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Stile Littorio
{{refimprove, date=December 2020 Stile Littorio denotes an architectural language developed in Italy in the 1930s and featured in a large number of public buildings commissioned by the Fascist regime until its fall. The emergence of Stile Littorio is closely linked to the development of a fascist architectural policy in which, through the direct and indirect influence of the fascist institutions up to Mussolini himself, a formally exemplary, emphasized and dogmatic architectural language, ultimately monumental, had to be promoted, to express the greatness and historical dimension claimed by the regime. In the history of Italian architecture, the term Stile Littorio refers to those buildings and urban spaces from the fascist period which were built in "mostly rhetorical and monumental forms". It denotes a simplified architecture, decidedly classicistic in its perpetual use of the ancient Roman building heritage. This way of designing architecture, characterized by the combina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Degli Uffici Eur Roma
A palace is a grand residence, especially a royal residence, or the home of a head of state or some other high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome which housed the Imperial residences. Most European languages have a version of the term (''palais'', ''palazzo'', ''palacio'', etc.), and many use it for a wider range of buildings than English. In many parts of Europe, the equivalent term is also applied to large private houses in cities, especially of the aristocracy; often the term for a large country house is different. Many historic palaces are now put to other uses such as parliaments, museums, hotels, or office buildings. The word is also sometimes used to describe a lavishly ornate building used for public entertainment or exhibitions such as a movie palace. A palace is distinguished from a castle while the latter clearly is fortified or has the style of a fortification, whereas a pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monumentalism
{{unreferenced, date=March 2020 Monumentalism defines the architectural tendencies that during the first half of the twentieth century had as their essential canon the inspiration and connection to classicism and neoclassicism. Critics divide this architecture into two streams: Neo-Baroque and Simplified Neoclassicism. Neo-Baroque Neo-Baroque (Baroque Revival) shows a return to the eighteenth century with the proportion of orders becoming gigantic, enriched with ornamental friezes. It is the public architecture of the Soviet Union with the various buildings of the central party committees in Leningrad as in Kiev. The scenographic vision of the architectural space, which is to celebrate the regime, takes over on the planimetric composition of the buildings. Simplified Neoclassicism Simplified Neoclassicism, also called Novecento Italiano style, is linked to the classical architectural culture, but lightens its elements and architectural details, removing or simplifying ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stripped Classicism
Stripped Classicism (or "Starved Classicism" or "Grecian Moderne") Jstor is primarily a 20th-century Classical architecture, classicist architectural style stripped of most or all Ornament (art), ornamentation, frequently employed by governments while designing official buildings. It was adapted by both totalitarian and democracy, democratic regimes. The style embraces a "simplified but recognizable" classicism in its overall massing and scale while eliminating traditional decorative detailing. The orders of architecture are only hinted at or are indirectly implicated in the form and structure. Despite its etymological similarity, Stripped Classicism is sometimes distinguished from "Starved Classicism", the latter "displaying little feeling for rules, proportions, details, and finesse, and lacking all verve and élan". At other times the terms "stripped" and "starved" are used interchangeably. Stripped Classicism was a materialistic manifestation of 'political' modernism. Rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Novecento Italiano
Novecento Italiano () was an Italian artistic movement founded in Milan in 1922 to create an art based on the rhetoric of the fascism of Benito Mussolini, Mussolini. History Novecento Italiano was founded by Anselmo Bucci (1887–1955), Leonardo Dudreville (1885–1975), Achille Funi, Gian Emilio Malerba (1880–1926), Piero Marussig, Pietro Marussig, Ubaldo Oppi, and Mario Sironi. Motivated by a post-war "Return to order, call to order", they were brought together by Lino Pesaro, a gallery owner interested in modern art, and Margherita Sarfatti, a writer and art critic who worked on Italian dictator Benito Mussolini, Benito Mussolini's newspaper, ''Il Popolo d'Italia, The People of Italy'' (''Il Popolo d'Italia''). Sarfatti was also Mussolini's mistress. The movement was officially launched in 1923 at an exhibition in Milan, with Mussolini as one of the speakers. The group was represented at the Venice Biennale of 1924 in a gallery of its own, with the exception of Oppi, who exhi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Fascist Party
