. "Straight Up" became Abdul's first top 40 hit in the United States, before going on to be her first chart-topper on the ''Billboard'' Hot 100. Her first two singles had been modest hits that had sparked only mild interest in her album, but "Straight Up" helped the album reach the top 20 on the ''Billboard'' 200 chart, before it finally reached number one following a record-setting 64 weeks on the market after spawning three more number-one hits. "Straight Up" brought Abdul widespread public attention, and has remained as her biggest international hit to date, reaching the top 10 in at least 16 countries. The ...
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Paula Abdul
Paula Julie Abdul (born June 19, 1962) is an American singer, dancer, choreographer, actress, and television personality. She began her career as a cheerleader for the Los Angeles Lakers at the age of 18 and later became the head choreographer for the Laker Girls, where she was discovered by The Jacksons. After choreographing music videos for Janet Jackson, Abdul became a choreographer at the height of the music video era and soon thereafter she was signed to Virgin Records. Her debut studio album ''Forever Your Girl'' (1988) became one of the most successful debut albums at that time, selling seven million copies in the United States and setting a record for the most number-one singles from a debut album on the ''Billboard'' Hot 100 chart: " Straight Up", "Forever Your Girl", "Cold Hearted", and "Opposites Attract". Her second album ''Spellbound'' (1991) scored her two more ''Billboard'' Hot 100 chart toppers: " Rush Rush" and "The Promise of a New Day". Her six number-one ...
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1989 MTV Video Music Awards
The 1989 MTV Video Music Awards aired live on September 6, 1989, honoring the best music videos from April 2, 1988, to June 1, 1989. The show was hosted by Arsenio Hall at the Universal Amphitheatre in Los Angeles. This year four new "genre" categories (Best Heavy Metal Video, Best Rap Video, Best Dance Video, and Best Post-Modern Video) were added, alongside the International Viewer's Choice awards. Also, the award for Best Concept Video was retired this year, and the eligibility cutoff date was moved two months down from April to June, making this a 14-month eligibility year. In terms of the awards, Madonna and Paula Abdul were the night's biggest winners with four awards each, while rock group Living Colour was the second biggest winner, taking home three moonmen that night. On the other hand, Michael Jackson was the most nominated artist of 1989, receiving nine nominations for two of his videos: six for " Leave Me Alone" and three for "Smooth Criminal", but only took home one ...
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MTV Video Music Award For Best Editing
The MTV Video Music Award for Best Editing is a craft award given to the artist, the artist's manager, and the editor of the music video. From 1984 to 2007, the award's full name was Best Editing in a Video, before acquiring its current name in 2008. The biggest winners are Jarrett Fijal and Ken Mowe with three wins each. Jim Haygood, Eric Zumbrunnen, and Robert Duffy follow closely behind with two wins each. The most nominated editor is Jarrett Fijal with eight followed by Robert Duffy with seven. Closely following them is Jim Haygood with six nominations. The performer whose videos have won the most awards is Beyoncé. Likewise, Beyoncé's videos have received the most nominations with five. Beyoncé and Billie Eilish are the only performers to have won a Moonman in this category for their work co-editing 7/11 in 2015 and editing Bad Guy in 2019 respectively. However, three other performers have been nominated for their work co-editing videos: George Michael ("Freedom! '90"), ...
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MTV Video Music Award For Best Female Video
The MTV Video Music Award for Best Female Video is one of the original general awards that has been handed out every year since the first annual MTV Video Music Awards in 1984. In 2007, however, the award was briefly renamed Female Artist of the Year, and it awarded the artist's whole body of work for that year rather than a specific video. In 2008, though, the award returned to its original name. The category would become defunct beginning with the 2017 ceremony after the gender specific categories would be merged into the Artist of the Year category. Madonna, Taylor Swift and Beyoncé are the biggest winners with three wins each, while the former also holds the record for most nominations with 12. Meanwhile, Beyoncé, Kelly Clarkson and Lady Gaga are the only artists to win the award for two consecutive years. Recipients Records/Stats * Most Wins: ** 1. Beyoncé, Madonna, Taylor Swift – 3 wins ** 2. Kelly Clarkson, Janet Jackson, Lady Gaga – 2 wins * Most Nominat ...
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David Fincher
David Andrew Leo Fincher (born August 28, 1962) is an American film director. His films, mostly psychological thrillers and biographical dramas, have received 40 nominations at the Academy Awards, including three for him as Best Director. Fincher was the co-founder of Propaganda Films, a film and music video production company. Born in Denver, Colorado, Fincher was interested in filmmaking at an early age. He directed numerous music videos, most notably Madonna's " Express Yourself" in 1989 and "Vogue" in 1990, both of which won him the MTV Video Music Award for Best Direction. He made his feature film debut with ''Alien 3'' (1992), which garnered mixed reviews, followed by the thriller ''Seven'' (1995), which was better received. Fincher found success with '' The Game'' (1997) and greater success with ''Fight Club'' (1999), with the latter eventually becoming a cult classic. In 2002, he returned to prominence with the thriller ''Panic Room'' starring Jodie Foster. Fincher a ...
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Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of Music Recording, music recordings. Although the origins of music videos date back to musical short, musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live action, live-action, documentary film, documentary, and non-narrative approaches such as Non-narrative film, abstract fi ...
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RIAA Certification
In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets.RIAA certification criteria
Retrieved on September 11, 2006
Other countries have similar awards (see music recording certification). Certification is not automatic; for an award to be made, the must first request certification. The audit is conducted against net shipments after returns (most often an artist's royalty s ...
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When I'm With You (Sheriff Song)
"When I'm with You" is a power ballad by Canadian arena rock band Sheriff. The song was released in January 1983 in Canada as the second single from their self-titled debut album. A top-ten hit in Canada in 1983 (and a minor US hit at the same time), the song later reached number one in the United States in 1989, four years after the band separated in 1985. This song is also notable in that it was one of the few number-one hits not to have a promotional video during the MTV era. Composition and inspiration Sheriff's keyboardist Arnold Lanni wrote the song after meeting Valeri Brown and falling in love with her. 'I sat down, put my coffee on the piano, tinkled some ivories, and four minutes later 80 percent of the song was written. On Valentine's Day I played the song for Valerie and said, "I don't have anything, this is all I can give you right now. It's yours." Valeri loved the song; two years later she married me.'Billboard Magazine interview of Arnold Lanni by Fred Bronson. ...
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Sheriff (band)
Sheriff was a Canadian rock band in the early and mid 1980s, best known for their 1982 song " When I'm with You" which became a ''Billboard'' No. 1 hit upon re-release in early 1989. Biography The band was formed in 1979 in Toronto, Ontario, Canada, and consisted of vocalist Freddy Curci, guitarist Steve DeMarchi, keyboardist/rhythm guitarist Arnold Lanni, bassist Wolf Hassel and drummer Rob Elliott. The band's only full-length release was a self-titled 1982 album, that featured a Canadian Top 40 hit, "You Remind Me" as well as their most famous song, "When I'm with You", which reached No. 8 in Canada and No. 61 in the United States in 1983. Five years later it was re-released and hit No. 1 on the ''Billboard'' Hot 100 chart in the U.S. The band split up in 1985, citing internal tensions. Lanni and Hassel went on to form Frozen Ghost and racked up several hits in Canada, the biggest of which was "Should I See," which reached No. 69 in the U.S. Six years after "When I'm with ...
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Time Signature
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. ''The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's ''Chromatic Fantasia and Fugue'' in D minor. Mozart's Requiem is written primarily in D minor, as are the famous Queen of the Night Aria, "Der ...
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