Stereofidelic Font
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Stereofidelic Font
Stereofidelic is a sans-serif In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than seri ... typeface designed as a freeware display type by Ray Larabie in the late 1990s. Origin The Stereofidelic font is based on the lettering on a 1960s lounge record, which in turn is an altered version of grotesque sans-serif typefaces, with each letter rotated a small, random number of degrees and/or raised or lowered a small percentage from the baseline to give the appearance of randomness. The typeface is all-caps, with no lowercase letters. The designated uppercase and lowercase I are both dashed arrows, with the capital pointing upward and the lowercase pointing downward. The exclamation points are solid arrows. Stereofidelic was one of the early Larabie Fonts, most of which were given away f ...
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Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ...
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Display Type
A display typeface is a typeface that is intended for use at large sizes for headings, rather than for extended passages of body text. Display typefaces will often have more eccentric and variable designs than the simple, relatively restrained typefaces generally used for body text. They may take inspiration from other genres of lettering, such as handpainted signs, calligraphy or an aesthetic appropriate to their use, perhaps ornamented, exotic, abstracted or drawn in the style of a different writing system. Several genres of font are particularly associated with display setting, such as slab serif, script font, reverse-contrast and to a lesser extent sans serif. Walter Tracy defines display typefaces in the metal type sense as "sizes of type over 14 point" and in design that "text types when enlarged can be used for headings, display types, if reduced, cannot be used for text setting." Titling fonts are a subset of display typefaces which are typically used for headlines ...
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Ray Larabie
Raymond Larabie (born 1970) is a Canadian designer of TrueType and OpenType computer fonts. He owns Typodermic Fonts, which distributes both commercially licensed and shareware/freeware fonts. Biography and career Larabie was born in Ottawa, Ontario, Canada. He graduated from Sheridan College with a degree in classical animation. He moved to Nagoya, Japan in 2008; he maintains Canadian citizenship. Beginning in 1996, Larabie distributed his designs over the internet as freeware, operating as his own independent type foundry LarabieFonts. He released much of his Larabie Fonts library into the public domain in 2020 after he determined the designs were no longer of any commercial value. Larabie was employed at Rockstar Canada and had contributed his designs to multiple video game titles, including the hit series' ''Grand Theft Auto'' and ''Max Payne'', before he quit the company in 2002 to focus full-time on type design. Larabie primarily specializes in novelty typefaces that a ...
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Freeware
Freeware is software, most often proprietary, that is distributed at no monetary cost to the end user. There is no agreed-upon set of rights, license, or EULA that defines ''freeware'' unambiguously; every publisher defines its own rules for the freeware it offers. For instance, modification, redistribution by third parties, and reverse engineering are permitted by some publishers but prohibited by others. Unlike with free and open-source software, which are also often distributed free of charge, the source code for freeware is typically not made available. Freeware may be intended to benefit its producer by, for example, encouraging sales of a more capable version, as in the freemium and shareware business models. History The term ''freeware'' was coined in 1982 by Andrew Fluegelman, who wanted to sell PC-Talk, the communications application he had created, outside of commercial distribution channels. Fluegelman distributed the program via a process now termed '' shareware''. ...
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Stereofidelic Font
Stereofidelic is a sans-serif In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than seri ... typeface designed as a freeware display type by Ray Larabie in the late 1990s. Origin The Stereofidelic font is based on the lettering on a 1960s lounge record, which in turn is an altered version of grotesque sans-serif typefaces, with each letter rotated a small, random number of degrees and/or raised or lowered a small percentage from the baseline to give the appearance of randomness. The typeface is all-caps, with no lowercase letters. The designated uppercase and lowercase I are both dashed arrows, with the capital pointing upward and the lowercase pointing downward. The exclamation points are solid arrows. Stereofidelic was one of the early Larabie Fonts, most of which were given away f ...
