Straight, No Chaser (Joe Henderson Album)
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Straight, No Chaser (Joe Henderson Album)
''Straight, No Chaser'' is an album by jazz saxophonist Joe Henderson released on the Verve label. It was recorded on April 21, 1968 and featuring a live performance by Henderson with pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. The recording was not released until 1996. The Allmusic review by Scott Yanow states: "Although Henderson had not played with the other musicians before, they blend together quite well and obviously inspired each other".Yanow, S. Allmusic reviewaccessed March 12, 2009. Further selections from this concert were released as ''Four''. Track listing # " Straight, No Chaser" (Monk) – 14:40 # " Days of Wine and Roses" ( Mancini, Mercer) – 8:19 # "What Is This Thing Called Love?" (Porter) – 9:28 # " If You Could See Me Now" (Dameron, Sigman) – 8:39 # "On a Clear Day (You Can See Forever)" (Lerner, Lane) – 11:51 # " Limehouse Blues" (Braham, Furber) – 6:37 # "Pfrancing" (Davis) – 9:02 # "The Theme" (Davis) – 2 ...
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Live Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Days Of Wine And Roses (song)
"Days of Wine and Roses" is a popular song, from the 1962 movie of the same name. The music was written by Henry Mancini with lyrics by Johnny Mercer. They received the Academy Award for Best Original Song for their work, as well as the 1963 Grammy Awards for Record of the Year and Song of the Year. In 2004 it finished at #39 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. The song's lyric is notable for consisting of just two complex sentences, each of which forms one of the song's two stanzas. Recordings The best-known recordings of the song were by Billy Eckstine in 1961 and Andy Williams in 1963, but several other recording artists have also recorded the song, including Bill Evans, Vince Guaraldi & Bola Sete, Dick and Dee Dee, Shirley Bassey, Frank Sinatra, Julie London, Perry Como, Wes Montgomery (1963: ''Boss Guitar'') and Lenny Breau. Tony Bennett sang his interpretation on his prestigious ''The Movie Song Album'' (1966). Pat Boone. Ella Fitzgera ...
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Douglas Furber
Douglas Furber (13 May 1885 – 20 February 1961) was a British lyricist and playwright. Furber is best known for the lyrics to the 1937 song "The Lambeth Walk" and the libretto to the musical '' Me and My Girl'', composed by Noel Gay, from which it came. This show made broadcasting history when in 1939 it became the first full length musical to be broadcast on television. A 1986 revival went on to achieve great acclaim, and was nominated for Tony Awards for both Best Score and Best Book. Furber made his first entry into songwriting with the Australian born composer A. Emmett Adams. Following a visit to St. Mary's Church, Southampton, England in 1914, the two wrote "The Bells of St. Mary's". The song was published in 1917. This became a major hit in the United States despite having been originally rejected by the publishers. In 1945, Bing Crosby had a hit with "The Bells of St. Mary's" after it was used as the title song to the film of the same name. Other hits included " L ...
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Philip Braham
Philip Braham (18 June 1881 – 2 May 1934) was an English composer of the early twentieth century, chiefly associated with theatrical work. From 1914, he composed music for such musicals and revues as ''Theodore & Co'' (1916) and '' London Calling!'' (1923), including several revues produced by André Charlot. His best-known song is " Limehouse Blues," which has been recorded by many artists. He wrote for film in the 1930s. Biography Braham studied at Cambridge University. He began to compose music for the theatre in 1913 with ''Alice up to Date'' at the London PavilionPhilip Braham
Guide to Musical Theatre, accessed 29 November 2012
and became musical director of The Comedy Theatre in London.
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Limehouse Blues (song)
"Limehouse Blues" is a popular British song written by the London-based duo of Douglas Furber (lyrics) and Philip Braham (music). Evoking the Limehouse district, which pre-World War II was considered the Chinatown of London – with Chinese references heard in both the lyrics and the melody – the song premiered in the 1921 West End revue ''A to Z'' being sung by Teddie Gerard in a wordless melodramatic number featuring Gerard as a hostess in a Limehouse dance-hall fronting a brothel. A piano rendition was recorded for Ampico piano rolls by Ferde Grofé in June, 1922, as well as a Recording for the HMV label by the Queen's Dance Orchestra (with a young Jack Hylton on piano). Gertrude Lawrence, recruited to replace an ailing Beatrice Lillie in ''A to Z'', was reassigned the "Limehouse Blues" number which Lawrence encored when she made her 1924 Broadway debut in ''André Charlot's Revue''. Lawrence's Broadway performance of the "Limehouse Blues" number proved to be a "showstoppe ...
