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Stephan Wittwer
Stephan Wittwer (born 1 March 1953 in Zurich) is a Swiss experimental musician, improvisor and composer. Earlier, his main instruments were electric and classical guitar, amplifier and recording studio, but at present, his instrument is computer. Biography As a child, Wittwer took piano lessons and learned guitar by self study. He started to play with the musicians of free jazz such as John Tchicai and Irène Schweizer, when he was a teenager. As a teenager, he worked also with Anton Bruhin, Hans Reichel, Paul Lovens and in a duet with Radu Malfatti. Much later, he started studying classical guitar. He was a member of Rüdiger Carl's quintet, Werner Lüdi's ''Sunnymoon'' and Red twist & Tuned Arrow. In duets, trios and projects, he played with Han Bennink, Donald Miller (Borbetomagus), Steve Lacy, Voice Crack, Pierre Favre, Dietmar Diesner, Alfred Harth, Paul Lytton, Butch Morris, Jim O'Rourke, Christian Marclay, John Zorn, Alex Buess (''16–17''), Peter Brötzmann, Will ...
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Butch Morris
Lawrence Douglas "Butch" Morris (February 10, 1947 – January 29, 2013) was an American cornetist, composer and conductor. He was known for pioneering his structural improvisation method, ''Conduction'', which he utilized on many recordings. Biography Morris was born in Long Beach, California, United States. Before beginning his musical career, he served in the U.S. Army as a medic in Germany, Japan and Vietnam during the Vietnam War. Morris came to attention with saxophonist David Murray's groups in the late 1970s and early 1980s. Morris's brother, double bassist Wilber Morris, sometimes performed and recorded with Murray during this period. Morris led a group called Orchestra SLANG. The group features Drummer Kenny Wollesen, alto saxophonist Jonathon Haffner, trumpeter Kirk Knuffke and others. He performed and presented regularly as part of the Festival of New Trumpet Music, held annually in New York City. Morris wrote most of the incidental music for the 1989 TV show, '' A M ...
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Trio (music)
In music, a trio (from the Italian language, Italian) is any of the following: * a composition for three performers or three Part (music), musical parts * in larger works, the middle section of a ternary form (so named because of the 17th-century practice of scoring the contrasting second or middle dance appearing between two statements of a principal dance for three instruments) * an ensemble of three instruments or voices performing trio compositions. Composition A trio is a composition for three performers or musical parts. Works include Baroque trio sonatas, choral works for three parts, and works for three instruments such as string trios. In the 17th and early 18th century, musical genre trio sonata two melodic instruments are accompanied by a basso continuo, making three Part (music), parts in all. Because the basso continuo is usually played by two instruments (typically a cello or bass viol and a keyboard instrument such as the harpsichord), performances of trio sonata ...
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Duet
A duet is a musical composition for two performers in which the performers have equal importance to the piece, often a composition involving two singers or two pianists. It differs from a harmony, as the performers take turns performing a solo section rather than performing simultaneously. A piece performed by two pianists performing together on the same piano is a "piano duet" or " piano four hands". A piece for two pianists performing together on separate pianos is a " piano duo". The term ''duet'' is also used as a verb for the act of performing a musical duet, or colloquially as a noun to refer to the performers of a duet. A musical ensemble with more than two solo instruments or voices is called trio, quartet, quintet, sextet, septet, octet, etc. History When Mozart was young, he and his sister Marianne played a duet of his composition at a London concert in 1765. The four-hand, described as a duet, was in many of his compositions which included five sonatas; a set o ...
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Free Jazz
Free jazz is an experimental approach to jazz improvisation that developed in the late 1950s and early 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the bebop, hard bop, and modal jazz that had been played before them was too limiting. They became preoccupied with creating something new and exploring new directions. The term "free jazz" has often been combined with or substituted for the term "avant-garde jazz". Europeans tend to favor the term "free improvisation". Others have used "modern jazz", "creative music", and "art music". The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward-looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often re ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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Musical Improvisation
Musical improvisation (also known as musical extemporization) is the creative activity of immediate ("in the moment") musical composition, which combines performance with communication of emotions and instrumental technique as well as spontaneous response to other musicians. Sometimes musical ideas in improvisation are spontaneous, but may be based on chord changes in classical music and many other kinds of music. One definition is a "performance given extempore without planning or preparation". Another definition is to "play or sing (music) extemporaneously, by inventing Variation (music), variations on a melody or creating new melodies, rhythms and harmonies". ''Encyclopædia Britannica'' defines it as "the extemporaneous composition or free performance of a musical passage, usually in a manner conforming to certain stylistic norms but unfettered by the prescriptive features of a specific musical text." Improvisation is often done within (or based on) a pre-existing harmonic frame ...