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Sans-serif
In typography and lettering, a sans-serif, sans serif, gothic, or simply sans letterform is one that does not have extending features called "serifs" at the end of strokes. Sans-serif typefaces tend to have less stroke width variation than serif typefaces. They are often used to convey simplicity and modernity or minimalism. Sans-serif typefaces have become the most prevalent for display of text on computer screens. On lower-resolution digital displays, fine details like serifs may disappear or appear too large. The term comes from the French word , meaning "without" and "serif" of uncertain origin, possibly from the Dutch word meaning "line" or pen-stroke. In printed media, they are more commonly used for display use and less for body text. Before the term "sans-serif" became common in English typography, a number of other terms had been used. One of these outmoded terms for sans-serif was gothic, which is still used in East Asian typography and sometimes seen in typeface na ...
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Typeface
A typeface (or font family) is the design of lettering that can include variations in size, weight (e.g. bold), slope (e.g. italic), width (e.g. condensed), and so on. Each of these variations of the typeface is a font. There are list of typefaces, thousands of different typefaces in existence, with new ones being developed constantly. The art and craft of designing typefaces is called ''type design''. Designers of typefaces are called ''type designers'' and are often employed by ''type foundry, type foundries''. In desktop publishing, type designers are sometimes also called ''font developers'' or ''font designers''. Every typeface is a collection of glyphs, each of which represents an individual letter, number, punctuation mark, or other symbol. The same glyph may be used for character (symbol), characters from different scripts, e.g. Roman uppercase A looks the same as Cyrillic uppercase А and Greek uppercase alpha. There are typefaces tailored for special applications, s ...
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Freeware
Freeware is software, most often proprietary, that is distributed at no monetary cost to the end user. There is no agreed-upon set of rights, license, or EULA that defines ''freeware'' unambiguously; every publisher defines its own rules for the freeware it offers. For instance, modification, redistribution by third parties, and reverse engineering are permitted by some publishers but prohibited by others. Unlike with free and open-source software, which are also often distributed free of charge, the source code for freeware is typically not made available. Freeware may be intended to benefit its producer by, for example, encouraging sales of a more capable version, as in the freemium and shareware business models. History The term ''freeware'' was coined in 1982 by Andrew Fluegelman, who wanted to sell PC-Talk, the communications application he had created, outside of commercial distribution channels. Fluegelman distributed the program via a process now termed '' shareware''. ...
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Arrow (symbol)
An arrow is a graphical symbol, such as ← or →, or a pictogram, used to point or indicate direction. In its simplest form, an arrow is a triangle, chevron, or concave kite, usually affixed to a line segment or rectangle, and in more complex forms a representation of an actual arrow (e.g. ➵ U+27B5). The direction indicated by an arrow is the one along the length of the line or rectangle toward the single pointed end. History An older (medieval) convention is the manicule (pointing hand, 👈). Pedro Reinel in c. 1504 first used the fleur-de-lis as indicating north in a compass rose; the convention of marking the eastern direction with a cross is older (medieval). Use of the arrow symbol does not appear to pre-date the 18th century. An early arrow symbol is found in an illustration of Bernard Forest de Bélidor's treatise ''L'architecture hydraulique'', printed in France in 1737. The arrow is here used to illustrate the direction of the flow of water and of the wat ...
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Exclamation Point
The exclamation mark, , or exclamation point (American English), is a punctuation mark usually used after an interjection or exclamation to indicate strong feelings or to show emphasis. The exclamation mark often marks the end of a sentence, for example: "Watch out!". Similarly, a bare exclamation mark (with nothing before or after) is often used in warning signs. The exclamation mark is often used in writing to make a character seem as though they are shouting and/or excited/surprised. Other uses include: * In mathematics, it denotes the factorial operation. * Several computer languages use at the beginning of an expression to denote logical negation. For example, means "the logical negation of A", also called "not A". This usage has spread to ordinary language (e.g., "!clue" means no-clue or clueless). * Some languages use to denote a click consonant. History Graphically, the exclamation mark is represented by variations on the theme of a full stop point with a vertical l ...
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Grotesque Sans-serif Typefaces
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Grot ...
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