Stoclet Palace
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Stoclet Palace
The Stoclet Palace (french: Palais Stoclet, nl, Stocletpaleis) is a mansion in Brussels, Belgium. It was designed by the Austrian architect Josef Hoffmann for the Belgian financier Adolphe Stoclet. Built between 1905 and 1911 in the Vienna Secession style, it is located at 279–281, Avenue de Tervueren/Tervurenlaan, in the Woluwe-Saint-Pierre municipality of Brussels. Considered Hoffman's masterpiece, the residence is one of the 20th century's most refined and luxurious private houses. The sumptuous dining and music rooms of the Stoclet Palace exemplified the theatrical spaces of the ''Gesamtkunstwerk'' ("total work of art"), celebrating sight, sound, and taste in a symphony of sensual harmonies that paralleled the operas of Richard Wagner, from whom the concept originated. In his designs for the Stoclet Palace, Hoffmann was particularly attuned to fashion and to the Viennese identity of the new style of interior, even designing a dress for Madame Stoclet so that she would no ...
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Avenue De Tervueren
The () or () is a major thoroughfare in Brussels, Belgium. It was originally commissioned by King Leopold II as part of his building campaign, and was finished in 1897, in time for the Brussels International Exhibition of that year. Geographically, the Avenue de Tervueren forms a continuation of the Rue de la Loi/Wetstraat, which ends at the western end of the Parc du Cinquantenaire/Jubelpark, running from Merode station in the west, connecting with Marshal Montgomery Square, passing through the municipality of Woluwe-Saint-Pierre and the Ring at /, and finishing at the park in Tervuren. A tunnel starting just west of the Robert Schuman Roundabout takes the Rue de la Loi's main lane under the Cinquantenaire (with a short uncovered section in the centre of the park), and emerges at Merode as the Avenue de Tervueren's central lane. Tram route 44 follows a large portion of the Avenue de Tervueren, from Montgomery station all the way to Tervuren. For much of the distance, i ...
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Julieanna Preston
Julieanna Preston is a Professor of Spatial Practice at Massey University's College of Creative Arts in Wellington, New Zealand. Her practice draws from the disciplines of architecture, art and philosophy, and her background in interior design, building construction, landscape gardening and performance writing. Practice Preston's work explores concepts of "vitality, agency, and hospitality". Her work includes site-specific durational performances and written publication in areas such as feminist philosophy, new materialism and spatial politics. Career Preston gained a BArch from Virginia Tech in 1983 and an MArch from Cranbrook Academy of Art in Michigan in 1990. She has a PhD (by practice) from RMIT, where her thesis, entitled ''Inertia: of interior, surface, matter'' and completed in 2013, explored the interior surface. From 2015 to 2018 she was Research Coordinator for the School of Design at Massey University. She was a board member of The Architectural Centre Inc. in Wel ...
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Villa Empain
The Villa Empain is a former private residence in Brussels, Belgium, which currently serves as a cultural centre and exhibition space. Built in 1930–1934 in Art Deco style by the Swiss-Belgian architect , the villa was commissioned by Baron Louis Empain, son of the industrialist Édouard Empain. It subsequently served as offices and an embassy before falling into disuse. After a restoration from 2009 to 2011, it was opened to the public by the Boghossian Foundation. History Design and construction Baron Louis Empain (1908–1976) was the second son of Édouard Empain (1852–1929), a respected Belgian industrialist who had spent much of his career in Egypt. In 1930, Louis commissioned the Swiss-Belgian architect to build a large house in Art Deco style on the edge of the Bois de la Cambre/Ter Kamerenbos, in the emerging southern suburbs of Brussels, on what was then known as the / (now the Avenue Franklin Roosevelt/Franklin Rooseveltlaan). Built between 1930 and 1934, th ...
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Museum Für Angewandte Kunst Wien
The MAK – Museum of Applied Arts (German: ''Museum für angewandte Kunst'') is an arts and crafts museum located at Stubenring 5 in Vienna's 1st district Innere Stadt. Besides its traditional orientation towards arts and crafts and design, the museum especially focuses on architecture and contemporary art. The museum has been at its current location since 1871. Since 2004 the building is illuminated in the evenings by the permanent outdoor installation "MAKlite" of American artist James Turrell. In 2015 the MAK became the first museum to use bitcoin to acquire art, when it purchased the screensaver "Event listeners" of van den Dorpel. With over 300.000 objects displayed online, the MAK presents the largest online collection within the Austrian Federal Museums. The audio guide to this museum is provided as a web-based app. History On 7 March 1863, the ''Imperial Royal Austrian Museum of Art and Industry'' - today's MAK—was founded by Emperor Franz Joseph I. Rudolf von Eitelb ...
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Leopold Forstner
Leopold Forstner (2 November 1878 in Bad Leonfelden, Upper Austria – 5 November 1936 in Stockerau) was an artist who was part of the Viennese Secession movement, working in the Jugendstil style, focusing particularly on the mosaic as a form. Biography Forstner was the only son of Franz Forstner, a carpenter, and his wife Anna. He completed his primary education in Leonfelden, before completing his education in Linz. Through his uncle Anton Forstner he was able to be released from an apprenticeship in glass painting and mosaic installation in Innsbruck and instead studied at the University of Applied Arts in Vienna. There, he studied under Karl Karger and Koloman Moser. Moser would go on to mentor Forstner. After the end of his studies in Vienna, Forstner would go on to study at the Academy of Fine Arts in Munich, under Ludwig von Herterich. Although his studies in Munich ran from 1902 to 1903, Forstner had begun to work as an artist, painter and illustrator from 1901. In ...