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Experimental Music
Experimental music is a general label for any music or music genre that pushes existing boundaries and genre definitions. Experimental compositional practice is defined broadly by exploratory sensibilities radically opposed to, and questioning of, institutionalized compositional, performing, and aesthetic conventions in music. Elements of experimental music include Indeterminacy in music, indeterminate music, in which the composer introduces the elements of chance or unpredictability with regard to either the composition or its performance. Artists may also approach a hybrid of disparate styles or incorporate unorthodox and unique elements. The practice became prominent in the mid-20th century, particularly in Europe and North America. John Cage was one of the earliest composers to use the term and one of experimental music's primary innovators, utilizing Indeterminacy (music), indeterminacy techniques and seeking unknown outcomes. In France, as early as 1953, Pierre Schaeffer had ...
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Peter Fischli & David Weiss
Peter Fischli (born 8 June 1952) and David Weiss (21 June 1946 – 27 April 2012), often shortened to Fischli/Weiss, were a Swiss artist duo that collaborated beginning in 1979. Their best-known work is the film '' Der Lauf der Dinge'' (''The Way Things Go'', 1987), described by ''The Guardian'' as being "post apocalyptic", as it concerned chain reactions and the ways in which objects flew, crashed and exploded across the studio in which it was shot. Fischli lives and works in Zürich; Weiss died on 27 April 2012. Education and early career Peter Fischli (born 8 June 1952) was born in Zürich. David Weiss (21 June 1946 – 27 April 2012) grew up as the son of a parish priest and a teacher. After discovering a passion for jazz at the age of 16, he enrolled in a foundation course at the Kunstgewerbeschule, Zürich, where in his first year of study he befriended fellow artist Urs Lüthi. Having rejected careers as a decorator, a graphic designer and a photographer, Weiss soon ...
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William Parker (musician)
William Parker (born January 10, 1952) is an American free jazz double bassist. Beginning in the 1980s, Parker played with Cecil Taylor for over a decade, and he has led the Little Huey Creative Music Orchestra since 1981. ''The Village Voice'' named him "the most consistently brilliant free jazz bassist of all time" and ''DownBeat'' has called him "one of the most adventurous and prolific bandleaders in jazz". Early life and career Parker was born in the Bronx, New York City, and grew up in the Melrose housing project. His first instrument was the trumpet, followed by the trombone and cello. Parker was not formally trained as a classical player, but in his youth studied with Jimmy Garrison, Richard Davis, and Wilbur Ware in learning the tradition. While Parker has been active since the early 1970s, he first came to public attention playing with pianist Cecil Taylor in the 1980s. He has performed in many of Peter Brötzmann's groups, and played with saxophonist David S. W ...
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Peter Brötzmann
Peter Brötzmann (born 6 March 1941) is a German saxophonist and clarinetist. Biography Early life Brötzmann was born in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement but grew dissatisfied with art galleries and exhibitions. He experienced his first jazz concert when he saw American jazz musician Sidney Bechet while still in school at Wuppertal, and it made a lasting impression. He has not abandoned his art training. Brötzmann has designed most of his album covers. He taught himself to play clarinets, then saxophones; he is also known for playing the tárogató. Among his first musical partnerships was with double bassist Peter Kowald. '' For Adolphe Sax'', Brötzmann's first recording, was released in 1967 and featured Kowald and drummer Sven-Åke Johansson. In 1968 ''Machine Gun'', an octet recording, was released. The album was self-produced under his BRO record label imprint and sold at concerts, ...
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Alex Buess
Alex Buess is a Swiss composer, saxophone player, producer and sound artist born in 1954 in Basel (CH). Biography He collaborates (has collaborated) with Stephan Wittwer, Paul Schütze, Kevin Martin, Peter Brötzmann, William Parker, Raoul Björkenheim, Toshinori Kondo, Bill Laswell, Kevin Shields ( My Bloody Valentine), Tim Hodgkinson, Michael Wertmüller, Daniel Buess and many other musicians in the wide field of improvisation, electronics, electroacoustic music and composition. He plays/played in the groups ICE, God, Phantom City, The Bug, Sprawl, Cortex and his own group 16-17 Buess has written compositions for various contemporary music ensembles such as e. g. the Ensemble Modern, the Xasax Saxophone Quartett Paris or the Ensemble Phoenix Basel and also works as a producer and sound engineer. His compositions are performed in Europe and throughout the world. Several of his works have been commissioned by well known music festivals. Buess`s compositions are ch ...
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