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Stoclet Frieze Right
The Stoclet Palace (french: Palais Stoclet, nl, Stocletpaleis) is a mansion in Brussels, Belgium. It was designed by the Austrian architect Josef Hoffmann for the Belgian financier Adolphe Stoclet. Built between 1905 and 1911 in the Vienna Secession style, it is located at 279–281, Avenue de Tervueren/Tervurenlaan, in the Woluwe-Saint-Pierre municipality of Brussels. Considered Hoffman's masterpiece, the residence is one of the 20th century's most refined and luxurious private houses. The sumptuous dining and music rooms of the Stoclet Palace exemplified the theatrical spaces of the ''Gesamtkunstwerk'' ("total work of art"), celebrating sight, sound, and taste in a symphony of sensual harmonies that paralleled the operas of Richard Wagner, from whom the concept originated. In his designs for the Stoclet Palace, Hoffmann was particularly attuned to fashion and to the Viennese identity of the new style of interior, even designing a dress for Madame Stoclet so that she would no ...
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Avenue De Tervueren
The () or () is a major thoroughfare in Brussels, Belgium. It was originally commissioned by King Leopold II as part of his building campaign, and was finished in 1897, in time for the Brussels International Exhibition of that year. Geographically, the Avenue de Tervueren forms a continuation of the Rue de la Loi/Wetstraat, which ends at the western end of the Parc du Cinquantenaire/Jubelpark, running from Merode station in the west, connecting with Marshal Montgomery Square, passing through the municipality of Woluwe-Saint-Pierre and the Ring at /, and finishing at the park in Tervuren. A tunnel starting just west of the Robert Schuman Roundabout takes the Rue de la Loi's main lane under the Cinquantenaire (with a short uncovered section in the centre of the park), and emerges at Merode as the Avenue de Tervueren's central lane. Tram route 44 follows a large portion of the Avenue de Tervueren, from Montgomery station all the way to Tervuren. For much of the distance, i ...
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Julieanna Preston
Julieanna Preston is a Professor of Spatial Practice at Massey University's College of Creative Arts in Wellington, New Zealand. Her practice draws from the disciplines of architecture, art and philosophy, and her background in interior design, building construction, landscape gardening and performance writing. Practice Preston's work explores concepts of "vitality, agency, and hospitality". Her work includes site-specific durational performances and written publication in areas such as feminist philosophy, new materialism and spatial politics. Career Preston gained a BArch from Virginia Tech in 1983 and an MArch from Cranbrook Academy of Art in Michigan in 1990. She has a PhD (by practice) from RMIT, where her thesis, entitled ''Inertia: of interior, surface, matter'' and completed in 2013, explored the interior surface. From 2015 to 2018 she was Research Coordinator for the School of Design at Massey University. She was a board member of The Architectural Centre Inc. in Wel ...
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Villa Empain
The Villa Empain is a former private residence in Brussels, Belgium, which currently serves as a cultural centre and exhibition space. Built in 1930–1934 in Art Deco style by the Swiss-Belgian architect , the villa was commissioned by Baron Louis Empain, son of the industrialist Édouard Empain. It subsequently served as offices and an embassy before falling into disuse. After a restoration from 2009 to 2011, it was opened to the public by the Boghossian Foundation. History Design and construction Baron Louis Empain (1908–1976) was the second son of Édouard Empain (1852–1929), a respected Belgian industrialist who had spent much of his career in Egypt. In 1930, Louis commissioned the Swiss-Belgian architect to build a large house in Art Deco style on the edge of the Bois de la Cambre/Ter Kamerenbos, in the emerging southern suburbs of Brussels, on what was then known as the / (now the Avenue Franklin Roosevelt/Franklin Rooseveltlaan). Built between 1930 and 1934, th ...
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Museum Für Angewandte Kunst Wien
The MAK – Museum of Applied Arts (German: ''Museum für angewandte Kunst'') is an arts and crafts museum located at Stubenring 5 in Vienna's 1st district Innere Stadt. Besides its traditional orientation towards arts and crafts and design, the museum especially focuses on architecture and contemporary art. The museum has been at its current location since 1871. Since 2004 the building is illuminated in the evenings by the permanent outdoor installation "MAKlite" of American artist James Turrell. In 2015 the MAK became the first museum to use bitcoin to acquire art, when it purchased the screensaver "Event listeners" of van den Dorpel. With over 300.000 objects displayed online, the MAK presents the largest online collection within the Austrian Federal Museums. The audio guide to this museum is provided as a web-based app. History On 7 March 1863, the ''Imperial Royal Austrian Museum of Art and Industry'' - today's MAK—was founded by Emperor Franz Joseph I. Rudolf von Eitelb ...
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Leopold Forstner
Leopold Forstner (2 November 1878 in Bad Leonfelden, Upper Austria – 5 November 1936 in Stockerau) was an artist who was part of the Viennese Secession movement, working in the Jugendstil style, focusing particularly on the mosaic as a form. Biography Forstner was the only son of Franz Forstner, a carpenter, and his wife Anna. He completed his primary education in Leonfelden, before completing his education in Linz. Through his uncle Anton Forstner he was able to be released from an apprenticeship in glass painting and mosaic installation in Innsbruck and instead studied at the University of Applied Arts in Vienna. There, he studied under Karl Karger and Koloman Moser. Moser would go on to mentor Forstner. After the end of his studies in Vienna, Forstner would go on to study at the Academy of Fine Arts in Munich, under Ludwig von Herterich. Although his studies in Munich ran from 1902 to 1903, Forstner had begun to work as an artist, painter and illustrator from 1901. In ...
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Stoclet Frieze
The ''Stoclet Frieze'' is a series of three mosaics created by the Austrian painter Gustav Klimt for a 1905-1911 commission for the Stoclet Palace in Brussels, Belgium. The panels depict swirling ''Tree of life'', a standing female figure and an embracing couple. Commission and display The mosaics form a part of a larger commission by the Belgian financier Adolphe Stoclet and his wife Suzanne. The Stoclets hired the architect Josef Hoffmann and the Wiener Werkstätte artistic collective (‘Viennese Workshop’) to design, decorate and furnish a spacious mansion with formal gardens. The pair were avid art collectors with wide-ranging and eclectic tastes: their collection included work from many periods and cultures, from the Far East to the New World and included Egyptian sculpture, Chinese ceramics and jades, Byzantine icons and jewelry, miniatures from Persia and Armenia, as well as numerous Western medieval paintings.Warlick 1992, 119. The diverse tastes of his patrons cor ...
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