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Steve Anderson (music)
Stephen John Anderson (born 1969 in Southend) is a British musician, songwriter and record producer, best known for his work with Kylie Minogue on her tours and albums. He has also worked on songs and albums for many recording artists such as Britney Spears, Westlife, Christophe Willem, Judie Tzuke and Susan Boyle. Life and career Early years – Brothers in Rhythm Remixes and releases Steve Anderson began his musical career at DMC Studios as one half of remix/production team Brothers in Rhythm with Dave Seaman. They went on to work with artists including Michael Jackson, David Bowie, Janet Jackson, Sting and Paul McCartney. Anderson's role at DMC was initially as an apprentice or, as he described it, "tea-boy creating some mixes for their subscription service". Anderson's first remix for Kylie Minogue under the DMC label was her 1990 disco single "Step Back In Time". Though this remix was not officially serviced, it has been suggested that it later provided inspiratio ...
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Step Back In Time
"Step Back in Time" is a song by Australian singer Kylie Minogue from her third studio album, '' Rhythm of Love'' (1990). It was released as the album's second single on 22 October 1990, and distributed by PWL and Mushroom as a CD single, cassette tape and 12-inch and 7-inch singles. The track was written, arranged, and produced by Mike Stock, Matt Aitken, Pete Waterman, who are collectively known as Stock Aitken and Waterman, and was recorded in London, United Kingdom. Musically, it is a disco song that lyrically pays tribute to 1970s' culture. "Step Back in Time" received positive reviews from music critics. Some had selected the single as one of Minogue's best work, and many complimented the backing track and production. Commercially, the single experienced success in regions such as Australia, United Kingdom, Finland, and Ireland, whilst peaking inside the top 40 in countries like France, New Zealand, and Switzerland. However, it was only certified Gold by the Australi ...
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Confide In Me
"Confide in Me" is a song recorded by Australian singer Kylie Minogue, taken from her Kylie Minogue (album), self-titled fifth studio album (1994). It was released as the album's lead single on 29 August 1994 by Deconstruction Records, Deconstruction, Imago Records, Imago, and Mushroom Records. The track was written by Steve Anderson (musician), Steve Anderson, Dave Seaman, and Edward Barton (musician), Owain Barton, whilst production was handled by British trio Brothers in Rhythm. It was recorded in London, United Kingdom at DMC and Sarm West Studios. Musically, it is a Pop music, pop song that incorporates elements of indie music, trip hop, and Middle Eastern music, Middle Eastern instrumentation such as strings and percussion, whilst the lyrical content talks about Minogue's earnest of seduction and manipulating people to confide into her. Upon its release, "Confide in Me" received critical acclaim from Music journalism, music critics. Several critics selected the track as a ...
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Deconstruction Records
Deconstruction Records is a British record label founded in 1987 by Pete Hadfield and Keith Blackhurst, together with Mike Pickering of M People. According to ''DJ Magazine'' it is "best remembered for marrying underground credibility and diversity with an open-minded attitude towards pop". Artists It initially specialised in house anthems such as K Klass's "Rhythm Is a Mystery" and Bassheads' "Is There Anybody Out There?", as well as M People's output, but also had a record in promoting underground dance acts such as Dave Clarke. Hits included Robert Miles' UK No. 2 hit "Children", Felix's twice UK top ten hit "Don't You Want Me" and Italian techno act U. S. U. R. A.'s UK No. 7 hit, "Open Your Mind". It was home to Kylie Minogue in the mid-late 1990s, when working with Saint Etienne, Brothers in Rhythm (who produced her single "Confide in Me"), and others. Among the other artists to record for the company were Guru Josh, Black Box, M People, Way Out West, Sasha, Jam Ma ...
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Take That
Take That are an English pop group formed in Manchester in 1990. The group currently consists of Gary Barlow, Howard Donald and Mark Owen. The original line-up also featured Jason Orange and Robbie Williams. Barlow is the group's lead singer and primary songwriter, with Owen and Williams initially providing backing vocals and Donald and Orange serving primarily as dancers. The group have had 28 top-40 singles and 17 top-5 singles on the UK Singles Chart, 12 of which have reached number one, including " Back for Good", " Never Forget", "Patience" and " Greatest Day". They have also had eight number-one albums on the UK Albums Chart. Internationally, the band have had 56 number one singles and 39 number-one albums. They have received eight Brit Awards—winning for Best British Group and Best British Live Act. In 2012 they received an Ivor Novello Award for Outstanding Contribution to British Music. According to the British Phonographic Industry (BPI), Take That has been certi ...
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Pet Shop Boys
The Pet Shop Boys are an English synth-pop duo formed in London in 1981. Consisting of primary vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 50 million records worldwide, and were listed as the most successful duo in UK music history in the 1999 edition of ''The Guinness Book of Records''. Three-time Brit Award winners and six-time Grammy nominees, since 1984 they have achieved 42 top 30 singles, 22 of these being top 10 hits on the UK Singles Chart, including four UK number ones: "West End Girls" (also number one on the US ''Billboard'' Hot 100), "It's a Sin", a synth-pop version of " Always on My Mind", and "Heart". Other hit songs include a cover of " Go West", and their own "Opportunities (Let's Make Lots of Money)", and " What Have I Done to Deserve This?" in a duet with Dusty Springfield. With five US top ten singles in the 1980s, they are associated with the Second British Invasion. At the 2009 Brit Awards in London, the Pet Shop Boys recei ...
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Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. However, in musical theatre, film music and other commercial media, it is customary to use orchestrators and arrangers to ...
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Rhythm Section
A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band. The rhythm section is often contrasted with the roles of other musicians in the band, such as the lead guitarist or lead vocals whose primary job is to carry the melody. The core elements of the rhythm section are usually the drum kit and bass. The drums and bass provide the basic pulse and groove of a song. The section is augmented by other instruments such as keyboard instruments and guitars that are used to play the chord progression upon which the song is based. The bass instrument (either double bass or electric bass guitar, or another low-register instrument, such as synth bass, depending on the group and its style of music) plays the low-pitched bassline. The bassline is a musical part that supports the chord progression, typically by playing ...
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Remix
A remix (or reorchestration) is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing in music and song recordings. Songs may be remixed for a large variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different audience * to alter a song for artistic purposes * to provide additional version ...
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Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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