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Stefano Benedetto Pallavicino
Stefano Benedetto Pallavicino (21 March 1672 – 16 April 1742) was an Italian poet and opera librettist. He was the son of the composer Carlo Pallavicino (1630?-1688). (Their surname Pallavicino is sometimes spelt Pallavicini.) Biography Pallavicino was born in Padua. He worked at the courts of Dresden and Düsseldorf as a poet, secretary and librettist, and produced almost twenty opera librettos during his lengthy career. His opera librettos were set by the composers Agostino Steffani, Antonio Lotti, Giovanni Alberto Ristori and the German master of Italian opera seria, Johann Adolf Hasse among others. His first libretto was, ''Antiope'' (1689). He also wrote the text for the comic opera ''Calandro'' by Giovanni Alberto Ristori, which was first staged in 1726 at the castle of Pilnitz near Dresden, and then in Moscow in 1731 when it was the first opera ever performed in Russia. He later composed the libretto for the five-act opera seria ''Alfonso'' (1738) by Johann Adolf ...
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Stefano Benedetto Pallavicino
Stefano Benedetto Pallavicino (21 March 1672 – 16 April 1742) was an Italian poet and opera librettist. He was the son of the composer Carlo Pallavicino (1630?-1688). (Their surname Pallavicino is sometimes spelt Pallavicini.) Biography Pallavicino was born in Padua. He worked at the courts of Dresden and Düsseldorf as a poet, secretary and librettist, and produced almost twenty opera librettos during his lengthy career. His opera librettos were set by the composers Agostino Steffani, Antonio Lotti, Giovanni Alberto Ristori and the German master of Italian opera seria, Johann Adolf Hasse among others. His first libretto was, ''Antiope'' (1689). He also wrote the text for the comic opera ''Calandro'' by Giovanni Alberto Ristori, which was first staged in 1726 at the castle of Pilnitz near Dresden, and then in Moscow in 1731 when it was the first opera ever performed in Russia. He later composed the libretto for the five-act opera seria ''Alfonso'' (1738) by Johann Adolf ...
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Calandro
''Calandro'' is an ''opera buffa'' in three acts composed by Giovanni Alberto Ristori to a libretto by Stefano Benedetto Pallavicino. The libretto was based on the comedy '' Il Calandro'' by Bernardo Dovizi (Cardinal Bibbiena). In turn, Dovizi's play borrowed elements of the plot from Plautus's ''Menaechmi'' and the character Calandro from Boccaccio's ''Decameron'' It was first staged on 2 September 1726 in Dresden. Background and performance history ''Calandro'' premiered on 2 September 1726 in the court theatre at the Schloss Pillnitz (Pillnitz Castle) near Dresden at the request of Maria Josepha of Austria to celebrate the return of her husband, Crown Prince Frederick Augustus, from Warsaw. It was probably Germany's first opera buffa, and after hearing a performance during the 1728 Carnival season in Dresden, Frederick Augustus' father August II asked for a copy of the score. Three years later, in 1731, it became the first Italian opera presented in Russia. There it was given ...
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1672 Births
Year 167 ( CLXVII) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Aurelius and Quadratus (or, less frequently, year 920 ''Ab urbe condita''). The denomination 167 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Lucius Aurelius Verus Augustus and Marcus Ummidius Quadratus Annianus become Roman Consuls. * The Marcomanni tribe wages war against the Romans at Aquileia. They destroy aqueducts and irrigation conduits. Marcus Aurelius repels the invaders, ending the Pax Romana (Roman Peace) that has kept the Roman Empire free of conflict since the days of Emperor Augustus. * The Vandals (Astingi and Lacringi) and the Sarmatian Iazyges invade Dacia. To counter them, Legio V ''Macedonica'', returning from the Parthian War, moves its ...
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18th-century Italian Male Writers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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18th-century Italian Writers
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who expand ...
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17th-century Italian Writers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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Italian Opera Librettists
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * in ...