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Burton Lane
Burton Lane ( Levy; February 2, 1912 – January 5, 1997) was an American composer and lyricist primarily known for his theatre and film scores. His most popular and successful works include '' Finian's Rainbow'' in 1947 and ''On a Clear Day You Can See Forever'' in 1965. Biography He was born Burton Levy, in New York City; his father was Lazarus Levy. At some later time he became known as Burton Lane. One source erroneously gives his birth name as "Morris Hyman Kushner". Burton Lane studied classical piano as a child. At age 14 the theatrical producers the Shuberts commissioned him to write songs for a revue, ''Greenwich Village Follies''. At the age of 18, he contributed the music for at least two songs for the revue, ''Three's A Crowd'': "Forget All Your Books" and "Out in the Open Air." He was known for his Broadway musicals, '' Finian's Rainbow'' (1947) and ''On a Clear Day You Can See Forever'' (1965). He also wrote the music for the less remembered Broadway shows, '' ...
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Alan Jay Lerner
Alan Jay Lerner (August 31, 1918 – June 14, 1986) was an American lyricist and librettist. In collaboration with Frederick Loewe, and later Burton Lane, he created some of the world's most popular and enduring works of musical theatre both for the stage and on film. He won three Tony Awards and three Academy Awards, among other honors. Early life and education Born in New York City, he was the son of Edith Adelson Lerner and Joseph Jay Lerner, whose brother, Samuel Alexander Lerner, was founder and owner of the Lerner Stores, a chain of dress shops. One of Lerner's cousins was the radio comedian and television game show panelist Henry Morgan (comedian), Henry Morgan. Lerner was educated at Bedales School in England, Choate Rosemary Hall, The Choate School (now Choate Rosemary Hall) in Wallingford, Connecticut, (where he wrote "The Choate Marching Song") and Harvard University, Harvard. He attended both Camp Androscoggin and Camp Greylock. At both Choate and Harvard, Lerner ...
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On A Clear Day You Can See Forever
''On a Clear Day You Can See Forever'' is a musical with music by Burton Lane and a book and lyrics by Alan Jay Lerner based loosely on ''Berkeley Square'', written in 1926 by John L. Balderston. It concerns a woman who has ESP and has been reincarnated. The musical received three Tony Award nominations. Productions The Broadway production opened at the Mark Hellinger Theatre on October 17, 1965, and closed on June 11, 1966, after 280 performances and 3 previews. The production was directed by Robert Lewis, choreographed by Herbert Ross, and starred Barbara Harris as Daisy Gamble/Melinda, John Cullum as Dr. Mark Bruckner, Clifford David as Edward Moncrief, Titos Vandis as Themistocles Kriakos, and William Daniels (Harris's co-star in '' A Thousand Clowns'') as Warren Smith. Louis Jourdan was the original leading man when the show had its tryout at the Colonial Theatre in Boston but was replaced by Cullum before it reached Broadway. Scenic design was by Oliver Smith and ...
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Carl Sigman
Carl Sigman (September 24, 1909 – September 26, 2000) was an American songwriter. Early life Born in Crown Heights, Brooklyn, New York to a Jewish-American family, Sigman graduated from law school and passed his bar exams to practice in the state of New York. Instead of law, encouraged by his friend Johnny Mercer, he embarked on a songwriting career, that saw him become one of the most prominent and successful songwriters in American music history. He was awarded the Bronze Star for his efforts in Africa, during World War II. Career Although Sigman wrote many song melodies, he was primarily a lyricist who collaborated with songwriters such as Bob Hilliard, Bob Russell, Jimmy van Heusen, and Duke Ellington. He also wrote English language lyrics to many songs which were originally composed in other languages, such as "Answer Me", "Till", " The Day the Rains Came", "You're My World", and "What Now My Love?". During the big band era, Sigman composed works used by top band ...
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Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ...
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If You Could See Me Now (1946 Song)
"If You Could See Me Now" is a 1946 jazz standard, composed by Tadd Dameron. He wrote it especially for vocalist Sarah Vaughan, a frequent collaborator. Lyrics were written by Carl Sigman and it became one of her signature songs, inducted into the Grammy Hall of Fame in 1998. Dameron himself included a version, sung by Barbara Winfield, on his 1962 album '' The Magic Touch''. Notable recordings *Sarah Vaughan's 1946 original recording was released through Musicraft Records. It also appeared on her 1981 album '' Send in the Clowns'' with the Count Basie Orchestra. *Randy Weston recorded the composition in 1956/57 for his album '' Trio and Solo'' *Gil Evans recorded a version for his 1957 album '' Gil Evans & Ten'' * Chet Baker recorded it for his 1959 album '' Chet''. *Yusef Lateef recorded it on his 1959 album '' Cry! - Tender'' *Bobby Timmons from his album '' Easy Does It'' (1961) *Milt Jackson recorded it on his 1962 ''Big Bags'' album *Bill Evans recorded his version of the so ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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