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Stoclet Frieze
The ''Stoclet Frieze'' is a series of three mosaics created by the Austrian painter Gustav Klimt for a 1905-1911 commission for the Stoclet Palace in Brussels, Belgium. The panels depict swirling ''Tree of life'', a standing female figure and an embracing couple. Commission and display The mosaics form a part of a larger commission by the Belgian financier Adolphe Stoclet and his wife Suzanne. The Stoclets hired the architect Josef Hoffmann and the Wiener Werkstätte artistic collective (‘Viennese Workshop’) to design, decorate and furnish a spacious mansion with formal gardens. The pair were avid art collectors with wide-ranging and eclectic tastes: their collection included work from many periods and cultures, from the Far East to the New World and included Egyptian sculpture, Chinese ceramics and jades, Byzantine icons and jewelry, miniatures from Persia and Armenia, as well as numerous Western medieval paintings.Warlick 1992, 119. The diverse tastes of his patrons cor ...
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Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or Dolomite (mineral), dolomite. Marble is typically not Foliation (geology), foliated (layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. Marble is commonly used for Marble sculpture, sculpture and as a building material. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shining stone", perhaps from the verb (), "to flash, sparkle, gleam"; Robert S. P. Beekes, R. S. P. Beekes has suggested that a "Pre-Greek origin is probable". This Stem (linguistics), stem is also the ancestor of the English language, English word "marmoreal," meaning "marble-like." While the English term "marble" resembles the French language, French , most other European languages (with words like "marmoreal") more closely resemb ...
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Wiener Werkstätte
The Wiener Werkstätte (engl.: ''Vienna Workshop''), established in 1903 by the graphic designer and painter Koloman Moser, the architect Josef Hoffmann and the patron Fritz Waerndorfer, was a productive association in Vienna, Austria that brought together architects, artists, designers and artisans working in ceramics, fashion, silver, furniture and the graphic arts. The Workshop was "dedicated to the artistic production of utilitarian items in a wide range of media, including metalwork, leatherwork, bookbinding, woodworking, ceramics, postcards and graphic art, and jewelry." It is regarded as a pioneer of modern design, and its influence can be seen in later styles such as Bauhaus and Art Deco. Following World War I, the workshop was beset by financial troubles and material shortages. Attempts to expand the workshop's base were unsuccessful, as was a reorganization under the direction of Austrian artist Philipp Häusler. In 1926, Workshop financier Otto Primavesi's bank faile ...
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Art Nouveau
Art Nouveau (; ) is an international style of art, architecture, and applied art, especially the decorative arts. The style is known by different names in different languages: in German, in Italian, in Catalan, and also known as the Modern Style (British Art Nouveau style), Modern Style in English. It was popular between 1890 and 1910 during the Belle Époque period, and was a reaction against the academic art, eclecticism and historicism of 19th century architecture and decoration. It was often inspired by natural forms such as the sinuous curves of plants and flowers. Other characteristics of Art Nouveau were a sense of dynamism and movement, often given by asymmetry or whiplash lines, and the use of modern materials, particularly iron, glass, ceramics and later concrete, to create unusual forms and larger open spaces.Sembach, Klaus-Jürgen, ''L'Art Nouveau'' (2013), pp. 8–30 One major objective of Art Nouveau was to break down the traditional distinction between fine ...
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Eaves
The eaves are the edges of the roof which overhang the face of a wall and, normally, project beyond the side of a building. The eaves form an overhang to throw water clear of the walls and may be highly decorated as part of an architectural style, such as the Chinese dougong bracket systems. Etymology and usage According to the ''Oxford English Dictionary'', ''eaves'' is derived from the Old English (singular), meaning "edge", and consequently forms both the singular and plural of the word. This Old English word is itself of Germanic origin, related to the German dialect ''Obsen'', and also probably to ''over''. The Merriam-Webster dictionary lists the word as ''eave'' but notes that it is "usually used in plural". Function The primary function of the eaves is to keep rain water off the walls and to prevent the ingress of water at the junction where the roof meets the wall. The eaves may also protect a pathway around the building from the rain, prevent erosion of the footin ...
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Preparatory Design - Klimt - Stoclet Palace
Preparatory school or prep school may refer to: Schools *Preparatory school (United Kingdom), an independent school preparing children aged 8–13 for entry into fee-charging independent schools, usually public schools *College-preparatory school, in the United States, a high or secondary school, either private or public, preparing students aged 14–18 for higher education at an elite college or university *''Classe préparatoire aux grandes écoles'', two-years’ intensive higher-education schooling when French students prepare to enter top-level schools (engineering, commerce, research, politics, etc.) via competitive examinations Media * '' Prep School'', a 2015 American coming of age drama film, starring Carly Schroeder. See also *Preschool, an establishment offering early childhood education before primary school * Prepper (other) A prepper engages in survivalism, a movement who actively prepare for emergencies, including possible disruptions in social or politica ...
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UNESCO World Heritage Centre
A World Heritage Site is a landmark or area with legal protection by an international convention administered by the United Nations Educational, Scientific and Cultural Organization (UNESCO). World Heritage Sites are designated by UNESCO for having cultural, historical, scientific or other form of significance. The sites are judged to contain "cultural and natural heritage around the world considered to be of outstanding value to humanity". To be selected, a World Heritage Site must be a somehow unique landmark which is geographically and historically identifiable and has special cultural or physical significance. For example, World Heritage Sites might be ancient ruins or historical structures, buildings, cities, deserts, forests, islands, lakes, monuments, mountains, or wilderness areas. A World Heritage Site may signify a remarkable accomplishment of humanity, and serve as evidence of our intellectual history on the planet, or it might be a place of great natural beauty. As ...
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