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Steven Lubin
Steven Lubin (born 1942 in Brooklyn) is an American pianist and musical scholar. He is best known for his performances on the fortepiano, the early version of the piano. Studies Lubin studied piano with Lisa Grad, Nadia Reisenberg, Seymour Lipkin, Rosina Lhévinne and Beveridge Webster, and viola with Florence Nicolaides. He attended New York's Music & Art High School; graduated from Harvard College, majoring in philosophy; he earned a master's degree in piano at the Juilliard School; and he completed his Ph.D. in musicology at New York University, where he wrote a dissertation entitled ''"Techniques for the Analysis of Development in Middle-Period Beethoven."'' Period performance A subspecialty of Lubin's is his approach to performing the keyboard works of the Viennese Classical composers (Mozart, Haydn, Beethoven and Schubert) on replicas of the historic instruments actually used by the composers. Such instruments are often generically called fortepianos. In the 1960 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fortepiano
A fortepiano , sometimes referred to as a pianoforte, is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1698 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments for which composers of the Classical era, especially Haydn, Mozart, and the younger Beethoven wrote their piano music. Starting in Beethoven's time, the fortepiano began a period of steady evolution, culminating in the late 19th century with the modern grand. The earlier fortepiano became obsolete and was absent from the musical scene for many decades. In the 20th century the fortepiano was revived, following the rise of interest in historically informed performance. Fortepianos are built for this purpose in specialist workshops. Construction The fortepiano has leather-covered hammers and thin, harpsichord-like strings. It has a much lighter case ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Hampshire
New Hampshire is a U.S. state, state in the New England region of the northeastern United States. It is bordered by Massachusetts to the south, Vermont to the west, Maine and the Gulf of Maine to the east, and the Canadian province of Quebec to the north. Of the 50 U.S. states, New Hampshire is the List of U.S. states and territories by area, fifth smallest by area and the List of U.S. states and territories by population, tenth least populous, with slightly more than 1.3 million residents. Concord, New Hampshire, Concord is the state capital, while Manchester, New Hampshire, Manchester is the largest city. New Hampshire's List of U.S. state mottos, motto, "Live Free or Die", reflects its role in the American Revolutionary War; its state nickname, nickname, "The Granite State", refers to its extensive granite formations and quarries. It is well known nationwide for holding New Hampshire primary, the first primary (after the Iowa caucus) in the United States presidential election ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Lerdahl
Alfred Whitford (Fred) Lerdahl (born March 10, 1943, in Madison, Wisconsin) is the Fritz Reiner Professor Emeritus of Musical Composition at Columbia University, and a composer and music theorist best known for his work on musical grammar and cognition, rhythmic theory, pitch space, and cognitive constraints on compositional systems. He has written many orchestral and chamber works, three of which were finalists for the Pulitzer Prize for Music: ''Time after Time'' in 2001, String Quartet No. 3 in 2010, and ''Arches'' in 2011. Life Lerdahl studied with James Ming at Lawrence University, where he earned his BMus in 1965, and with Milton Babbitt, Edward T. Cone, and Earl Kim at Princeton University, where he earned his MFA in 1967. At Tanglewood he studied with Arthur Berger in 1964 and Roger Sessions in 1966. He then studied with Wolfgang Fortner at the Hochschule für Musik in Freiburg/Breisgau in 1968–69, on a Fulbright Scholarship. From 1991 to 2018 Lerdahl was Fritz Reine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Cohn
Richard Cohn (born 1955) is a music theorist and Battell Professor of Music Theory at Yale. He was previously chair of the department of music at the University of Chicago. Early in his career, he specialized in the music of Béla Bartók, but more recently has written about Neo-Riemannian theory, metric dissonance, equal divisions of the octave, and chromatic harmony. In 1994, he won the Society for Music Theory's Outstanding Publication Award for his article, "Transpositional Combination of Beat-Class Sets in Steve Reich’s Phase-Shifting Music," and he won it again in 1997 for "Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions." Cohn was the founding editor (2004–14) of ''Oxford Studies in Music Theory'', and is the current editor of ''Journal of Music Theory The ''Journal of Music Theory'' is a peer-reviewed academic journal specializing in music theory and analysis. It was established by David Kraehenbuehl (Yale Univer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modulatory Space
The spaces described in this article are pitch class spaces which model the relationships between pitch classes in some musical system. These models are often graphs, groups or lattices. Closely related to pitch class space is pitch space, which represents pitches rather than pitch classes, and chordal space, which models relationships between chords. Circular pitch class space The simplest pitch space model is the real line. In the MIDI Tuning Standard, for example, fundamental frequencies ''f'' are mapped to numbers ''p'' according to the equation : p = 69 + 12\log_2 This creates a linear space in which octaves have size 12, semitones (the distance between adjacent keys on the piano keyboard) have size 1, and A440 is assigned the number 69 (meaning middle C is assigned the number 60). To create circular pitch class space we identify or "glue together" pitches ''p'' and ''p'' + 12. The result is a continuous, circular pitch class space that mathematicians call Z/12Z. Ci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anca Nicolau