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Bernardo Dovizi
Bernardo Dovizi of Bibbiena (4 August 1470 – 9 November 1520) was an Italian cardinal and comedy writer, known best as Cardinal Bibbiena, for the town of Bibbiena, where he was born. Biography He received a substantial literary training, and became a preceptor and boon companion of Giovanni dei Medici, the future Pope Leo X (from 1513 to his death in 1521). In November 1494, when the Medici were banished, he supported them. Soon afterwards he was rewarded with the protection of Julius II and many honours at the Roman court. In 1513 his arduous efforts on behalf of his lifelong patron secured the election of Giovanni dei Medici to the pontifical throne. Leo X repaid such services by naming him a Cardinal in the Consistory of 23 September 1513, and appointing him Cardinal Deacon of S. Maria in Porticu. Leo continued to show his favor by appointing Bibbiena his treasurer and entrusting him with many important missions, among them the command of the Papal army in the War o ...
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Russian Opera
Russian opera ( Russian: Ру́сская о́пера ''Rússkaya ópera'') is the art of opera in Russia. Operas by composers of Russian origin, written or staged outside of Russia, also belong to this category, as well as the operas of foreign composers written or intended for the Russian scene. These are not only Russian-language operas. There are examples of Russian operas written in French, English, Italian, Latin, Ancient Greek, Japanese, or the multitude of languages of the nationalities that were part of the Empire and the Soviet Union. Russian opera includes the works of such composers as Glinka, Mussorgsky, Borodin, Tchaikovsky, Rimsky-Korsakov, Stravinsky, Prokofiev and Shostakovich. Searching for its typical and characteristic features, Russian opera (and Russian music as a whole), has often been under strong foreign influence. Italian, French, and German operas have served as examples, even when composers sought to introduce special, national elements into their w ...
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Satires (Horace)
The ''Satires'' ( la, Satirae or ''Sermones'') is a collection of satirical poems written by the Roman poet Horace. Composed in dactylic hexameters, the ''Satires'' explore the secrets of human happiness and literary perfection. Published probably in 35 BC and at the latest, by 33 BC, the first book of ''Satires'' represents Horace's first published work. It established him as one of the great poetic talents of the Augustan Age. The second book was published in 30 BC as a sequel. In his ''Sermones'' (Latin for "conversations") or ''Satires'' (Latin for "miscellaneous poems"), Horace combines Epicurean, that is, originally Greek, philosophy with Roman good sense to convince his readers of the futility and silliness of their ambitions and desires. As an alternative, he proposes a life that is based on the Greek philosophical ideals of ''autarkeia'' (Greek for "inner self-sufficiency") and ''metriotes'' (Greek for "moderation" or sticking to the Just Mean). In ''S.'' 1.6.110–13 ...
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Epistles (Horace)
The ''Epistles'' (or ''Letters'') of Horace were published in two books, in 20 BC and 14 BC, respectively. *''Epistularum liber primus'' (''First Book of Letters'') is the seventh work by Horace, published in the year 20 BC. This book consists of 20 Epistles. The phrase ''sapere aude'' ("dare to be wise") comes from this collection of poems. *''Epistularum liber secundus'' (''Second Book of Letters'') was published in the year 14 BC. This book consists of 3 Epistles. However, the third epistle – the Ars Poetica – is usually treated as a separate composition. Background As one commentator has put it: "Horace's ''Epistles'' may be said to be a continuation of his Satires in the form of letters... But few of the epistles are ctuallyletters except in form..."The Works of Horace Rendered into English Prose by James Lonsdale M.A. and Samuel Lee M.A. London: MacMillan and Co., 1883. Edition is available on Google Books. They do indeed contain an excellent specimen of a letter of ...
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Odes (Horace)
The ''Odes'' ( la, Carmina) are a collection in four books of Latin lyric poems by Horace. The Horatian ode format and style has been emulated since by other poets. Books 1 to 3 were published in 23 BC. A fourth book, consisting of 15 poems, was published in 13 BC. The ''Odes'' were developed as a conscious imitation of the short lyric poetry of Greek originals – Pindar, Sappho and Alcaeus are some of Horace's models. His genius lay in applying these older forms to the social life of Rome in the age of Augustus. The ''Odes'' cover a range of subjects – Love, Friendship, Wine, Religion, Morality, Patriotism; poems of eulogy addressed to Augustus and his relations; and verses written on a miscellany of subjects and incidents, including the uncertainty of life, the cultivation of tranquility and contentment, and the observance of moderation or the " golden mean." The ''Odes'' have been considered traditionally by English-speaking scholars as purely literary works. Recent eviden ...
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