The National Fascist Party ( it, Partito Nazionale Fascista, PNF) was a political party in Italy, created by Benito Mussolini as the political expression of Italian Fascism and as a reorganization of the previous Italian Fasces of Combat. The party ruled the Kingdom of Italy from 1922 when Fascists took power with the March on Rome until the fall of the Fascist regime in 1943, when Mussolini was deposed by the Grand Council of Fascism. It was succeeded, in the territories under the control of the Italian Social Republic, by the Republican Fascist Party, ultimately dissolved at the end of World War II. The National Fascist Party was rooted in Italian nationalismStanley G. Payne. A History of Fascism, 1914–1945. p. 106.Roger Griffin, "Nationalism" in Cyprian Blamires, ed., ''World Fascism: A Historical Encyclopedia'', vol. 2 (Santa Barbara, California: ABC-CLIO, 2006), pp. 451–53. and the desire to restore and expand Italian territories, which Italian Fascists deemed nece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saverio Palozzi
Saverio is a given name of Italian origin. It is a cognate of Xavier and Javier, both of which originate from ''Xabier'', the Basque name for the Spanish town Javier. ''Xabier'' is itself the romanization of ''etxe berri'' meaning "new house" or "new home". Retrieved 28 October 2015 People ; Given name *Sav Rocca (Saverio Giovanni Rocca) (born 1973), Australian professional American football player in the USA *Saverio Bettinelli (1718–1808), Italian writer * Saverio Costanzo (born 1975), Italian film director *Saverio Fava (1832–1913), first Italian ambassador to the USA *Saverio Gandini (1729–1796), Italian painter of the late-Baroque and Neoclassic periods *Saverio Mammoliti (born 1942), Italian 'Ndrangheta boss from Oppido Mamertina and Castellace in Calabria *Saverio Mercadante (1795–1870), Italian composer ; Middle name *Francesco Saverio Romano Francesco Saverio Romano (born 24 December 1964) is an Italian politician and lawyer. He served as the minister of agric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rationalism (architecture)
In architecture, Rationalism is an architectural current which mostly developed from Italy in the 1920s and 1930s. Vitruvius had claimed in his work ''De architectura'' that architecture is a science that can be comprehended rationally. The formulation was taken up and further developed in the architectural treatises of the Renaissance. Eighteenth-century progressive art theory opposed the Baroque use of illusionism with the classic beauty of truth and reason. Twentieth-century Rationalism derived less from a special, unified theoretical work than from a common belief that the most varied problems posed by the real world could be resolved by reason. In that respect, it represented a reaction to Historicism and a contrast to Art Nouveau and Expressionism. The term ''Rationalism'' is commonly used to refer to the wider International Style. Enlightenment rationalism The name Rationalism is retroactively applied to a movement in architecture that came about during the Age of Enli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasces
Fasces ( ; ; a ''plurale tantum'', from the Latin word ''fascis'', meaning "bundle"; it, fascio littorio) is a bound bundle of wooden rods, sometimes including an axe (occasionally two axes) with its blade emerging. The fasces is an Italian symbol that had its origin in the Etruscan civilization and was passed on to ancient Rome, where it symbolized a magistrate's power and jurisdiction. The axe originally associated with the symbol, the Labrys (Greek: , ') the double- bitted axe, originally from Crete, is one of the oldest symbols of Greek civilization. To the Romans, it was known as a ''bipennis''. The image has survived in the modern world as a representation of magisterial or collective power, law, and governance. The fasces frequently occurs as a charge in heraldry: it is present on the reverse of the U.S. Mercury dime coin and behind the podium in the United States House of Representatives; and it was the origin of the name of the National Fascist Party in Italy (from which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classicism
Classicism, in the arts, refers generally to a high regard for a classical period, classical antiquity in the Western tradition, as setting standards for taste which the classicists seek to emulate. In its purest form, classicism is an aesthetic attitude dependent on principles based in the culture, art and literature of ancient Greece and Rome, with the emphasis on form, simplicity, proportion, clarity of structure, perfection, restrained emotion, as well as explicit appeal to the intellect. The art of classicism typically seeks to be formal and restrained: of the ''Discobolus'' Sir Kenneth Clark observed, "if we object to his restraint and compression we are simply objecting to the classicism of classic art. A violent emphasis or a sudden acceleration of rhythmic movement would have destroyed those qualities of balance and completeness through which it retained until the present century its position of authority in the restricted repertoire of visual images." Classicism, as Cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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