ANCA or Anca may refer to: * Anca (name), Romanian female first name * Áncá language * Ançã (Cantanhede), civil parish in Portugal * Ançã, town in Portugal Organization * Australian Nature Conservation Agency, now Environment Australia * Antarctic Names Committee of Australia * Armenian National Committee of America Business * ANCA (company), Australian manufacturing company Science * Anti-neutrophil cytoplasmic antibody, proteins detected in a number of autoimmune disorders * C-ANCA c-ANCAs, or PR3-ANCA, or Anti-neutrophil cytoplasmic antibody, antineutrophil cytoplasmic antibodies, are a type of autoantibody, an antibody produced by the body that acts against one of its own proteins. These antibodies show a diffusely granula ..., a type of autoantibody See also * Anka (other) {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Myron Lutzke
Myron of Eleutherae ( grc, Μύρων, ''Myrōn'' ), working c. 480–440 BC, was an Athenian sculptor from the mid-5th century BC. He was born in Eleutherae on the borders of Boeotia and Attica. According to Pliny's '' Natural History'', Ageladas of Argos was his teacher. None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman. Reputation Myron worked almost exclusively in bronze and his fame rested principally upon his representations of athletes (including his iconic ''Diskobolos''), in which he made a revolution, according to commentators in Antiquity, by introducing greater boldness of pose and a more perfect rhythm, subordinating the parts to the whole. Pliny's remark that Myron's works were ''numerosior'' than those of Polycleitus and "more diligent" seem to suggest that they were considered more harmonious in proportions (''numeri'') and at the same time more convincing in realism: ''dilige ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Ritchie
Stanley Ritchie, an Australian violinist born in 1935, is a Distinguished Professor Emeritus of Violin at Jacobs School of Music, Indiana University Indiana University (IU) is a system of public universities in the U.S. state of Indiana. Campuses Indiana University has two core campuses, five regional campuses, and two regional centers under the administration of IUPUI. *Indiana Universit .... A noted specialist in historical performance, Ritchie is author of two relevant books, ‘Before the Chinrest - A Violinist’s Guide to the Mysteries of Pre-Chinrest Technique and Style’ (2012) and 'The Accompaniment in "Unaccompanied" Bach - Interpreting the Sonatas and Partitas for Solo Violin' (2016), both published by Indiana University Press. His interest in Historical Performance dates from 1960 when taking a course in Performance Practice at Yale University, and in Baroque violin from 1970 when he and harpsichordist Albert Fuller began performing together in New York. In 1974 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christopher Hogwood
Christopher Jarvis Haley Hogwood (10 September 194124 September 2014) was an English conductor, harpsichordist, writer, and musicologist. Founder of the early music ensemble the Academy of Ancient Music, he was an authority on historically informed performance and a leading figure in the early music revival of the late 20th century. Early life and education Born in Nottingham, Hogwood went to The Skinners' School, Royal Tunbridge Wells, and then studied Music and Classics at Pembroke College, Cambridge, graduating in 1964. He went on to study performance and conducting under Raymond Leppard, Mary Potts and Thurston Dart, and later with Rafael Puyana and Gustav Leonhardt. He also studied in Prague with Zuzana Ruzickova for a year, under a British Council scholarship. Career In 1967, Hogwood co-founded the Early Music Consort with David Munrow. In 1973 he founded the Academy of Ancient Music, which specializes in performances of Baroque and Classical music using period instrum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Academy Of Ancient Music
The Academy of Ancient Music (AAM) is a British period-instrument orchestra based in Cambridge, England. Founded by harpsichordist Christopher Hogwood in 1973, it was named after an 18th-century organisation of the same name (originally the Academy of Vocal Music). The musicians play on either original instruments from the period when the music was composed or modern copies of such instruments. They generally play Baroque and Classical music, though they have also played some new compositions for baroque orchestra in recent years. The AAM's current Music Director is Laurence Cummings, who took over the post from Richard Egarr at the beginning of the 2021-2022 season. Original organisation The original Academy of Vocal Music was founded in London, England in 1725/26 (the Gregorian date of the inaugural meeting was 1 February 1726). Records of the purpose of the academy no longer exist, but according to John Hawkins in 1770, it was intended to "promote the study and practice o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the university press of the University of Oxford. It is the largest university press in the world, and its printing history dates back to the 1480s. Having been officially granted the legal right to print books by decree in 1586, it is the second oldest university press after Cambridge University Press. It is a department of the University of Oxford and is governed by a group of 15 academics known as the Delegates of the Press, who are appointed by the vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, opposite Somerville College, in the inner suburb of Jericho. For the last 500 years, OUP has primarily focused on the publication of pedagogical texts and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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